American Cinematographer - May 2023 - 45

AMERICAN CINEMATOGRAPHER THEASC.COM
While shooting Seven, Khondji says actor Brad Pitt
" understood immediately where the light was going. "
America to Europe and Back Again
Once hired to shoot Seven - the brooding serial-killer thriller that would
make him a known quantity in Hollywood - Khondji began planning
how he would adapt his color process to fit Fincher's vision. " David was
after an image that was dark, darker and darker still. Very black - but
distinctive enough to be able to see the detail within the black. We loved
the noir films of the '40s and '50s, but that kind of photography had only
been achieved in black-and-white - never in color. In most films shot in
color, the image was flatter, softer, more diluted. "
To solve this problem, Khondji worked closely with Beverly Wood,
ASC associate and former vice president of technical services at Deluxe
Laboratories, implementing - for the first time on a feature - the
company's newly developed silver-retention process, Color Contrast Enhancement.
" CCE was a more radical bleach-bypass process than any I
had used before, " Khondji says. " It allowed us to subtract lots of color
from the image, which we could then add later through elements like set
and costume design. "
After completing Seven, Khondji photographed his next two features
during a two-year span, partnering with Bernardo Bertolucci to make
Stealing Beauty (AC June '96), and then with Alan Parker to make Evita
(AC Jan. '97), the musical biopic centered on the life of Argentine icon Eva
Perón (Madonna) which earned the cinematographer his first Academy
Award nomination.
" Bernardo Bertolucci couldn't care less about what I was doing with
David Fincher, " Khondji says. " [Unlike] Seven, for Stealing Beauty, set in
Tuscany, we didn't want to subtract so much color. We just wanted to
MAY 2023 / 45
" I was able to use color process as a tool
- making it different as I moved from
one story and one director to another. "
PHOTOS BY PETER SOREL, SMPSP.

http://www.THEASC.COM

American Cinematographer - May 2023

Table of Contents for the Digital Edition of American Cinematographer - May 2023

Contents
American Cinematographer - May 2023 - Cover1
American Cinematographer - May 2023 - Cover2
American Cinematographer - May 2023 - 1
American Cinematographer - May 2023 - Contents
American Cinematographer - May 2023 - 3
American Cinematographer - May 2023 - 4
American Cinematographer - May 2023 - 5
American Cinematographer - May 2023 - 6
American Cinematographer - May 2023 - 7
American Cinematographer - May 2023 - 8
American Cinematographer - May 2023 - 9
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American Cinematographer - May 2023 - 11
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American Cinematographer - May 2023 - 20
American Cinematographer - May 2023 - 21
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American Cinematographer - May 2023 - 24
American Cinematographer - May 2023 - 25
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American Cinematographer - May 2023 - 27
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American Cinematographer - May 2023 - 30
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American Cinematographer - May 2023 - 33
American Cinematographer - May 2023 - 34
American Cinematographer - May 2023 - 35
American Cinematographer - May 2023 - 36
American Cinematographer - May 2023 - 37
American Cinematographer - May 2023 - 38
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American Cinematographer - May 2023 - 40
American Cinematographer - May 2023 - 41
American Cinematographer - May 2023 - 42
American Cinematographer - May 2023 - 43
American Cinematographer - May 2023 - 44
American Cinematographer - May 2023 - 45
American Cinematographer - May 2023 - 46
American Cinematographer - May 2023 - 47
American Cinematographer - May 2023 - 48
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American Cinematographer - May 2023 - 71
American Cinematographer - May 2023 - 72
American Cinematographer - May 2023 - Cover3
American Cinematographer - May 2023 - Cover4
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