American Cinematographer - July 2007 - 50

Laws of the Jungle The escapees survive a harrowing set of rapids. ly don’t remember any take that we had to reframe in post; our Thai B-camera operator, Picha Srisansanee, did a very good job. Overall, to save time and money we used just a few of the capabilities the DI offers — it was like having an orchestra at your fingertips and only using the first violin — but at least we preserved an untouched original negative for future use. Werner loves to use stock material for his movies, and that’s much easier when it isn’t cut into pieces.” (The DI was carried out at Warner Bros. Motion Picture Imaging.) Shooting Rescue Dawn digitally was not even considered, even though Herzog acknowledges it is the wave of the future. “I’m a man of celluloid,” he says. 50 July 2007 “We should not forget that celluloid is something much more living, and it has a certain depth of layer, of chemistry, that very often renders the most fascinating results. When you shoot digitally, you end up with a digital file that doesn’t have the same kind of depth.” Zeitlinger shot most of Rescue Dawn on Fuji Super F-64D 8522, a choice that created anxiety late in the shoot, when production learned its supplier had no more on hand because Fuji had discontinued it. “Our location was green jungle, and green especially shows the difference between Kodak and Fuji,” notes the cinematographer. “Fuji 64-ASA produces a fresh and shiny green with a touch of steel blue in it, whereas with Kodak, especially the 50-ASA, green tones go more toward brown. So we tried to find more Fuji 8522 all over the world, from Japan to America. Finally we found some rolls in Munich.” He used Fuji Eterna 250D 8563 on day exteriors when he started to lose light, and Eterna 400T 8583 for interiors and night material. “We used some graduated Tiffen Neutral Density filters to control the sky and clouds, but we didn’t use any soft filters, as they do in the commercial filmmaking world,” he adds. “Basically, the look of the movie is very, very clean.” Much of the film’s action takes place in the POW camp, where Dieter shares a bamboo hut with other captured Americans,

American Cinematographer - July 2007

Table of Contents for the Digital Edition of American Cinematographer - July 2007

Contents
Editor’s Note
DVD Playback
Production Slate
One-Man Riot Squad
Laws of the Jungle
A Hollywood Whodunit
Pièce de Résistance
Short Takes
Post Focus
Filmmakers’ Forum
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up
American Cinematographer - July 2007 - Cover1
American Cinematographer - July 2007 - Cover2
American Cinematographer - July 2007 - 1
American Cinematographer - July 2007 - 2
American Cinematographer - July 2007 - Contents
American Cinematographer - July 2007 - 4
American Cinematographer - July 2007 - 5
American Cinematographer - July 2007 - 6
American Cinematographer - July 2007 - 7
American Cinematographer - July 2007 - Editor’s Note
American Cinematographer - July 2007 - 9
American Cinematographer - July 2007 - 10
American Cinematographer - July 2007 - 11
American Cinematographer - July 2007 - DVD Playback
American Cinematographer - July 2007 - 13
American Cinematographer - July 2007 - 14
American Cinematographer - July 2007 - 15
American Cinematographer - July 2007 - 16
American Cinematographer - July 2007 - 17
American Cinematographer - July 2007 - Production Slate
American Cinematographer - July 2007 - 19
American Cinematographer - July 2007 - 20
American Cinematographer - July 2007 - 21
American Cinematographer - July 2007 - 22
American Cinematographer - July 2007 - 23
American Cinematographer - July 2007 - 24
American Cinematographer - July 2007 - 25
American Cinematographer - July 2007 - 26
American Cinematographer - July 2007 - 27
American Cinematographer - July 2007 - 28
American Cinematographer - July 2007 - 29
American Cinematographer - July 2007 - 30
American Cinematographer - July 2007 - 31
American Cinematographer - July 2007 - One-Man Riot Squad
American Cinematographer - July 2007 - 33
American Cinematographer - July 2007 - 34
American Cinematographer - July 2007 - 35
American Cinematographer - July 2007 - 36
American Cinematographer - July 2007 - 37
American Cinematographer - July 2007 - 38
American Cinematographer - July 2007 - 39
American Cinematographer - July 2007 - 40
American Cinematographer - July 2007 - 41
American Cinematographer - July 2007 - 42
American Cinematographer - July 2007 - 43
American Cinematographer - July 2007 - Laws of the Jungle
American Cinematographer - July 2007 - 45
American Cinematographer - July 2007 - 46
American Cinematographer - July 2007 - 47
American Cinematographer - July 2007 - 48
American Cinematographer - July 2007 - 49
American Cinematographer - July 2007 - 50
American Cinematographer - July 2007 - 51
American Cinematographer - July 2007 - 52
American Cinematographer - July 2007 - 53
American Cinematographer - July 2007 - A Hollywood Whodunit
American Cinematographer - July 2007 - 55
American Cinematographer - July 2007 - 56
American Cinematographer - July 2007 - 57
American Cinematographer - July 2007 - 58
American Cinematographer - July 2007 - 59
American Cinematographer - July 2007 - 60
American Cinematographer - July 2007 - 61
American Cinematographer - July 2007 - Pièce de Résistance
American Cinematographer - July 2007 - 63
American Cinematographer - July 2007 - 64
American Cinematographer - July 2007 - 65
American Cinematographer - July 2007 - 66
American Cinematographer - July 2007 - 67
American Cinematographer - July 2007 - 68
American Cinematographer - July 2007 - 69
American Cinematographer - July 2007 - 70
American Cinematographer - July 2007 - 71
American Cinematographer - July 2007 - Short Takes
American Cinematographer - July 2007 - 73
American Cinematographer - July 2007 - 74
American Cinematographer - July 2007 - 75
American Cinematographer - July 2007 - 76
American Cinematographer - July 2007 - 77
American Cinematographer - July 2007 - Post Focus
American Cinematographer - July 2007 - 79
American Cinematographer - July 2007 - 80
American Cinematographer - July 2007 - 81
American Cinematographer - July 2007 - 82
American Cinematographer - July 2007 - 83
American Cinematographer - July 2007 - Filmmakers’ Forum
American Cinematographer - July 2007 - 85
American Cinematographer - July 2007 - New Products & Services
American Cinematographer - July 2007 - 87
American Cinematographer - July 2007 - 88
American Cinematographer - July 2007 - 89
American Cinematographer - July 2007 - 90
American Cinematographer - July 2007 - 91
American Cinematographer - July 2007 - Points East
American Cinematographer - July 2007 - 93
American Cinematographer - July 2007 - International Marketplace
American Cinematographer - July 2007 - Classified Ads
American Cinematographer - July 2007 - Ad Index
American Cinematographer - July 2007 - 97
American Cinematographer - July 2007 - Clubhouse News
American Cinematographer - July 2007 - 99
American Cinematographer - July 2007 - ASC Close-Up
American Cinematographer - July 2007 - Cover3
American Cinematographer - July 2007 - Cover4
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