American Cinematographer - February 2008 - 54

A Cinematic Passport Lassally and crew film a sandstorm scene for The Web on location in the Sinai desert. that lasted for more than a decade, and the cinematographer’s extensive experience with making do on location with limited technical means came in handy on location in India, where a number of the duo’s films were set. Lassally earned BAFTA and BSC award nominations for his work on Merchant-Ivory’s Heat and Dust and The Bostonians. “Heat and Dust seemed to start off a whole new wave of British productions made in India, including such epics as Gandhi and A Passage to India,” he says. “I considered Heat and Dust my best film since Electra.” The 1970s also brought Lassally jobs in the United States. Cinematographer Tom Houghton, then a gaffer, worked with Lassally on several U.S. productions, including the telefilm Too Far to Go. “Walter knows his stuff backwards and forwards,” says Houghton. “He knew how to keep things simple based on the budget and the schedule. We were able to use HMIs, which were relatively new — the biggest was a 4K. We also used umbrellas for bounce to create soft lighting setups. He was also great with hard light. He took a great deal of care in the placement of lights, and it was an amazing experience to watch him. The more I worked with him, the more I understood what he was going for. He knew how to create subtleties and nuances in the midst of simplicity, and he brought that sensibility from the smaller projects to the bigger films. We developed a trust and friendship that had an important impact on me in that early phase of my career. “Walter’s early films, like Beat 54

http://www.efd.com.mx http://www.efd.com.mx http://www.efdusa.net

American Cinematographer - February 2008

Table of Contents for the Digital Edition of American Cinematographer - February 2008

American Cinematographer - February 2008
Contents
Editor's Note
Short Takes: A Letter to Colleen
Production Slate: Honeydipper
Production Slate: Electroma
Island of Lost Souls
Checking Dailies Far From the Lab
A Cinematic Passport
Forward Thinker
Post Focus: Elicit Effects Opens Doors
Post Focus: PostWorks Expands in L.A.
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Torben Johnke
American Cinematographer - February 2008 - American Cinematographer - February 2008
American Cinematographer - February 2008 - Cover2
American Cinematographer - February 2008 - 1
American Cinematographer - February 2008 - 2
American Cinematographer - February 2008 - Contents
American Cinematographer - February 2008 - 4
American Cinematographer - February 2008 - 5
American Cinematographer - February 2008 - 6
American Cinematographer - February 2008 - 7
American Cinematographer - February 2008 - Editor's Note
American Cinematographer - February 2008 - 9
American Cinematographer - February 2008 - Short Takes: A Letter to Colleen
American Cinematographer - February 2008 - 11
American Cinematographer - February 2008 - 12
American Cinematographer - February 2008 - 13
American Cinematographer - February 2008 - 14
American Cinematographer - February 2008 - 15
American Cinematographer - February 2008 - Production Slate: Electroma
American Cinematographer - February 2008 - 17
American Cinematographer - February 2008 - 18
American Cinematographer - February 2008 - 19
American Cinematographer - February 2008 - 20
American Cinematographer - February 2008 - 21
American Cinematographer - February 2008 - 22
American Cinematographer - February 2008 - 23
American Cinematographer - February 2008 - 24
American Cinematographer - February 2008 - 25
American Cinematographer - February 2008 - Island of Lost Souls
American Cinematographer - February 2008 - 27
American Cinematographer - February 2008 - 28
American Cinematographer - February 2008 - 29
American Cinematographer - February 2008 - 30
American Cinematographer - February 2008 - 31
American Cinematographer - February 2008 - 32
American Cinematographer - February 2008 - 33
American Cinematographer - February 2008 - 34
American Cinematographer - February 2008 - 35
American Cinematographer - February 2008 - 36
American Cinematographer - February 2008 - 37
American Cinematographer - February 2008 - Checking Dailies Far From the Lab
American Cinematographer - February 2008 - 39
American Cinematographer - February 2008 - 40
American Cinematographer - February 2008 - 41
American Cinematographer - February 2008 - 42
American Cinematographer - February 2008 - 43
American Cinematographer - February 2008 - 44
American Cinematographer - February 2008 - 45
American Cinematographer - February 2008 - A Cinematic Passport
American Cinematographer - February 2008 - 47
American Cinematographer - February 2008 - 48
American Cinematographer - February 2008 - 49
American Cinematographer - February 2008 - 50
American Cinematographer - February 2008 - 51
American Cinematographer - February 2008 - 52
American Cinematographer - February 2008 - 53
American Cinematographer - February 2008 - 54
American Cinematographer - February 2008 - 55
American Cinematographer - February 2008 - Forward Thinker
American Cinematographer - February 2008 - 57
American Cinematographer - February 2008 - 58
American Cinematographer - February 2008 - 59
American Cinematographer - February 2008 - 60
American Cinematographer - February 2008 - 61
American Cinematographer - February 2008 - 62
American Cinematographer - February 2008 - 63
American Cinematographer - February 2008 - 64
American Cinematographer - February 2008 - 65
American Cinematographer - February 2008 - Post Focus: PostWorks Expands in L.A.
American Cinematographer - February 2008 - 67
American Cinematographer - February 2008 - 68
American Cinematographer - February 2008 - 69
American Cinematographer - February 2008 - 70
American Cinematographer - February 2008 - 71
American Cinematographer - February 2008 - 72
American Cinematographer - February 2008 - 73
American Cinematographer - February 2008 - 74
American Cinematographer - February 2008 - 75
American Cinematographer - February 2008 - New Products & Services
American Cinematographer - February 2008 - 77
American Cinematographer - February 2008 - 78
American Cinematographer - February 2008 - 79
American Cinematographer - February 2008 - 80
American Cinematographer - February 2008 - 81
American Cinematographer - February 2008 - International Marketplace
American Cinematographer - February 2008 - Classified Ads
American Cinematographer - February 2008 - Ad Index
American Cinematographer - February 2008 - 85
American Cinematographer - February 2008 - Clubhouse News
American Cinematographer - February 2008 - 87
American Cinematographer - February 2008 - ASC Close-Up: Torben Johnke
American Cinematographer - February 2008 - Cover3
American Cinematographer - February 2008 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com