American Cinematographer - April 2008 - 95
from a 3-chip prism assembly. Shooting flexibility is further enhanced with P+S Technik’s Interchangeable Mount System, which supports the use of B4 2⁄3" video lenses, PL-mount cine lenses, and F- and C-mount lenses. Operators can also choose between an electronic and an optical viewfinder for the SI-2K. Based on OLED technology and able to show the complete camera-control menu, the electronic viewfinder is fed with a VGA signal with a resolution of 800x600 pixels. P+S Technik’s optical viewfinder unit, on the other hand, combines with the SI-2K Mini to provide a 50/50 prism, left-eye usability and eyesight adjustment. Providing maximum flexibility for the Mini Camera Head, P+S Technik also offers the SI-2K Mini Rig, a modular support system that allows users to outfit the SI-2K Mini according to a project’s needs. For users who prefer to use the Mini with the SI-2K camera body, the solid, aluminum, machined enclosure features compatibility with Sony V-mount quick-release tripod adapters as well as Arri sliding base plates and accessories. Furthermore, a quick-release rod-support system allows direct mounting of 15mm lightweight mattebox and follow-focus accessories, and rosettes on either side of the body provide mounting points for handle grips. The full-length top handle can also be removed to facilitate mounting in low mode on a Steadicam, and the Anton Bauer battery mount has been positioned for optimal weight distribution. Lastly, rugged Lemo connectors have been integrated into the SI-2K Mini to ensure mission-critical data connectivity in an environmentally sealed enclosure, and the SI-2K camera body allows users to remotely tether the camera head via gigabit Ethernet to maintain full control over long distances. For more information, visit www.pstechnik.de or www.siliconimag ing.com. Whatever the gear, you can find it here. We’ve expanded into a spacious new Minneapolis facility that holds even more of the advanced film, video and lighting gear you need to bring your vision to life — like the Arricam LT. In addition to housing a new rental studio, we’re a full-line Panasonic Production Reseller, too. So whether you need equipment rental or sales, all your gear is here! Minneapolis 800.809.9080 Des Moines 888.809.9080 cinequipt.com » Film » Video » Lighting » Studio 95 ¢
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American Cinematographer - April 2008
Table of Contents for the Digital Edition of American Cinematographer - April 2008
American Cinematographer - April 2008
Contents
Editor's Note
Global Village: The Counterfeiters
Short Takes: Milia
Production Slate: Paranoid Park
Production Slate: All the Boys Love Mandy Lane
Card Sharks
Temple of Doom
3-D Cinematography
Sundance 2008: Mining for Movies
Post Focus: Digital Film Tree Gets into Peyote
Post Focus: FotoKem’s 3-D Workflow
Post Focus: Technicolor Digs in at Pinewood
Filmmakers’ Forum: Steven Fierberg, ASC on Searchers 2.0
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Rodney Taylor
American Cinematographer - April 2008 - American Cinematographer - April 2008
American Cinematographer - April 2008 - Cover2
American Cinematographer - April 2008 - 1
American Cinematographer - April 2008 - 2
American Cinematographer - April 2008 - Contents
American Cinematographer - April 2008 - 4
American Cinematographer - April 2008 - 5
American Cinematographer - April 2008 - 6
American Cinematographer - April 2008 - 7
American Cinematographer - April 2008 - Editor's Note
American Cinematographer - April 2008 - 9
American Cinematographer - April 2008 - Global Village: The Counterfeiters
American Cinematographer - April 2008 - 11
American Cinematographer - April 2008 - 12
American Cinematographer - April 2008 - 13
American Cinematographer - April 2008 - Short Takes: Milia
American Cinematographer - April 2008 - 15
American Cinematographer - April 2008 - 16
American Cinematographer - April 2008 - 17
American Cinematographer - April 2008 - Production Slate: All the Boys Love Mandy Lane
American Cinematographer - April 2008 - 19
American Cinematographer - April 2008 - 20
American Cinematographer - April 2008 - 21
American Cinematographer - April 2008 - 22
American Cinematographer - April 2008 - 23
American Cinematographer - April 2008 - 24
American Cinematographer - April 2008 - 25
