◗ Star-Crossed Love Kuras and crew prep a carriage scene. 80 and a part of the storytelling. Can you describe the postproduction process? Kuras: We encountered a number of problems in processing the film. Deluxe and Technicolor had both closed their processing labs mere weeks before we started production. We had no choice but to process our film at the only remaining lab in London, whose work was sketchy at best. It wasn't until I got to the grade that I saw all of the inconsistencies in the processing. In a single shot the face tones went from magenta to green to magenta to green. That kind of inconsistency comes from not changing the developing bath enough, as well as an inconsistency in bath temperature. Months after we finished color timing, another lab opened in London. We were just unlucky to get caught in that limbo period. You hadn't noticed anything in the dailies? Kuras: I wasn't seeing projectedhttp://www.LITEMAT.com http://WWW.LITEGEAR.COM http://WWW.LITEGEAR.COM