◗ Times of Strife Morales works to secure a bank loan over dinner. Why fluorescents? Young: That moment in time is when things were making that transition from being a very incandescent world, a neon sort of world, to this 52 world of fluorescents. We associated the vibration of fluorescent lights with strange, decayed spaces, whereas we'd look at tungsten as being [representative of ] places of elegance. That dichotomy is expressed in the couple's elegant Westchester house versus everything else. Young: Exactly. That house was all about tungsten incandescent lighting being in places of a certain class. On the other end, you go to the apartment [that belongs to Julian (Elyes Gabel), the driver of Abel's hijacked truck] and we used a lot more fluorescents or no lights at all. We were trying to create that visual dichotomy, where we allowed class and the economic situation of that space to dictate how we lit it. What was your biggest lighting setup? Young: The wide shot where you see Abel's wife shoot the deer. You see the deer in the frame and Abel responding to the shot. We had 20Ks for backlights to light the atmosphere, and a bunch of 2Ks bouncing off our grip and electric trucks to add bounce to the right of frame, but a lot were knocked down to half or even a quarter of theirhttp://www.theasc.com