American Cinematographer - January 2007 - 84

Suburban Unr

st
ing "penumbra - the area between
light and shadow." To re-create it for
a late-afternoon scene involving

Key grip
George Patsos
(background
left), Calvache
and gaffer
Russ Engels at
work

Ronnie and his mother,
5205 and lit

on

he shot

entirely from the sheer-

curtained windows. "I put

location.

on

18Ks

bouncing off a 12-by Griffolyn out¬
side the windows, and the light shot
through the curtains, which was the
only diffusion. I let the lighting in
the room be just that."
The filmmakers' economical

approach to the shoot enabled them
to secure a 4K digital intermediate
(DI). Field explains, "We had a cou¬
ple of key visual effects in the film,
and in post we had wedges scanned
at 2K and 4K and then printed them

approach Ronnie with humanity in

just the kind of "non-lit quality" to

contrast to

which Field is drawn, and which

else

the monster everyone
him as, because it was

Calvache is expert at preserving.
"Todd and I visited that location

with both 2K and 4K filmouts. After

alone, and at that

with

sees

important that we feel close if not to
him, then at least to his mother," he
says.
eyes

"We needed to see those blue
his mother loves." The family's

house, which

was

dressed with col¬

lections of clocks and

figurines, had

particular hour,
the house had a quality of light that
was very exciting for Todd. He said,
'Antonio, can you make it feel exact¬
ly like this?'" Calvache calls the feel¬

doing side-by-side comparisons
daylight contact prints off the
O-neg, we knew that if they were
cut in with the rest of the film, they

would be noticeable. So
it would be best to

we

scan

www.lighttools.com

your

vision + soft light control
the

possibilities are endless

light tools
bright ideas in light control

to

Lighttools™ Soft Egg Crates™ in five versatile cell sizes to fit
the complete family of Chimera lightbanks
and all standard and custom overhead frame sizes. We offer lightweight Stretch Frames
keep even the largest lightbanks tight. All products are available from Lighttools™ for sales, rental and camera tests.
Control your

82

Light!

decided

the entire



http://www.lighttools.com

American Cinematographer - January 2007

Table of Contents for the Digital Edition of American Cinematographer - January 2007

Contents
American Cinematographer - January 2007 - Cover1
American Cinematographer - January 2007 - Cover2
American Cinematographer - January 2007 - 1
American Cinematographer - January 2007 - 2
American Cinematographer - January 2007 - Contents
American Cinematographer - January 2007 - 4
American Cinematographer - January 2007 - 5
American Cinematographer - January 2007 - 6
American Cinematographer - January 2007 - 7
American Cinematographer - January 2007 - 8
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American Cinematographer - January 2007 - 27
American Cinematographer - January 2007 - 28
American Cinematographer - January 2007 - 29
American Cinematographer - January 2007 - 30
American Cinematographer - January 2007 - 31
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American Cinematographer - January 2007 - 33
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American Cinematographer - January 2007 - 35
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American Cinematographer - January 2007 - 38
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American Cinematographer - January 2007 - 43
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American Cinematographer - January 2007 - 47
American Cinematographer - January 2007 - 48
American Cinematographer - January 2007 - 49
American Cinematographer - January 2007 - 50
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American Cinematographer - January 2007 - 90
American Cinematographer - January 2007 - 91
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American Cinematographer - January 2007 - 94
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American Cinematographer - January 2007 - 96
American Cinematographer - January 2007 - 97
American Cinematographer - January 2007 - 98
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American Cinematographer - January 2007 - Cover3
American Cinematographer - January 2007 - Cover4
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