American Cinematographer - April 2008 - 26
American Cinematographer - April 2008 - 27
American Cinematographer - April 2008 - 28
American Cinematographer - April 2008 - 29
American Cinematographer - April 2008 - Card Sharks
American Cinematographer - April 2008 - 31
American Cinematographer - April 2008 - 32
American Cinematographer - April 2008 - 33
American Cinematographer - April 2008 - 34
American Cinematographer - April 2008 - 35
American Cinematographer - April 2008 - 36
American Cinematographer - April 2008 - 37
American Cinematographer - April 2008 - 38
American Cinematographer - April 2008 - 39
American Cinematographer - April 2008 - 40
American Cinematographer - April 2008 - 41
American Cinematographer - April 2008 - Temple of Doom
American Cinematographer - April 2008 - 43
American Cinematographer - April 2008 - 44
American Cinematographer - April 2008 - 45
American Cinematographer - April 2008 - 46
American Cinematographer - April 2008 - 47
American Cinematographer - April 2008 - 48
American Cinematographer - April 2008 - 49
American Cinematographer - April 2008 - 50
American Cinematographer - April 2008 - 51
American Cinematographer - April 2008 - 3-D Cinematography
American Cinematographer - April 2008 - 53
American Cinematographer - April 2008 - 54
American Cinematographer - April 2008 - 55
American Cinematographer - April 2008 - 56
American Cinematographer - April 2008 - 57
American Cinematographer - April 2008 - 58
American Cinematographer - April 2008 - 59
American Cinematographer - April 2008 - 60
American Cinematographer - April 2008 - 61
American Cinematographer - April 2008 - 62
American Cinematographer - April 2008 - 63
American Cinematographer - April 2008 - Sundance 2008: Mining for Movies
American Cinematographer - April 2008 - 65
American Cinematographer - April 2008 - 66
American Cinematographer - April 2008 - 67
American Cinematographer - April 2008 - 68
American Cinematographer - April 2008 - 69
American Cinematographer - April 2008 - 70
American Cinematographer - April 2008 - 71
American Cinematographer - April 2008 - 72
American Cinematographer - April 2008 - 73
American Cinematographer - April 2008 - 74
American Cinematographer - April 2008 - 75
American Cinematographer - April 2008 - 76
American Cinematographer - April 2008 - 77
American Cinematographer - April 2008 - 78
American Cinematographer - April 2008 - 79
American Cinematographer - April 2008 - 80
American Cinematographer - April 2008 - 81
American Cinematographer - April 2008 - 82
American Cinematographer - April 2008 - 83
American Cinematographer - April 2008 - Post Focus: Technicolor Digs in at Pinewood
American Cinematographer - April 2008 - 85
American Cinematographer - April 2008 - 86
American Cinematographer - April 2008 - 87
American Cinematographer - April 2008 - 88
American Cinematographer - April 2008 - 89
American Cinematographer - April 2008 - Filmmakers’ Forum: Steven Fierberg, ASC on Searchers 2.0
American Cinematographer - April 2008 - 91
American Cinematographer - April 2008 - 92
American Cinematographer - April 2008 - 93
American Cinematographer - April 2008 - New Products & Services
American Cinematographer - April 2008 - 95
American Cinematographer - April 2008 - 96
American Cinematographer - April 2008 - 97
American Cinematographer - April 2008 - 98
American Cinematographer - April 2008 - 99
American Cinematographer - April 2008 - 100
American Cinematographer - April 2008 - 101
American Cinematographer - April 2008 - 102
American Cinematographer - April 2008 - 103
American Cinematographer - April 2008 - 104
American Cinematographer - April 2008 - 105
American Cinematographer - April 2008 - 106
American Cinematographer - April 2008 - 107
American Cinematographer - April 2008 - 108
American Cinematographer - April 2008 - 109
American Cinematographer - April 2008 - International Marketplace
American Cinematographer - April 2008 - 111
American Cinematographer - April 2008 - Ad Index
American Cinematographer - April 2008 - 113
American Cinematographer - April 2008 - Clubhouse News
American Cinematographer - April 2008 - 115
American Cinematographer - April 2008 - ASC Close-Up: Rodney Taylor
American Cinematographer - April 2008 - Cover3
American Cinematographer - April 2008 - Cover4
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