American Cinematographer - February 2007 - 49

Opposite:
being

After

love story

beaten

are

by

whose protagonists
brought together by very

I he new film The Invisible is a
of

Nick (Justin

(Margarita Levieva), the terror
her high school, is erroneously

told that

a

Chatwin)
becomes

fellow student, Nick

spirit trapped
between life
and death.

police about her latest heist, so she
and her posse track Nick down and
pummel him, leaving him for dead
in the woods at night. The next day,

This page, top:
Frustrated by

his

soon

desperately
to make a

realizes he is invisible to

connection
with his

everyone. He concludes that Annie
and her gang murdered him, and he
is

now

a

disembodied

cold and

unemotional

spirit.

Eventually, however, he realizes he
a chance of rejoining the world
of the living if he can somehow lead
the authorities to his body in the

mother

(Marcia Gay
Harden).

has

Meanwhile, in his invisible
state,

Nick observes

some

surprising

things about his friends, his seem¬
ingly cold mother (Marcia Gay
Harden), and, most significantly,
Annie, whose difficult home life has
contributed to her lawless ways. As

PVBicutosuerenasf.

he learns

more

about Annie,

a con¬

nection forms between the two,

and

eventually, though she still cannot

woods.

spirit form,

Nick tries

unscathed Nick returns to school

but

a

disembodied

(Justin Chatwin), has informed

an

gang

members,

unusual circumstances. Annie

him, Annie becomes able to hear

see

speak. This gives her a key role
Nick's plan to lead the police to

him
in

the

scene

of the crime.

To make The
tor

David

Invisible, direc¬

Goyer reteamed with cin¬

ematographer Gabriel Beristain,

Below: Nick

ASC, BSC, with whom he had made

also

Blade:

a

Trinity. "David is a director
who understands the importance of
photography and light," says
Beristain. "For example, I couldn't
light the interiors of our high-school
location without putting Muscos
or

100K SoftSuns

didn't have the
asked if

we

outside, and

budget for that,

we

so

I

keeps

close watch

on

Annie

(Margarita
Levieva),
whose

friends

are

responsible
for his

strange
condition.

could shoot [those

courtesy

Phot s

American

Cinematographer 49



American Cinematographer - February 2007

Table of Contents for the Digital Edition of American Cinematographer - February 2007

Contents
American Cinematographer - February 2007 - Cover1
American Cinematographer - February 2007 - Cover2
American Cinematographer - February 2007 - 1
American Cinematographer - February 2007 - 2
American Cinematographer - February 2007 - Contents
American Cinematographer - February 2007 - 4
American Cinematographer - February 2007 - 5
American Cinematographer - February 2007 - 6
American Cinematographer - February 2007 - 7
American Cinematographer - February 2007 - 8
American Cinematographer - February 2007 - 9
American Cinematographer - February 2007 - 10
American Cinematographer - February 2007 - 11
American Cinematographer - February 2007 - 12
American Cinematographer - February 2007 - 13
American Cinematographer - February 2007 - 14
American Cinematographer - February 2007 - 15
American Cinematographer - February 2007 - 16
American Cinematographer - February 2007 - 17
American Cinematographer - February 2007 - A
American Cinematographer - February 2007 - B
American Cinematographer - February 2007 - 18
American Cinematographer - February 2007 - 19
American Cinematographer - February 2007 - 20
American Cinematographer - February 2007 - 21
American Cinematographer - February 2007 - 22
American Cinematographer - February 2007 - 23
American Cinematographer - February 2007 - 24
American Cinematographer - February 2007 - 25
American Cinematographer - February 2007 - 26
American Cinematographer - February 2007 - 27
American Cinematographer - February 2007 - 28
American Cinematographer - February 2007 - 29
American Cinematographer - February 2007 - 30
American Cinematographer - February 2007 - 31
American Cinematographer - February 2007 - 32
American Cinematographer - February 2007 - 33
American Cinematographer - February 2007 - 34
American Cinematographer - February 2007 - 35
American Cinematographer - February 2007 - 36
American Cinematographer - February 2007 - 37
American Cinematographer - February 2007 - 38
American Cinematographer - February 2007 - 39
American Cinematographer - February 2007 - 40
American Cinematographer - February 2007 - 41
American Cinematographer - February 2007 - 42
American Cinematographer - February 2007 - 43
American Cinematographer - February 2007 - 44
American Cinematographer - February 2007 - 45
American Cinematographer - February 2007 - 46
American Cinematographer - February 2007 - 47
American Cinematographer - February 2007 - 48
American Cinematographer - February 2007 - 49
American Cinematographer - February 2007 - 50
American Cinematographer - February 2007 - 51
American Cinematographer - February 2007 - 52
American Cinematographer - February 2007 - 53
American Cinematographer - February 2007 - 54
American Cinematographer - February 2007 - 55
American Cinematographer - February 2007 - 56
American Cinematographer - February 2007 - 57
American Cinematographer - February 2007 - 58
American Cinematographer - February 2007 - 59
American Cinematographer - February 2007 - 60
American Cinematographer - February 2007 - 61
American Cinematographer - February 2007 - 62
American Cinematographer - February 2007 - 63
American Cinematographer - February 2007 - 64
American Cinematographer - February 2007 - 65
American Cinematographer - February 2007 - 66
American Cinematographer - February 2007 - 67
American Cinematographer - February 2007 - 68
American Cinematographer - February 2007 - 69
American Cinematographer - February 2007 - 70
American Cinematographer - February 2007 - 71
American Cinematographer - February 2007 - 72
American Cinematographer - February 2007 - 73
American Cinematographer - February 2007 - 74
American Cinematographer - February 2007 - 75
American Cinematographer - February 2007 - 76
American Cinematographer - February 2007 - 77
American Cinematographer - February 2007 - 78
American Cinematographer - February 2007 - 79
American Cinematographer - February 2007 - 80
American Cinematographer - February 2007 - 81
American Cinematographer - February 2007 - 82
American Cinematographer - February 2007 - 83
American Cinematographer - February 2007 - 84
American Cinematographer - February 2007 - 85
American Cinematographer - February 2007 - 86
American Cinematographer - February 2007 - 87
American Cinematographer - February 2007 - 88
American Cinematographer - February 2007 - 89
American Cinematographer - February 2007 - 90
American Cinematographer - February 2007 - 91
American Cinematographer - February 2007 - 92
American Cinematographer - February 2007 - 93
American Cinematographer - February 2007 - 94
American Cinematographer - February 2007 - 95
American Cinematographer - February 2007 - 96
American Cinematographer - February 2007 - 97
American Cinematographer - February 2007 - 98
American Cinematographer - February 2007 - 99
American Cinematographer - February 2007 - 100
American Cinematographer - February 2007 - 101
American Cinematographer - February 2007 - 102
American Cinematographer - February 2007 - 103
American Cinematographer - February 2007 - 104
American Cinematographer - February 2007 - 105
American Cinematographer - February 2007 - 106
American Cinematographer - February 2007 - 107
American Cinematographer - February 2007 - 108
American Cinematographer - February 2007 - 109
American Cinematographer - February 2007 - 110
American Cinematographer - February 2007 - 111
American Cinematographer - February 2007 - 112
American Cinematographer - February 2007 - Cover3
American Cinematographer - February 2007 - Cover4
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