Big Picture - March 2016 - (Page 2)
insight
False Balance
F
BIG PICTURE
March 2016
alse balance means giving fair play to an idea that's unsubstantiated; something that a few
people believe, but that lacks credibility in neutral circles. Think Holocaust deniers or The Flat
Earth Society, whose members flout overwhelming scientific evidence that the Earth is spherical.
The idea of false balance carries its own controversy. As evidence grows that vaccines do
not cause autism, for example, some media outlets have still given column space and air time to
people who believe they do. At the beginning of the scare, this was an easy mistake to make. As the original study fi nding the correlation was retracted and its author discredited, it's become more and more
difficult to find reasons to give such arguments play.
Still, many false balances are in gray areas. Someone must decide to label a particular body of
evidence a "scientific consensus" while deeming another perhaps compelling, but not comprehensive.
Like the ups and downs of the stock market, these tipping points can be hard to identify in the moment,
particularly when tempers and egos are inflamed.
We see this in print, too. Screen printers are moving to digital. Digital printers are moving to textiles
and ceramics. Textile printers are looking at workflow and finishing. Commercial printers are adding
smaller digital machines aimed at prototyping and shorter runs. People are giving presentations on the
death of print; people are presenting counterarguments called "Print's Not Dead."
It's all a bit silly. Print, as in daily newspapers, books, catalogs, medical records, architectural
documents, and junk mail, is declining. Our society is becoming more global and more mobile, so print as
a commodity has declined. Monthly travelers refuse newspapers in favor of a Kindle. Yet when they
arrive at their destination, they rely on digital signage to show them the way; they shop in personalized
retail spaces with ever-faster store design turnover; and they demand custom-patterned Nikes, one-of-akind Coke bottles, and chain restaurants that reflect local tastes in art and menu items. All of this has
created a universe for print outputs that baffles common conception.
Those who champion the death of print are right because their definition of what print can do is
narrow. They don't know that everything from the tile beneath their feet to their kids' sports uniforms to
the brace their physician prescribes will soon be a print output, if it isn't already.
Despite much evidence to the contrary, the world still contains a few Holocaust deniers. You know
they're wrong. Why include their viewpoints in your measured opinions? Don't fall victim to false
balance. Instead, work to share the truth, which is both the real story and the complete one.
This need for sharing is why we tell you marketing is all-important, and why we've traveled from
Florida to New York to Vegas to Milan over the past few months. We're stalking change; we're amassing
evidence. And we know the best way to change the outlook on print is to
share what print can truly do.
2
BY ROBIN DONOVAN, editor-in-chief
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Table of Contents for the Digital Edition of Big Picture - March 2016
Big Picture - March 2016
Contents
Challenge Accept
The Power and the Glory
Insight
Dynamic Signage
Wide Angle
Upfront
R+D
Big Picture - March 2016
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