Histoires de Pages - Let’s talk layouts / Issue #53 - SEPTEMBER-OCTOBER 2013 - (Page 80)
A background page in 6 steps
How to transform your patterned papers
Creating your own background paper starting from a white page has
become common. How about starting from patterned paper with designs
pretty much present, that you are going to transform by making it softer?
With this technique, which is pretty easy to make use of, you will be able to
have fun while using rubberstamps, masks and inks.
by Ingvild Bolme
In creating our own backgrounds
we are more in control of our
layout(s). Sometimes we buy
somewhat ornate prints, and when
about to use them, we would like
them to be a little more subdued.
By working on them again with
gesso, inks, stamps and masks, we
can create a very different, incredibly romantic atmosphere, for this
photo of two sparky little girls.
The technique is also suitable for
men's pages, depending both on
the colors and drawings which
are used and the finishes (here it
is the fairy tale aspect which is
underlined).
Dancing Butterfly
What you need :
*
*
*
*
*
*
*
*
*
*
A patterned paper
Stamps with several designs
Stamps with texts
Different colors of inks
A foam sponge
Gesso or white paint
Various masks
Spray inks
Masking tape
A thin black pen
80 HISTOIRES DE PAGES -
SEPTEMBER / OCTOBER 2013
Supplies: papers (Prima), stamps (Prima,
7gypsies), sticker alphabets (Prima), masks
(Prima), inks (Chalk Edgers, Glimmer Mist),
gesso, rub-ons (Basic Grey), flowers
(Prima), embellishments (Shabby Chic Resin
and Metal Treasures, Hambly), masking
tape, black pen
But who is this delightful dancer introducing the subject of this merry
layout to the spectator?
Born in Stockholm in 1804, she led
a life totally devoted to ballet dancing, and died, in 1884, in Marseille,
where she had retired herself.
She enchanted the world of balletlovers, in the Romantic period: she
was Marie Taglioni, the daughter
of an Italian choreographer and a
Swedish ballerina. She spent more
time on the tips of her toes than on
the balls of her feet since she created dancing on point. Her costume
gave birth to the tutu that all classic
dancers still wear. Alas, Taglioni's
art is lost to us. None of the choreographies created for her have survived, even the Sylph, in which she
triumphed in an aerial technique,
which was her trademark.
Table of Contents for the Digital Edition of Histoires de Pages - Let’s talk layouts / Issue #53 - SEPTEMBER-OCTOBER 2013
Cover
Editor's note
CONTENTS
Rendez-vous
Letters from our readers
Let's play around with color - Tempted by transparency
Are you a beginner? This page is especially for you!
Readers' Idea Gallery - Summer activities - Combo
Tale of a sketch - Put the photo in the spotlight
Letter from our translators
Ideas
One page, three options
Matching decorations
Make-over session - for Christelle's and Emilie's layouts
U.S. tags - They are a must!
A mishmash of words
Honors go to photography
Graphic and stylish - Sew in your layouts
A mini-album with labels - to be downloaded on page 99
Techniques
A few little graphic rules - to adopt without delay !
Let's tame color
A background in 6 steps - Transform your patterned papers
Butterflies
Are you a tea - or a coffee person?
A background in 9 steps - Ink, paper, that's all!
A background in 9 steps - Flowers and colors!
A maxi-album - A floris't shop
Discoveries
We have tried out for you
Marseille - Provence 2013
Meet the artists - Delphine, Carole and Laetitia
It's on trend - Marine anchors
Scraptherapy - How about talking scraptherapy?
Rendez-vous on the blogosphere
Histoires de Pages - Let’s talk layouts / Issue #53 - SEPTEMBER-OCTOBER 2013
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