“On ‘The Office,’ our shots must appear real – documentary style – as if we are capturing the moment. That real feel grounds the subject matter for our audience. But ‘real’ implies an imperfect look like blown-out windows. And, when you’re working in HD, ‘blow out’ can look horrible. That’s where Schneider HD Classic Softs™ are my go-to tool. They turn a blow out into a nice bloom. And because HD is so unforgiving, I always use a quarter or a half HD Classic Soft on our actors. This takes the edge off the HD and gives them a look that is both real and attractive at the same time. I use filters to help with things I can’t control so I choose the matchless quality of Schneider glass. Whether I’m the Director or the Cinematographer, Schneider filters make the good things great and the bad things better.” Director and Cinematographer Randall Einhorn is a two-time Emmy nominee for his work on the series Survivor. He has shot and/or directed over 113 episodes of The Office and directed episodes of series including Modern Family, It’s Always Sunny in Philadelphia and Parks and Recreation, as well as numerous commercials and documentaries. B+W • Century • Schneider www.schneideroptics.com • It Starts with the Glass tm Photo of Randall Einhorn by Joel Lipton exclusively for Schneider Opticshttp://www.schneideroptics.com http://www.schneideroptics.com