American Cinematographer - January 2007 - 63

brand-new Libra V Head. I

Left: After

I'd

kidnapping
Jaguar Paw

use

this

thought
equipment for special

shots, but

as

with it for

most

it turned out,

we

of the movie. I

shot

and several
other

must

men

from

his

village, the
Mayans take
their prisoners
across a raging

give full marks to A-camera opera¬
tor Ian Fox, 1st AC Tony Rivetti,
dolly grips Jeff'Moose' Howery and
John Murphy, crane operator Carlos

river. Below:
Director Mel

Gonzalez, and Libra technicians

Gibson

Rocky Babcock and Adam Austin
for their coordination in not only
executing many magnificent shots,
but also using the Super Techno as a
day-to-day workhorse."
Based on his experience on

runs

through the
scene

with

the cast.

Click, Semler knew he would be

spending most of the Apocalypto
shoot in the "Digi Tent," basically an
8'x8' portable darkroom set adjacent
to video village. The Genesis cam¬
eras' outputs were wired to the
Panavision and EFilm equipment in
the tent, where Semler could switch
between

cameras

and view the

image on a 24" Sony HD monitor in
4:2:2 color space, alongside a wave¬
form monitor and wireless iris

con¬

trols. The HD

signals

then

down-converted

to

video monitors
the video

were

NTSC feeds

to

for Gibson in
village. The director joined

Semler in the

set up

tent to

view the HD

image when he had a concern or
question.
Although Semler started the
shoot working with his light meter,
he quickly grew to rely on the HD
monitor to evaluate exposure and
the overall image, occasionally using
the waveform monitor

to

double¬

check

particular highlights. "The
tent was my workstation - I was
basically looking at the release
print!" he says. "I'd prefer to be out¬
side, by the camera or the director,
but it was a small price to pay for
being able to see exactly what I was
getting. The dailies, or 'immediatelies,'

as

Mel called them,

were very

reassuring for us, because at the end
of the day, we knew we had it."
On Click, Semler worked with

EFilm to define

used the

a

workflow, and he

same one

on

Apocalypto.
American

Cinematographer 63



American Cinematographer - January 2007

Table of Contents for the Digital Edition of American Cinematographer - January 2007

