the station, but Boucard sought to keep the camera steady amid the mayhem. " We didn't want to shake the camera all around just to try to put energy into the shot or to create a sense of chaos, " he says. " The chaos has to happen in front of the camera, and we are just witnesses. " Lighting a Riot To manage the light for the exterior press conference, Boucard worked with production designer Arnaud Roth to position large blue metallic panels that could play in shot as walls while also cutting light levels and providing negative fill. " I used the panels to create a darker background and natural contrast, " says Boucard. " The higher parts of the panels were open to let in the natural light, but the blue parts were really dark and provided us with negative fill. We chose blue because it's the police color in France. " Boucard controlled exposure throughout the shoot via 2nd-unit 1st AC and iris puller Damien Conti, who remotely performed aperture and variable ND adjustments as the extended takes frequently traveled from the police station's interior to its exterior in the same unbroken shot. " Both Purpose-Built Car Process Cove svstudiosla.com | svstudiosla assets courtesy of drivingplates.com SVStudios 2.0 * All new matching 2.6mm pitch screens * 7,680 Hz refresh * 1/8 scan ratio * 95% P3-DCI Color Capable * Deep black diode masking more resistant to light spill * Media Server with latest Nvidia RTX 6000 Ada graphics Serving high-end commercial productions since 2018 APRIL 2023 / 61http://www.svstudiosla.com http://www.drivingplates.com