Early Music America Spring 2013 - (Page 71)

ADindex Harmonia Mundi ..........................................C2 Harmonia/WFIU ............................................66 Harpsichord Clearing House ...........................5 Pieter Affourtit Bows....................................71 David Hawthorne, Bowmaker.......................47 American Bach Soloists ................................45 Hesperus ......................................................62 American Recorder Society...........................67 Honeysuckle Music .......................................14 Amherst Early Music.....................................56 Indiana University, Jacobs School of Music ....9 Apollo’s Fire .................................................58 Indianapolis Early Music Festival ..................50 Patrick Appello .............................................63 Juilliard Historical Performance ....................C3 ARTEK .............................................................60 Guntram Wolf Modern and historic wind instruments La Tour Baroque Duo....................................62 Aston Magna................................................49 AtMA Classique .............................................21 Bach Vespers at Holy Trinity ...........................9 Bachfest Leipzig ...........................................53 Baldwin Wallace Bach Festival ......................49 Lazar’s Early Music .........................................6 Linn Records.................................................18 Longy School of Music .................................42 Lost in Time Press.........................................15 Lyra Baroque Orchestra ................................70 Madison Early Music Festival ........................50 Boston Baroque............................................23 Malcolm Bilson.............................................18 Boston Early Music Festival...........................41 Mollenhauer Recorders.................................24 North American contact: Boulder Early Music Shop.............................10 Naxos ...........................................................C4 Henry Skolnick Imports Brandywine Baroque ....................................17 New York Baroque Dance Company .............16 Broude Brothers Limited...............................10 Noy Flutes ....................................................71 Cambridge Early Music.................................47 Oberlin Baroque Peformance Institute .........44 7477 Hoover Ave. St. Louis, MO 63117 (314) 302-1078 hskolnick@charter.net Oberlin Conservatory of Music .....................12 www.guntramwolf.de Cappella Romana .........................................18 Chatham Baroque ..........................................9 Chorworks ....................................................54 ClarNan Editions...........................................55 OMI ..............................................................71 Packard Humanities Institute........................64 Parthenia ......................................................70 Peabody Institute .........................................69 Connecticut Early Music Festival...................54 Philharmonia Baroque Orchestra..................17 Cornish College of the Arts ..........................42 Leslie Ross, Bassoons....................................14 Country Dance and Song Society .................44 San Francisco Early Music Society.................46 Owen Daly Harpsichords ..............................58 Saraband Music............................................58 Early Music America .................................... 69 Henry Skolnick (rep. Guntram Wolf).............71 Early Music Vancouver..................................56 René Slotboom.............................................15 Eybler Quartet ..............................................60 Gabriela Guadalajara, Violin Maker..............71 Galant Masters Project .................................17 Galway Early Music Festival ..........................50 H. F. Grabenstein Bow Maker .......................55 Sonoma Bach ...............................................56 Stockholm Early Music Festival.....................49 Tafelmusik ....................................................50 Texas Early Music Festival .............................45 Texas Early Music Project ..............................67 Texas Toot .....................................................54 Theodore Grudzinski ....................................69 Handel and Haydn Society .............................6 Wenner Flöten..............................................16 Handel Festival Halle ....................................53 Westfield Center at Cornell University ..........46 Classifieds Von Huene Workshops ...................................5 PETER NOY Baroque Flutes FOR SALE: Baroque Flutes, student models, authentic, reasonably priced. Sweetheart Flutes, 860-749-4494, Ralphsweet@aol.com, www.sweetheartflute.com. HARPSICHORD TECHNIQUE: A Guide to Expressivity, 2nd Ed.w/ 2 CDs, by Nancy Metzger. Now reduced 30% at author’s website, www.rcip.com/ musicadulce. Classified Ad Rate for EMA magazine: $3/word, 10 word minimum. Ad deadline is one month before issue date; payment must accompany text. Send ad plus payment to: EMA, 2366 Eastlake Ave. East, #429, Seattle, WA 98102. Call toll-free 888/ SACKBUT, or contact ads@earlymusic.org. Early Music America Spring 2013 71 http://www.guntramwolf.de http://www.affourtit-bowmaker.com http://www.gabrielasbaroque.com http://www.sweetheartflute.com http://www.rcip.com/musicadulce http://www.rcip.com/musicadulce http://www.noyflutes.com http://www.omifacsimiles.com

Table of Contents for the Digital Edition of Early Music America Spring 2013

Editor's Note
Reader Forum
Sound Bytes
Profile: Peter Nothnagle Early Music Engineer
Musings: Best of the Year
Recording Reviews
"Skillful Singing" and the Prelude in Renaissance Italy
Almira: Handel's Fountain of Youth?
Tempesta di Mare: Making a Splash with Fasch
2013 Guide: Workshops & Festivals
What I Did at Summer Camp
Book Reviews
Ad Index
In Conclusion: Teaching Recitative in Mexico

Early Music America Spring 2013