American Cinematographer - January 2007 - 85

film
at

at

4K." The DI

was

carried

out

EFilm in collaboration with col¬

Calvache and Field

supervised the
answer-print timing at Deluxe

orist Steve Scott. Calvache and

Faboratories

Field

Regan, who also worked with them

give Scott high marks and
were very pleased with his work,
but they agree that the process is a
mixed bag. "It was my first DI, and
I was incredibly excited," says
Calvache. "It's very liberating
because it allows you to do color

adjustments in real time, but it
comes at a price. The nuances in
the negative were kind of overrid¬
den by the DI, and I have to say that
when I compared the DI print to a
direct print from the negative, I
preferred the contact print. The DI
can't yet match it in terms of rich¬
ness and quality, but I hope all DI
technology will improve consider¬
ably in the coming years, because
it's a wonderful and irreplaceable
tool for color correction."
Once

files

were

the

color-corrected

transferred

to

35mm,

on

with

with

only the camera, him and me, I
happy."
■

think he would be

Chris

timer

In the Bedroom. Eater on, associ¬

producer Feon Vitali and New
postproduction executive
Brent Kaviar supervised the proof¬
ing of all release prints.
Calvache is pleased with the
way Little Children turned out and
eagerly awaits his next collaboration
with Field, which might be "a film
noir in anamorphic." As for whether
the scale of production will be sig¬
nificantly greater, the answer may lie
in Calvache's memory of one
Saturday during the Little Children
ate

Fine

shoot: "Todd and I went

out

TECHNICAL SPECS

Super 35mm 2.35:1
Arricam Studio, Lite
Arri Master Primes;
Zeiss Ultra Primes;

Angenieux Optimo

Kodak Vision2 200T 5217,
250D 5205, 500T 5218,

with

just

a camera assistant and George
Patsos and shot some second-unit

Expression 500T 5229;
Vision 200T 5274

train

going north on the
Boston line. I get the feeling that's
the kind of filmmaking Todd likes
scenes on a

the best

-

zooms

if he could make

a

Digital Intermediate
Printed

movie

on

Fuji 3513DI

The

new Panasonic HDX-900 joins Birns &
Sawyer's full line of HD cameras for sale and
rental. This 2/3" DVCPRO HD camcorder
records pristine 100Mbps HD in 11 video
formats, encompassing 60Hz and 50Hz
production with 1080p, 720p, 24p and 25p
capabilities.

Rely on Birns & Sawyer to accessorize with the
latest lenses from Canon and Fujinon, and matte
boxes from Raven (shown) and Arri.

6381 De

Longpre Avenue, Hollywood, CA 90028

YOUR VISION. OUR GEAR

83



American Cinematographer - January 2007

Table of Contents for the Digital Edition of American Cinematographer - January 2007

Contents
American Cinematographer - January 2007 - Cover1
American Cinematographer - January 2007 - Cover2
American Cinematographer - January 2007 - 1
American Cinematographer - January 2007 - 2
American Cinematographer - January 2007 - Contents
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American Cinematographer - January 2007 - Cover3
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