American Cinematographer - May 2007 - 42

A Complex Web elements for that section of the alley.” Although the visual-effects work and final filmout were done at 2K, Spider-Man 3 was scanned at 4K for the DI. Pope notes he was very excited to do a 4K scan for SpiderMan 2 (see AC June ’02), but he would have preferred to work in 2K on its sequel. “I’ve found that I actually like 2K scans better. There’s a certain softness to 2K, in addition to softening filters that are not yet available in 4K, that hides a lot of flaws. 4K is so brutally sharp and clear there’s nowhere to hide. Every blemish, every wrinkle, every hour of work into a late night or a long week shows up on the actor’s face, and that’s not what I want to see — especially not in a movie like this, which is set in a made-up wonderland. It’s just too much to fight later on. “In many ways, cinematography is about deciding what you don’t want to see, and if you don’t have the Dark Spidey spins his sinister web. crucial for these sequences.” Pope adds, “We set up 10 different dimmer-chase patterns that went with 10 different sections of the alley. We dialed each chase for a different speed and different building configuration, and then just pulled up each pattern when we were shooting Samy’s DV & Edit WE ACCEPT MASTERCARD, VISA, AMERICAN EXPRESS & DISCOVER. SCHOOL, UNIVERSITY & CORPORATE P.O.’S WELCOME BEFORE YOU BUY YOUR DIGITAL CINEMA EQUIPMENT, TALK TO US! www.samysdv.com A Division of Samy’s Camera 585 Venice Blvd. Venice, CA 90291 (310) 450-4365 FAX (310) 450-3079 Please call for our PRODUCTION PACKAGE PROMOTIONS! HDW-F900 Cine Alta HDCAM The HDW-F900 CineAlta camcorder is capable of capturing images at 24/25/30 frame progressive or 50/60 interlace at 1080 resolution. The HDW-F900h utilizes a 2.2 Mega Pixel FIT CCD and comes equipped with various gamma curves for superior imaging. Features dual filter wheels, comprehensive software adjustment parameters for superior image control. TM AJ-HDX900 New! Affordable Professional Hi-Definition Camera • Adds on support for 1080i and 720p AJ-SDX900 • Three 2/3" 520,000 Progressive CCD imagers • 24P/30P/60i recording capability Also Available • Captures film-like 24-frame images using CineGamma AG-HVX200 • 1/3" 3-CCD 16:9 HD/DVCPRO/DV • Cinema P2 Camera with CineSwitch™ • Technology, CineGamma™ Software and IEEE 1394 Interface AJ-SD93 Also Available XDCAM HD PDW-F350 HD recording in 1080/59.94i, 50i, 29.97P, 25P and native 23.98P. The operator can HVR-Z1U Professional HDV Camera • Record HDV, DVCAM and DV images at 60i, 50i, 30, 25 or 24 fps, in either SD or HD • Three Super HAD™, 1/3-inch, 16:9 native CCDs • 12X Optical Zoom Carl Zeiss Vario-Sonnar T* Lens XDCAM HD PDW-F330 also select the desired bit rate to record in, Digital Camcorders New! HVR-V1U 1080p/24p Professional HDV Camera •3CMOS HDV Camera •In addition to standard 60i, shoot progressive scan footage and still edit using regular Sony HDV equipment. PROFESSIONAL either 35, 25 or 18 Mb/s depending on the desired picture quality and recording length. Being a dual format camcorder, it can also record in SD mode at 25 Mb/s. GY-HD110U The PDW-F350 True 24P, overcranking and undercranking. Plus time lapse, slow shutter and SD/HD switchable recording. And the PDW-F350 is a news camcorder, with the rugged, shock-resistant construction you can take to extremes. 42 NOT RESPONSIBLE FOR TYPOGRAPHICAL ERRORS. PRICES SUBJECT TO CHANGE WITHOUT NOTICE. SONY IS A REGISTERED TRADEMARK 24P Pro High Definition Camera Recorder • New 3-CCD Pro HDV • Interchangeable lenses • Totally professional compact shoulder camcorder with full Progressive HD and real 24P specs
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American Cinematographer - May 2007

