American Cinematographer - April 2009 - 66
Sundance 2009: 5 That Thrived Right: English schoolgirl Jenny (Carey Mulligan) succumbs to the charms of an older man (Peter Saarsgard) in An Education. Below: Cinematographer John de Borman, BSC prepares to shoot one of the film’s handheld scenes. His work earned the Excellence in Cinematography Award in the World CinemaDramatic competition. An Education Cinematographer: John de Borman, BSC Director: Lone Scherfig The heroine of An Education, 16-year-old English schoolgirl Jenny (Carey Mulligan), learns some painful life lessons when she becomes romantically involved with David (Peter Sarsgaard), a charming man in his 30s who is not as honorable as he initially seems. Viewers enjoy a lesson in classic cinematography courtesy of John de Borman, BSC, whose elegant work earned the cinematography award in the World Cinema-Dramatic category. “I never knew there was a cinematographer’s award at Sundance,” he confesses. 66 April 2009 An Education photos by Kerry Brown, courtesy of Sony Pictures Classics. “Since it happened, I can’t tell you how many people have been phoning and texting me. When you get an award at Sundance, lots of people know about it!” De Borman’s previous work hardly went unnoticed. In 2000, he earned an Evening Standard British Film Award for his body of work and for Best Technical/Artistic Achievement (for Hideous Kinky), as well as an Independent Spirit Award nomination for Hamlet; in 2007, he added a BAFTA nomination for the television project Tsunami: The Aftermath. His résumé also includes Last Chance Harvey, Ella Enchanted and The Full Monty. Still, he was especially chuffed about the Sundance kudos. “I’m interested in shooting proper stories, grown-up stories, and I actually haven’t done half as many as I’d like to do. To receive an award for that is sensational.” Set in London in the early 1960s, An Education blends two worlds. The safe but slightly drab suburb of Twickenham is represented by the home Jenny shares with her doting parents (Alfred Molina and Cara Seymour) and the halls of her all-girl high school, where the star pupil’s progress is closely monitored by her English teacher (Olivia Williams) and headmistress (Emma Thompson). At the other extreme are the swank urban nightspots Jenny experiences with David and his fashionable friends, Danny (Dominic Cooper) and Helen (Rosamund Pike). De Borman, who grew up in London, brought a personal perspective to the period settings. “My father had a restaurant in the King’s Road, so I knew the glamorous Sixties from my childhood, and I tried to bring some of those memories to the film,” he says. “Shooting scenes at the Walthamstow greyhound racing club was my suggestion. It has been closed down for quite some time, so I suppose we immortalized it onscreen.” De Borman says he and director Lone Scherfig built their narrative foundation on the straightforward virtues of England’s “kitchen sink” films, which brought social realism to dramas focused on the lives of working Britons. The cinematographer cites The LShaped Room (1962), shot by Douglas Slocombe, BSC, as a particular inspiration. “That picture is beautifully shot and composed, and it really made an impression on me,” he says. “It’s about portraiture, it’s about faces, and it concerns people who are lonely and out of sorts, so it has some thematic similarities with our film. Those films were about the human condition, and
American Cinematographer - April 2009
Table of Contents for the Digital Edition of American Cinematographer - April 2009
American Cinematographer - April 2009
Contents
Editor's Note
Short Takes: Patiences
Production Slate
Watchmakers
Sum of All Fears
An Epic Endeavor
Sundance 2009: 5 That Thrived
Post Focus: Autodesk Updates Lastre
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - American Cinematographer - April 2009
American Cinematographer - April 2009 - Cover2
American Cinematographer - April 2009 - 1
American Cinematographer - April 2009 - 2
American Cinematographer - April 2009 - Contents
American Cinematographer - April 2009 - 4
American Cinematographer - April 2009 - 5
American Cinematographer - April 2009 - 6
American Cinematographer - April 2009 - 7
