Rural Missouri - May 2013 - (Page 23)
Left: Jerry uses a gouge to slowly remove
material around the scroll on a piece of
wood that will become the back of a
custom-made mandolin. Rosa String Works
mandolins are known for their tone and
volume. Below: Liz Hoffner of St. James
listens as Jerry describes how best to play a
new song they’ve been practicing. Liz has
been taking mandolin lessons from Jerry for
the past year. Jerry says he enjoys passing
on his knowledge of bluegrass to the next
generation of pickers.
GRASS
GROWS
workshop, Jerry Rosa breathes bluegrass
was a 10-string mandolin built for Grammy-winning
musician Carmine D’Amico, who died in 2011.
Jerry’s mandolins are unique works of art. His
most recent creation, which he built for himself, features gold-plated tuning keys with real pearl knobs.
a gig in Doolittle in early April. The other members of the
Renee Caudill, upright bass; and Gary Heavin, guitar.
The back is crafted from
a sycamore tree he cut
from his own farm and
includes a hand-carved
rose, an emblem that
can be found on each
Rosa instrument. His
starting price for custom
mandolins is $5,500.
As musicians began taking note of Jerry’s craftsmanship, they soon began asking him to repair their
instruments. “I tell people I can fix anything with
strings on it — smaller than a piano, that is,” he says
with a laugh. “I work on both acoustic and electric
instruments, though it’s mostly acoustic stuff.”
When it comes to ways to damage an instrument,
Jerry has seen it all through the years. Whether it’s
a violin with a hole chewed in its top by a mouse or
a guitar damaged by an unfortunate mix of alcohol
and fireworks, he’s fixed them all.
Jerry says there are three main reasons why
instruments get broke.
“People will leave them in a hot car, that’s the
first reason,” he explains. “The glue loosens up, and
the tension on the strings will pull the neck off or
warp the top. They’ll also get leaned against a wall
and then knocked over. Or, they get sat on.”
Not all instruments that get sent to Rosa Strings
Works are broken, however. Musicians around the
country send their guitars, mandolins and fiddles to
Jerry for routine upkeep and fine-tuning necessary
for optimum performance.
“Why, if you have instrument trouble, take it to
Jerry,” says J.D. Fritchey of Dixon, who plays mandolin with the group, Clifty Creek. “He’s a good guy
to have to take care of us pickers.”
With regular play, musicians like J.D. wear small
grooves into their frets, which eventually can cause
their instruments to buzz. To fix this, Jerry gives the
instrument a fret job. He’ll level and crown the frets,
or replace them altogether, if necessary.
For the past 20 years, J.D. has entrusted his mandolin to Jerry for such work, along with a regular
“set up,” which refers to adjusting an instrument to
MAY 2013
sound and play the best.
“There’s lots of instruments that could be sounding better if they were set up right,” J.D. says. “If
Jerry sets one up, it’s set up right, the way it should
be. Second best isn’t good enough for him.”
When he’s not playing, building or repairing
instruments, Jerry also enjoys teaching others to
play and sing. He says that his unusual style makes
learning easier. “I can play any song in any key
because of the way I play,” explains the 58-year-old.
“I don’t play any open notes, so it’s just really easy
to transfer it anywhere on the neck. It’s probably the
easiest way you can learn to play the mandolin.”
Some of Jerry’s former students have gone on to
have careers in music, including Joe Dean, who now
plays banjo in the award-winning group, Doyle Lawson & Quicksilver.
“I just think he’s a great teacher,” says Liz Hoffner
of St. James who has been taking mandolin lessons
from Jerry for the past year. “He thinks I can do it,
even if I don’t. He’s confident in me and tries to
make me confident in myself.”
Liz says her skills have improved greatly under
Jerry’s tutelage, so much so that she got asked to
play with a local band called Jerusalem Ridge. “If
you really want a good mandolin teacher, go find
Mr. Rosa. He’s the best.”
The Rosa String Works facility also features a full
recording studio where Jerry has produced albums
for dozens of artists including The Rowden Review,
Midnight Flight and Beverly’s Hillbillies.
Despite playing with and building beautiful
instruments for famous musicians, Jerry says one of
his greatest joys comes from returning life to a faded
instrument, especially those that come into the shop
with a story.
“Instruments are a little different than most
things that people own,” he says. “They almost
always have a sentiment attached to them, some
kind of memory. So, you get a good feeling that
you’re fixing an old friend.”
Learn more about Rosa String Works by calling 314550-6171 or by visiting www.rosastringworks.com.
23
http://www.rosastringworks.com
Table of Contents for the Digital Edition of Rural Missouri - May 2013
Rural Missouri - May 2013
Table of Contents
Comments
Columns
Chronicle of the corncob pipe
Missouri Snapshots contest
The family that drills together
Out of the Way Eats
Where bluegrass grows
Outdoors
Hearth and Home
Veggies and vision
Vertical gardening
Around Missouri
Marketplace
Neighbors
Just4Kids
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