Table of Contents for the Digital Edition of American Cinematographer - May 2007

Contents
Editor’s Note
DVD Playback
Production Slate
A Complex Web
Rabid and Ravenous
Young Man of Steel
Best and Brightest
High Society
Short Takes
Post Focus
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
In Memoriam: Barbara Prevedel
ASC Close-Up
American Cinematographer - May 2007 - Cover1
American Cinematographer - May 2007 - Cover2
American Cinematographer - May 2007 - 1
American Cinematographer - May 2007 - 2
American Cinematographer - May 2007 - Contents
American Cinematographer - May 2007 - 4
American Cinematographer - May 2007 - 5
American Cinematographer - May 2007 - 6
American Cinematographer - May 2007 - 7
American Cinematographer - May 2007 - Editor’s Note
American Cinematographer - May 2007 - 9
American Cinematographer - May 2007 - DVD Playback
American Cinematographer - May 2007 - 11
American Cinematographer - May 2007 - 12
American Cinematographer - May 2007 - 13
American Cinematographer - May 2007 - 14
American Cinematographer - May 2007 - 15
American Cinematographer - May 2007 - Production Slate
American Cinematographer - May 2007 - 17
American Cinematographer - May 2007 - 18
American Cinematographer - May 2007 - 19
American Cinematographer - May 2007 - 20
American Cinematographer - May 2007 - 21
American Cinematographer - May 2007 - 22
American Cinematographer - May 2007 - 23
American Cinematographer - May 2007 - 24
American Cinematographer - May 2007 - 25
American Cinematographer - May 2007 - 26
American Cinematographer - May 2007 - 27
American Cinematographer - May 2007 - A Complex Web
American Cinematographer - May 2007 - 29
American Cinematographer - May 2007 - 30
American Cinematographer - May 2007 - 31
American Cinematographer - May 2007 - 32
American Cinematographer - May 2007 - CardA
American Cinematographer - May 2007 - CardB
American Cinematographer - May 2007 - 33
American Cinematographer - May 2007 - 34
American Cinematographer - May 2007 - 35
American Cinematographer - May 2007 - 36
American Cinematographer - May 2007 - 37
American Cinematographer - May 2007 - 38
American Cinematographer - May 2007 - 39
American Cinematographer - May 2007 - 40
American Cinematographer - May 2007 - 41
American Cinematographer - May 2007 - 42
American Cinematographer - May 2007 - 43
American Cinematographer - May 2007 - Rabid and Ravenous
American Cinematographer - May 2007 - 45
American Cinematographer - May 2007 - 46
American Cinematographer - May 2007 - 47
American Cinematographer - May 2007 - 48
American Cinematographer - May 2007 - 49
American Cinematographer - May 2007 - 50
American Cinematographer - May 2007 - 51
American Cinematographer - May 2007 - 52
American Cinematographer - May 2007 - 53
American Cinematographer - May 2007 - Young Man of Steel
American Cinematographer - May 2007 - 55
American Cinematographer - May 2007 - 56
American Cinematographer - May 2007 - 57
American Cinematographer - May 2007 - 58
American Cinematographer - May 2007 - 59
American Cinematographer - May 2007 - 60
American Cinematographer - May 2007 - 61
American Cinematographer - May 2007 - 62
American Cinematographer - May 2007 - 63
American Cinematographer - May 2007 - Best and Brightest
American Cinematographer - May 2007 - 65
American Cinematographer - May 2007 - 66
American Cinematographer - May 2007 - 67
American Cinematographer - May 2007 - 68
American Cinematographer - May 2007 - 69
American Cinematographer - May 2007 - 70
American Cinematographer - May 2007 - High Society
American Cinematographer - May 2007 - 72
American Cinematographer - May 2007 - 73
American Cinematographer - May 2007 - 74
American Cinematographer - May 2007 - 75
American Cinematographer - May 2007 - 76
American Cinematographer - May 2007 - 77
American Cinematographer - May 2007 - 78
American Cinematographer - May 2007 - 79
American Cinematographer - May 2007 - 80
American Cinematographer - May 2007 - 81
American Cinematographer - May 2007 - Short Takes
American Cinematographer - May 2007 - 83
American Cinematographer - May 2007 - 84
American Cinematographer - May 2007 - 85
American Cinematographer - May 2007 - Post Focus
American Cinematographer - May 2007 - 87
American Cinematographer - May 2007 - 88
American Cinematographer - May 2007 - 89
American Cinematographer - May 2007 - 90
American Cinematographer - May 2007 - 91
American Cinematographer - May 2007 - 92
American Cinematographer - May 2007 - 93
American Cinematographer - May 2007 - New Products & Services
American Cinematographer - May 2007 - 95
American Cinematographer - May 2007 - 96
American Cinematographer - May 2007 - 97
American Cinematographer - May 2007 - Points East
American Cinematographer - May 2007 - 99
American Cinematographer - May 2007 - International Marketplace
American Cinematographer - May 2007 - Classified Ads
American Cinematographer - May 2007 - Ad Index
American Cinematographer - May 2007 - In Memoriam: Barbara Prevedel
American Cinematographer - May 2007 - ASC Close-Up
American Cinematographer - May 2007 - Cover3
American Cinematographer - May 2007 - Cover4
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