American Cinematographer - April 2009 - 58
An Epic Endeavor Another pair of “before” (top) and “after” frames shows the results of Lowry’s work. in the original release was like — you can see the dupes, and you can see the distortion at the edges of the frame created by the prototype CinemaScope lenses.” Belston and Pogorzelski were intent on maintaining the original look of The Robe, including the “anamorphic phenomenon” caused by the prototype lenses. “We didn’t want to erase anything that was present in the original image,” says Belston. “The goal was to leave in as many nuances of the original production as possible. There are visible matte lines throughout the movie, and we left them in. The film ends with a big process shot, not a particularly good one by today’s standards, and we left it as is because it speaks to the technology of the time.” Maintaining the look of the original release also meant applying 58 April 2009 grain-reduction tools with a light touch. “Some people might not realize that the least-grainy image doesn’t remotely resemble what The Robe originally looked like,” observes Belston. “When we compared a scan with the grain ‘as is’ to a scan with the grain-reduction as high as it would go, the differences were remarkable. The grain-free image looked strangely like high-definition video, edgy and weird.” The restored Robe will be presented in its original 2.55:1 aspect ratio in new prints and home-video incarnations. (Fox recently released the title on standard and Blu-ray DVD.) “The negative we scanned is ‘letterboxed’ within the 2.35 anamorphic frame,” explains Pogorzelski. “This allows prints made from the restored negative to contain an analog optical track; all original prints of The Robe con- tained a mag track only because picture information appeared in the part of the film strip where the optical track usually appeared. In theaters, the resultant image will appear with slight black borders on the top and bottom of the frame to allow for the full 2.55 image to be seen without any cropping of the original compositions.” (Fans of The Robe will be interested to note that at press time, supplements on the Bluray DVD are to include some scenes from the “flat” 1.33:1 version of the film, which was shot in tandem with the CinemaScope version. Intended for theaters that were not equipped to project CinemaScope, the flat version “contains some interesting deviations in continuity from the CinemaScope version,” says Pogorzelski.) On the audio side, engineer John Polito, president of Audio
American Cinematographer - April 2009
Table of Contents for the Digital Edition of American Cinematographer - April 2009
American Cinematographer - April 2009
Contents
Editor's Note
Short Takes: Patiences
Production Slate
Watchmakers
Sum of All Fears
An Epic Endeavor
Sundance 2009: 5 That Thrived
Post Focus: Autodesk Updates Lastre
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - American Cinematographer - April 2009
American Cinematographer - April 2009 - Cover2
American Cinematographer - April 2009 - 1
American Cinematographer - April 2009 - 2
American Cinematographer - April 2009 - Contents
American Cinematographer - April 2009 - 4
American Cinematographer - April 2009 - 5
American Cinematographer - April 2009 - 6
American Cinematographer - April 2009 - 7
American Cinematographer - April 2009 - Editor's Note
American Cinematographer - April 2009 - 9
American Cinematographer - April 2009 - Short Takes: Patiences
American Cinematographer - April 2009 - 11
American Cinematographer - April 2009 - 12
American Cinematographer - April 2009 - 13
American Cinematographer - April 2009 - 14
American Cinematographer - April 2009 - 15
American Cinematographer - April 2009 - Production Slate
American Cinematographer - April 2009 - 17
American Cinematographer - April 2009 - 18
American Cinematographer - April 2009 - 19
American Cinematographer - April 2009 - 20
American Cinematographer - April 2009 - 21
American Cinematographer - April 2009 - 22
American Cinematographer - April 2009 - 23
American Cinematographer - April 2009 - 24
American Cinematographer - April 2009 - 25
American Cinematographer - April 2009 - 26
American Cinematographer - April 2009 - 27
American Cinematographer - April 2009 - Watchmakers
American Cinematographer - April 2009 - 29
American Cinematographer - April 2009 - 30
American Cinematographer - April 2009 - 31
American Cinematographer - April 2009 - 32
American Cinematographer - April 2009 - 33
American Cinematographer - April 2009 - 34
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American Cinematographer - April 2009 - 37
American Cinematographer - April 2009 - 38
American Cinematographer - April 2009 - 39
American Cinematographer - April 2009 - 40
American Cinematographer - April 2009 - 41
American Cinematographer - April 2009 - 42
American Cinematographer - April 2009 - 43
American Cinematographer - April 2009 - Sum of All Fears
American Cinematographer - April 2009 - 45
American Cinematographer - April 2009 - 46
American Cinematographer - April 2009 - 47
American Cinematographer - April 2009 - 48
American Cinematographer - April 2009 - 49
American Cinematographer - April 2009 - 50
American Cinematographer - April 2009 - 51
American Cinematographer - April 2009 - 52
American Cinematographer - April 2009 - 53
American Cinematographer - April 2009 - An Epic Endeavor
American Cinematographer - April 2009 - 55
American Cinematographer - April 2009 - 56
American Cinematographer - April 2009 - 57
American Cinematographer - April 2009 - 58
American Cinematographer - April 2009 - 59
American Cinematographer - April 2009 - 60
American Cinematographer - April 2009 - 61
American Cinematographer - April 2009 - Sundance 2009: 5 That Thrived
American Cinematographer - April 2009 - 63
American Cinematographer - April 2009 - 64
American Cinematographer - April 2009 - 65
American Cinematographer - April 2009 - 66
American Cinematographer - April 2009 - 67
American Cinematographer - April 2009 - 68
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American Cinematographer - April 2009 - 75
American Cinematographer - April 2009 - 76
American Cinematographer - April 2009 - 77
American Cinematographer - April 2009 - Post Focus: Autodesk Updates Lastre
American Cinematographer - April 2009 - 79
American Cinematographer - April 2009 - 80
American Cinematographer - April 2009 - 81
American Cinematographer - April 2009 - New Products & Services
American Cinematographer - April 2009 - 83
American Cinematographer - April 2009 - 84
American Cinematographer - April 2009 - 85
American Cinematographer - April 2009 - 86
American Cinematographer - April 2009 - 87
American Cinematographer - April 2009 - 88
American Cinematographer - April 2009 - 89
American Cinematographer - April 2009 - 90
American Cinematographer - April 2009 - 91
American Cinematographer - April 2009 - International Marketplace
American Cinematographer - April 2009 - 93
American Cinematographer - April 2009 - Ad Index
American Cinematographer - April 2009 - 95
American Cinematographer - April 2009 - ASC Membership Roster
American Cinematographer - April 2009 - 97
American Cinematographer - April 2009 - Clubhouse News
American Cinematographer - April 2009 - 99
American Cinematographer - April 2009 - ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - Cover3
American Cinematographer - April 2009 - Cover4
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