Contents
American Cinematographer - January 2007 - Cover1
American Cinematographer - January 2007 - Cover2
American Cinematographer - January 2007 - 1
American Cinematographer - January 2007 - 2
American Cinematographer - January 2007 - Contents
American Cinematographer - January 2007 - 4
American Cinematographer - January 2007 - 5
American Cinematographer - January 2007 - 6
American Cinematographer - January 2007 - 7
American Cinematographer - January 2007 - 8
American Cinematographer - January 2007 - 9
American Cinematographer - January 2007 - 10
American Cinematographer - January 2007 - 11
American Cinematographer - January 2007 - 12
American Cinematographer - January 2007 - 13
American Cinematographer - January 2007 - 14
American Cinematographer - January 2007 - 15
American Cinematographer - January 2007 - 16
American Cinematographer - January 2007 - 17
American Cinematographer - January 2007 - 18
American Cinematographer - January 2007 - 19
American Cinematographer - January 2007 - 20
American Cinematographer - January 2007 - 21
American Cinematographer - January 2007 - 22
American Cinematographer - January 2007 - 23
American Cinematographer - January 2007 - 24
American Cinematographer - January 2007 - 25
American Cinematographer - January 2007 - 26
American Cinematographer - January 2007 - 27
American Cinematographer - January 2007 - 28
American Cinematographer - January 2007 - 29
American Cinematographer - January 2007 - 30
American Cinematographer - January 2007 - 31
American Cinematographer - January 2007 - 32
American Cinematographer - January 2007 - 33
American Cinematographer - January 2007 - 34
American Cinematographer - January 2007 - 35
American Cinematographer - January 2007 - 36
American Cinematographer - January 2007 - 37
American Cinematographer - January 2007 - 38
American Cinematographer - January 2007 - 39
American Cinematographer - January 2007 - 40
American Cinematographer - January 2007 - 41
American Cinematographer - January 2007 - 42
American Cinematographer - January 2007 - 43
American Cinematographer - January 2007 - 44
American Cinematographer - January 2007 - 45
American Cinematographer - January 2007 - 46
American Cinematographer - January 2007 - 47
American Cinematographer - January 2007 - 48
American Cinematographer - January 2007 - 49
American Cinematographer - January 2007 - 50
American Cinematographer - January 2007 - 51
American Cinematographer - January 2007 - 52
American Cinematographer - January 2007 - 53
American Cinematographer - January 2007 - 54
American Cinematographer - January 2007 - 55
American Cinematographer - January 2007 - 56
American Cinematographer - January 2007 - 57
American Cinematographer - January 2007 - 58
American Cinematographer - January 2007 - 59
American Cinematographer - January 2007 - 60
American Cinematographer - January 2007 - 61
American Cinematographer - January 2007 - 62
American Cinematographer - January 2007 - 63
American Cinematographer - January 2007 - 64
American Cinematographer - January 2007 - 65
American Cinematographer - January 2007 - 66
American Cinematographer - January 2007 - 67
American Cinematographer - January 2007 - 68
American Cinematographer - January 2007 - 69
American Cinematographer - January 2007 - 70
American Cinematographer - January 2007 - 71
American Cinematographer - January 2007 - 72
American Cinematographer - January 2007 - 73
American Cinematographer - January 2007 - 74
American Cinematographer - January 2007 - 75
American Cinematographer - January 2007 - 76
American Cinematographer - January 2007 - 77
American Cinematographer - January 2007 - 78
American Cinematographer - January 2007 - 79
American Cinematographer - January 2007 - 80
American Cinematographer - January 2007 - 81
American Cinematographer - January 2007 - 82
American Cinematographer - January 2007 - 83
American Cinematographer - January 2007 - 84
American Cinematographer - January 2007 - 85
American Cinematographer - January 2007 - 86
American Cinematographer - January 2007 - 87
American Cinematographer - January 2007 - 88
American Cinematographer - January 2007 - 89
American Cinematographer - January 2007 - 90
American Cinematographer - January 2007 - 91
American Cinematographer - January 2007 - 92
American Cinematographer - January 2007 - 93
American Cinematographer - January 2007 - 94
American Cinematographer - January 2007 - 95
American Cinematographer - January 2007 - 96
American Cinematographer - January 2007 - 97
American Cinematographer - January 2007 - 98
American Cinematographer - January 2007 - 99
American Cinematographer - January 2007 - 100
American Cinematographer - January 2007 - 101
American Cinematographer - January 2007 - 102
American Cinematographer - January 2007 - 103
American Cinematographer - January 2007 - 104
American Cinematographer - January 2007 - 105
American Cinematographer - January 2007 - 106
American Cinematographer - January 2007 - 107
American Cinematographer - January 2007 - 108
American Cinematographer - January 2007 - 109
American Cinematographer - January 2007 - 110
American Cinematographer - January 2007 - 111
American Cinematographer - January 2007 - 112
American Cinematographer - January 2007 - 113
American Cinematographer - January 2007 - 114
American Cinematographer - January 2007 - 115
American Cinematographer - January 2007 - 116
American Cinematographer - January 2007 - 117
American Cinematographer - January 2007 - 118
American Cinematographer - January 2007 - 119
American Cinematographer - January 2007 - 120
American Cinematographer - January 2007 - 121
American Cinematographer - January 2007 - 122
American Cinematographer - January 2007 - 123
American Cinematographer - January 2007 - 124
American Cinematographer - January 2007 - 125
American Cinematographer - January 2007 - 126
American Cinematographer - January 2007 - 127
American Cinematographer - January 2007 - 128
American Cinematographer - January 2007 - 129
American Cinematographer - January 2007 - 130
American Cinematographer - January 2007 - 131
American Cinematographer - January 2007 - 132
American Cinematographer - January 2007 - 133
American Cinematographer - January 2007 - 134
American Cinematographer - January 2007 - Cover3
American Cinematographer - January 2007 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com