American Cinematographer - April 2009 - Editor's Note
American Cinematographer - April 2009 - 9
American Cinematographer - April 2009 - Short Takes: Patiences
American Cinematographer - April 2009 - 11
American Cinematographer - April 2009 - 12
American Cinematographer - April 2009 - 13
American Cinematographer - April 2009 - 14
American Cinematographer - April 2009 - 15
American Cinematographer - April 2009 - Production Slate
American Cinematographer - April 2009 - 17
American Cinematographer - April 2009 - 18
American Cinematographer - April 2009 - 19
American Cinematographer - April 2009 - 20
American Cinematographer - April 2009 - 21
American Cinematographer - April 2009 - 22
American Cinematographer - April 2009 - 23
American Cinematographer - April 2009 - 24
American Cinematographer - April 2009 - 25
American Cinematographer - April 2009 - 26
American Cinematographer - April 2009 - 27
American Cinematographer - April 2009 - Watchmakers
American Cinematographer - April 2009 - 29
American Cinematographer - April 2009 - 30
American Cinematographer - April 2009 - 31
American Cinematographer - April 2009 - 32
American Cinematographer - April 2009 - 33
American Cinematographer - April 2009 - 34
American Cinematographer - April 2009 - 35
American Cinematographer - April 2009 - 36
American Cinematographer - April 2009 - 37
American Cinematographer - April 2009 - 38
American Cinematographer - April 2009 - 39
American Cinematographer - April 2009 - 40
American Cinematographer - April 2009 - 41
American Cinematographer - April 2009 - 42
American Cinematographer - April 2009 - 43
American Cinematographer - April 2009 - Sum of All Fears
American Cinematographer - April 2009 - 45
American Cinematographer - April 2009 - 46
American Cinematographer - April 2009 - 47
American Cinematographer - April 2009 - 48
American Cinematographer - April 2009 - 49
American Cinematographer - April 2009 - 50
American Cinematographer - April 2009 - 51
American Cinematographer - April 2009 - 52
American Cinematographer - April 2009 - 53
American Cinematographer - April 2009 - An Epic Endeavor
American Cinematographer - April 2009 - 55
American Cinematographer - April 2009 - 56
American Cinematographer - April 2009 - 57
American Cinematographer - April 2009 - 58
American Cinematographer - April 2009 - 59
American Cinematographer - April 2009 - 60
American Cinematographer - April 2009 - 61
American Cinematographer - April 2009 - Sundance 2009: 5 That Thrived
American Cinematographer - April 2009 - 63
American Cinematographer - April 2009 - 64
American Cinematographer - April 2009 - 65
American Cinematographer - April 2009 - 66
American Cinematographer - April 2009 - 67
American Cinematographer - April 2009 - 68
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American Cinematographer - April 2009 - 73
American Cinematographer - April 2009 - 74
American Cinematographer - April 2009 - 75
American Cinematographer - April 2009 - 76
American Cinematographer - April 2009 - 77
American Cinematographer - April 2009 - Post Focus: Autodesk Updates Lastre
American Cinematographer - April 2009 - 79
American Cinematographer - April 2009 - 80
American Cinematographer - April 2009 - 81
American Cinematographer - April 2009 - New Products & Services
American Cinematographer - April 2009 - 83
American Cinematographer - April 2009 - 84
American Cinematographer - April 2009 - 85
American Cinematographer - April 2009 - 86
American Cinematographer - April 2009 - 87
American Cinematographer - April 2009 - 88
American Cinematographer - April 2009 - 89
American Cinematographer - April 2009 - 90
American Cinematographer - April 2009 - 91
American Cinematographer - April 2009 - International Marketplace
American Cinematographer - April 2009 - 93
American Cinematographer - April 2009 - Ad Index
American Cinematographer - April 2009 - 95
American Cinematographer - April 2009 - ASC Membership Roster
American Cinematographer - April 2009 - 97
American Cinematographer - April 2009 - Clubhouse News
American Cinematographer - April 2009 - 99
American Cinematographer - April 2009 - ASC Close-Up: Thomas Ackerman
American Cinematographer - April 2009 - Cover3
American Cinematographer - April 2009 - Cover4
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