American Cinematographer - May 2019 - 46
Viewer's Choice
No. 1 Croydon in London was used for this exterior of the Tuckersoft offices. This shot is an apt example of the
production's eschewing of blue- and greenscreen. "I didn't want to use bluescreen - ever, for anything - so
we didn't," Slade attests.
favorite, "you wrap around [Stefan] to
reveal the cop, the doctor and his
father, [and that Stefan is dead]. I
thought that was a nice wraparound."
46
He adds, "I love what Jake did with
the train. [The full section] mixes the
light and the dark."
Though the director describes
this ending as "suicide by five-yearold child," and notes that "there's
nothing 'nice' about that," he opines
that it's "the warmest and most
emotionally
resonant
[ending],
because it takes in all of the human
relationships that Stefan had. He's an
emotional character, and that ending
gives you the most access to his
emotions."
Offering due credit to the work
of his colleagues, Morton attests, "I
had a fantastic team of people with
me on this job, all of whom made
enormous contributions. The camera
team was incredibly supportive -
camera operator Tony Kay, 1st ACs
Phil Smith and Tommy Holman, 2nd
ACs Tom Lane and Dan Henderson,
DIT Luis Reggiardo, and data wrangler Alessio Ciattini. Ed Lancaster, our
key grip, saved my butt every day
with rigs and solutions, as did gaffer
Shaun Mone." Polonsky adds that
Smith and Holman "handled the
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American Cinematographer - May 2019
Table of Contents for the Digital Edition of American Cinematographer - May 2019
Contents
American Cinematographer - May 2019 - Cover1
American Cinematographer - May 2019 - Cover2
American Cinematographer - May 2019 - 1
American Cinematographer - May 2019 - Contents
American Cinematographer - May 2019 - 3
American Cinematographer - May 2019 - 4
American Cinematographer - May 2019 - 5
American Cinematographer - May 2019 - 6
American Cinematographer - May 2019 - 7
American Cinematographer - May 2019 - 8
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American Cinematographer - May 2019 - 37
American Cinematographer - May 2019 - 38
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American Cinematographer - May 2019 - 40
American Cinematographer - May 2019 - 41
American Cinematographer - May 2019 - 42
American Cinematographer - May 2019 - 43
American Cinematographer - May 2019 - 44
American Cinematographer - May 2019 - 45
American Cinematographer - May 2019 - 46
American Cinematographer - May 2019 - 47
American Cinematographer - May 2019 - 48
American Cinematographer - May 2019 - 49
American Cinematographer - May 2019 - 50
American Cinematographer - May 2019 - 51
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American Cinematographer - May 2019 - 53
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American Cinematographer - May 2019 - Cover3
American Cinematographer - May 2019 - Cover4
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