Early Music America Summer 2013 - (Page 43)
The winners of EMA’s Baroque
Performance Competition
are off to a fast start
and five concerts into
its existence, the ensemble Pallade
Musica won the Grand Prize at Early
Music America’s first Baroque Performance Competition. The competition,
described as “a marathon contest,” was
held in New York last October and featured six finalists selected from a pool
of 35 applicants.
The name Pallade Musica is an Italian take on “Athena’s Music,” and the
Italian idiom has brought the group
good fortune so far. After playing
together for several months, Pallade
Musica members officially launched
their group and their own concert series
in August 2012 at the Chapelle NotreDame-de-Bon-Secours in Montreal.
To inaugurate their concert series, Pallade crafted a program of 17th-century
Italian music, “Terreno e Vago,” the same
one they performed for the EMA competition. “Terreno represents the earth, that
which is profane, secular, regular, and
defined,” read the program notes. “The
contrasting vago is music of reflection:
it is irregular, spiritual, sacred, elusive,
and vague.”
You could read this description as a
manifesto of what the group aspires to
evoke in much of their music. Baroque
flutist Sandra Miller, who teaches in
Juilliard’s Historical Performance Program in New York, was a member of the
EMA competition jury. She said the program was “beautifully conceived, both
By Adeline Sire
L
PHOTO: ELIZABETH DELAGE
ESS THAN A YEAR
The members of Pallade Musica.
From left, standing, Tanya LaPerrière,
Mylène Bélanger, and Elinor Frey,
and sitting, Esteban La Rotta.
Pallade Musica:
A Swift Rise, All’Italiana
Early Music America Summer 2013
43
Table of Contents for the Digital Edition of Early Music America Summer 2013
Editor's Note
Reader Forum
Sound Bytes
Profile: Christopher Jackson
Musings: When the Music Becomes Ours
Recording Reviews
Early Music, 21st-Century Style
The Indigenous Musicians of Cuzco
Bird Quills, the Art of Touch, and Other Pleasures
Pallade Musica: A Swift Rise, All'Italiana
Book Reviews
Ad Index
In Conclusion: Finding "Local Content" in the Music of New Spain
Early Music America Summer 2013
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http://www.brightcopy.net/allen/EMAM/21-4
http://www.brightcopy.net/allen/EMAM/21-3
https://www.nxtbook.com/allen/EMAM/21-2
https://www.nxtbook.com/allen/EMAM/21-1
https://www.nxtbook.com/allen/EMAM/20-4
https://www.nxtbook.com/allen/EMAM/20-3
https://www.nxtbook.com/allen/EMAM/20-2
https://www.nxtbook.com/allen/EMAM/20-1
https://www.nxtbook.com/allen/EMAM/19-4
https://www.nxtbook.com/allen/EMAM/19-3
https://www.nxtbook.com/allen/EMAM/19-2
https://www.nxtbook.com/allen/EMAM/19-1
https://www.nxtbook.com/allen/EMAM/18-4
https://www.nxtbook.com/allen/EMAM/18-3
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