RECORDING August 2022 - 61
Pre-Fader Sends
Both on a traditional mixing desk or a modern DAW, aux sends are
used to generate a separate monitor mix. Just as you would send sounds
at different levels to an effects bus, aux sends split each track off from the
main mix. This new sub-mix is routed to the performers' headphones, providing
a dedicated blend of instruments explicitly tailored for the players.
To ensure the performer's mix is not affected by any level changes or
tweaking done to the Main/CR rough mix, the sends used for the performers'
mix must be split off before each track's signal goes through
the channel fader (used to generate the CR mix). By default, most
sends usually pull the signal out post-fader (like for reverb effects), but
they can be switched to pre-fader status, perfect for a monitor mix.
Logic Pro X Monitor
Mix Features
DAW Monitor Mix
When doing a band session in a DAW, there are several ways to
generate a performer's monitor mix. It can be dialed up in the DAW's
virtual mixer, setting up a row of pre-fader sends. The independent
mix dialed up on those sends must then be routed to a headphone
distribution amp for the performers' headphones. Naturally, this will
require additional outputs on the interface over and above the main
stereo outputs. Most interfaces with enough inputs (typically 8+) for a
multi-track band recording will also have a corresponding number of
outputs that can be used to distribute the monitor mix to the players.
So, for example, a row of sends might be routed to a bus feeding an
aux channel whose output would be routed to, say, output 3-4 on the
interface, which will then feed the headphone amp.
PreSonus 6-channel Headphone Amp
Some DAWs may include convenience features when setting up a
monitor mix via aux sends. For example, the mixer in Logic has a feature
where you can quickly copy the already dialed-up CR mix on the
main channel faders to a row of pre-fader sends to save time-that mix
can then be quickly customized for the performers' needs. The Logic
mixer also provides the option to temporarily assign the main channel
faders to control the send levels of a monitor mix to make it easier to
tweak that mix without having to use the tiny send level knobs.
Interface Monitor Mix
Besides using pre-fader sends in the DAW's virtual mixer, many
audio interfaces offer the option of setting up a monitor mix in their
own dedicated software utility. This can pull incoming signals and
set up a monitor mix even before the live signals go to the DAW.
RECORDING August 2022 61
Every note depends on what you hear
http://lewitt.link/1040/to
RECORDING August 2022
Table of Contents for the Digital Edition of RECORDING August 2022
Fade In
Fast Forward – 2022 NAMM Report
Session Log: Bleed and Leakage with Lou Reed, Part 1
Plugin Outlet: IK Multimedia T-RackS FAME Studio Reverb
United Studio Technologies UT Twin87
Danger In The Workplace: Remote composition, improvisation and recording with Stick Men
Austrian Audio OC707 True Condenser and OD505 Active Dynamic Vocal Microphones
Inside The Studio With Mark Hornsby: Capturing the Sound of Chicago
DPA 4055 Kick Drum Microphone
Killing Two Birds: Filming your band’s studio session
Roswell Pro Audio Mini K67x Condenser Microphone
Tracking My Band: Üfer Two More Skip the Last—Experiences and takeaways from tracking a reggae-rock album
sE Electronics NEOM USB
Inside The Box with Joe Albano: The Monitor Mix
Readers Tracks
Campfire Audio Solstice
RECORDING August 2022 - Intro
RECORDING August 2022 - Cover1
RECORDING August 2022 - Cover2
RECORDING August 2022 - 1
RECORDING August 2022 - 2
RECORDING August 2022 - 3
RECORDING August 2022 - Fade In
RECORDING August 2022 - 5
RECORDING August 2022 - 6
RECORDING August 2022 - 7
RECORDING August 2022 - Fast Forward – 2022 NAMM Report
RECORDING August 2022 - 9
RECORDING August 2022 - 10
RECORDING August 2022 - 11
RECORDING August 2022 - Session Log: Bleed and Leakage with Lou Reed, Part 1
RECORDING August 2022 - 13
RECORDING August 2022 - 14
RECORDING August 2022 - 15
RECORDING August 2022 - 16
RECORDING August 2022 - 17
RECORDING August 2022 - Plugin Outlet: IK Multimedia T-RackS FAME Studio Reverb
RECORDING August 2022 - 19
RECORDING August 2022 - 20
RECORDING August 2022 - 21
RECORDING August 2022 - United Studio Technologies UT Twin87
RECORDING August 2022 - 23
RECORDING August 2022 - Danger In The Workplace: Remote composition, improvisation and recording with Stick Men
RECORDING August 2022 - 25
RECORDING August 2022 - 26
RECORDING August 2022 - 27
RECORDING August 2022 - 28
RECORDING August 2022 - 29
RECORDING August 2022 - 30
RECORDING August 2022 - 31
RECORDING August 2022 - 32
RECORDING August 2022 - 33
RECORDING August 2022 - 34
RECORDING August 2022 - 35
RECORDING August 2022 - Austrian Audio OC707 True Condenser and OD505 Active Dynamic Vocal Microphones
RECORDING August 2022 - 37
RECORDING August 2022 - Inside The Studio With Mark Hornsby: Capturing the Sound of Chicago
RECORDING August 2022 - 39
RECORDING August 2022 - 40
RECORDING August 2022 - 41
RECORDING August 2022 - 42
RECORDING August 2022 - 43
RECORDING August 2022 - DPA 4055 Kick Drum Microphone
RECORDING August 2022 - 45
RECORDING August 2022 - Killing Two Birds: Filming your band’s studio session
RECORDING August 2022 - 47
RECORDING August 2022 - 48
RECORDING August 2022 - 49
RECORDING August 2022 - Roswell Pro Audio Mini K67x Condenser Microphone
RECORDING August 2022 - 51
RECORDING August 2022 - Tracking My Band: Üfer Two More Skip the Last—Experiences and takeaways from tracking a reggae-rock album
RECORDING August 2022 - 53
RECORDING August 2022 - 54
RECORDING August 2022 - 55
RECORDING August 2022 - 56
RECORDING August 2022 - 57
RECORDING August 2022 - sE Electronics NEOM USB
RECORDING August 2022 - 59
RECORDING August 2022 - Inside The Box with Joe Albano: The Monitor Mix
RECORDING August 2022 - 61
RECORDING August 2022 - 62
RECORDING August 2022 - 63
RECORDING August 2022 - Readers Tracks
RECORDING August 2022 - 65
RECORDING August 2022 - 66
RECORDING August 2022 - 67
RECORDING August 2022 - 68
RECORDING August 2022 - 69
RECORDING August 2022 - 70
RECORDING August 2022 - 71
RECORDING August 2022 - Campfire Audio Solstice
RECORDING August 2022 - Cover3
RECORDING August 2022 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202501
https://www.nxtbook.com/musicmaker/musicmaker/recording_202412
https://www.nxtbook.com/musicmaker/musicmaker/recording_202411
https://www.nxtbook.com/musicmaker/musicmaker/recording_202410
https://www.nxtbook.com/musicmaker/musicmaker/recording_202409
https://www.nxtbook.com/musicmaker/musicmaker/recording_202408
https://www.nxtbook.com/musicmaker/musicmaker/recording_202407
https://www.nxtbook.com/musicmaker/musicmaker/recording_202406
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com