American Cinematographer - February 2007 - 62
Full Circle
After
relocating
to the U.S. in
the
early 1980s,
began
his long and
Ballhaus
fruitful
collaboration
with director
Martin
Scorsese with
the
pitch-black
comedy After
Hours. Top: The
movie's hapless
protagonist,
Paul Hackett
(Griffin Dunne,
right) seeks the
help of a
sympathetic
bartender (John
Heard)
as
he tries
desperately to
escape an
endless
evening of
misadventures
in lower
Manhattan.
Middle:
Ballhaus,
Dunne and
Scorsese share
a
laugh during
the shoot.
Bottom: The
filmmakers
capture the
authentic feel
of
a
New York
street at
night.
and said, 'Ulli, this guy
is a fucking
genius!' That was the start of their
long and beautiful relationship."
After
passing this test,
Ballhaus quickly came to recognize
Fassbinder's skill
knew
right
as a
filmmaker. "I
that he was very,
Everything he suggest¬
ed was great. He often tried to make
things as complicated as possible,
but I found I could cope with him
and his ideas. He never said anything
complimentary to me when we
looked at dailies, though. He was
very rough.
"Looking back, he was the
most important thing that happened
in my life during that period. First of
all, he was the guy in Germany at the
away
very talented.
time, because he did the
most excit¬
ing movies. He had great stories,
most
he
of which he
pushed
me
wrote
himself, and
all the time. He
worked very fast, so I always had to
be well prepared, because he never
much time. On most of his
movies, the longest schedule we had
gave me
was
around 20
days. We actually shot
of Petra von Kant,
The Bitter Tears
62
February 2007
American Cinematographer - February 2007
Table of Contents for the Digital Edition of American Cinematographer - February 2007
Contents
American Cinematographer - February 2007 - Cover1
American Cinematographer - February 2007 - Cover2
American Cinematographer - February 2007 - 1
American Cinematographer - February 2007 - 2
American Cinematographer - February 2007 - Contents
American Cinematographer - February 2007 - 4
American Cinematographer - February 2007 - 5
American Cinematographer - February 2007 - 6
American Cinematographer - February 2007 - 7
American Cinematographer - February 2007 - 8
American Cinematographer - February 2007 - 9
American Cinematographer - February 2007 - 10
American Cinematographer - February 2007 - 11
American Cinematographer - February 2007 - 12
American Cinematographer - February 2007 - 13
American Cinematographer - February 2007 - 14
American Cinematographer - February 2007 - 15
American Cinematographer - February 2007 - 16
American Cinematographer - February 2007 - 17
American Cinematographer - February 2007 - A
American Cinematographer - February 2007 - B
American Cinematographer - February 2007 - 18
American Cinematographer - February 2007 - 19
American Cinematographer - February 2007 - 20
American Cinematographer - February 2007 - 21
American Cinematographer - February 2007 - 22
American Cinematographer - February 2007 - 23
American Cinematographer - February 2007 - 24
American Cinematographer - February 2007 - 25
American Cinematographer - February 2007 - 26
American Cinematographer - February 2007 - 27
American Cinematographer - February 2007 - 28
American Cinematographer - February 2007 - 29
American Cinematographer - February 2007 - 30
American Cinematographer - February 2007 - 31
American Cinematographer - February 2007 - 32
American Cinematographer - February 2007 - 33
American Cinematographer - February 2007 - 34
American Cinematographer - February 2007 - 35
American Cinematographer - February 2007 - 36
American Cinematographer - February 2007 - 37
American Cinematographer - February 2007 - 38
American Cinematographer - February 2007 - 39
American Cinematographer - February 2007 - 40
American Cinematographer - February 2007 - 41
American Cinematographer - February 2007 - 42
American Cinematographer - February 2007 - 43
American Cinematographer - February 2007 - 44
American Cinematographer - February 2007 - 45
American Cinematographer - February 2007 - 46
American Cinematographer - February 2007 - 47
American Cinematographer - February 2007 - 48
American Cinematographer - February 2007 - 49
American Cinematographer - February 2007 - 50
American Cinematographer - February 2007 - 51
American Cinematographer - February 2007 - 52
American Cinematographer - February 2007 - 53
American Cinematographer - February 2007 - 54
American Cinematographer - February 2007 - 55
American Cinematographer - February 2007 - 56
American Cinematographer - February 2007 - 57
American Cinematographer - February 2007 - 58
American Cinematographer - February 2007 - 59
American Cinematographer - February 2007 - 60
American Cinematographer - February 2007 - 61
American Cinematographer - February 2007 - 62
American Cinematographer - February 2007 - 63
American Cinematographer - February 2007 - 64
American Cinematographer - February 2007 - 65
American Cinematographer - February 2007 - 66
American Cinematographer - February 2007 - 67
American Cinematographer - February 2007 - 68
American Cinematographer - February 2007 - 69
American Cinematographer - February 2007 - 70
American Cinematographer - February 2007 - 71
American Cinematographer - February 2007 - 72
American Cinematographer - February 2007 - 73
American Cinematographer - February 2007 - 74
American Cinematographer - February 2007 - 75
American Cinematographer - February 2007 - 76
American Cinematographer - February 2007 - 77
American Cinematographer - February 2007 - 78
American Cinematographer - February 2007 - 79
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American Cinematographer - February 2007 - 81
American Cinematographer - February 2007 - 82
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American Cinematographer - February 2007 - 84
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American Cinematographer - February 2007 - Cover3
American Cinematographer - February 2007 - Cover4
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