American Cinematographer - July 2008 - 61

turned out, all of the firelight from the propane explosions really lit up the background, so we decided to just surround the set with black, and Joe did a great job of adding the Moscow skyline in post.” In addition to the bakery exterior, the Russia sequences include a nighttime trip through Moscow’s picturesque Red Square, where Semler was able to shoot primarily with the location’s existing lighting. Gilson details, “I was sent ahead to Red Square early with a light meter and a digital camera to determine the level of lighting. There was a mixture of sodium-vapor and incandescent industrial-lighting units on top of a large department store. Dean was pretty confident there was enough base-level illumination to work with the Genesis, so we just augmented that with small cosmetic lights on the actors.” Later, with the war against Kaos still raging, Smart and 99 must try to prevent an assassination during a concert. The sequence was filmed in downtown Los Angeles at the Walt Disney Concert Hall, an iconic building designed by Frank Gehry. Semler found the interior’s existing orchestra lighting to be suitable for base-level ambience, which he boosted with Airstar 8K tungsten balloons. “We didn’t really have to bring in any major lighting,” he says. “I also loved shooting the exterior of the hall; the reflective metal gave us an incredible number of highlights. Those are sometimes a concern with digital, but we never had any problems.” Get Smart’s finale finds Max and 99 in a speeding SUV, barreling down railroad tracks toward an oncoming train. The Chief attempts to rescue his endangered employees with a low-flying propeller plane, which was realized entirely via CGI. The sequence was filmed in the Vernon train yards Above: The crew captures greenscreen footage of Carell for another airborne gag involving a smaller airplane. Column at near left: Smart hangs for dear life onto the towline pulling an aerial ad, which hurtles him past a city bus and an SUV. American Cinematographer 61

American Cinematographer - July 2008

Table of Contents for the Digital Edition of American Cinematographer - July 2008

American Cinematographer - July 2008
Contents
Editor's Note
Global Village: Torn from the Flag
Short Takes: On a Tuesday
Production Slate: Before the Rains WALL-E
Batman Looms Larger
A Not-So-Super Hero
Spy vs. Spy
Laugh Factory
Post Focus: CineSynce Streamlines Dark Knight Effects
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Burton "Bud" Stone, Honorary ASC
Clubhouse News
ASC Close-Up: Bill Taylor
American Cinematographer - July 2008 - American Cinematographer - July 2008
American Cinematographer - July 2008 - Cover2
American Cinematographer - July 2008 - 1
American Cinematographer - July 2008 - 2
American Cinematographer - July 2008 - Contents
American Cinematographer - July 2008 - 4
American Cinematographer - July 2008 - 5
American Cinematographer - July 2008 - 6
American Cinematographer - July 2008 - 7
American Cinematographer - July 2008 - Editor's Note
American Cinematographer - July 2008 - 9
American Cinematographer - July 2008 - Global Village: Torn from the Flag
American Cinematographer - July 2008 - 11
American Cinematographer - July 2008 - 12
American Cinematographer - July 2008 - 13
American Cinematographer - July 2008 - Short Takes: On a Tuesday
American Cinematographer - July 2008 - 15
American Cinematographer - July 2008 - 16
American Cinematographer - July 2008 - 17
American Cinematographer - July 2008 - Production Slate: Before the Rains WALL-E
American Cinematographer - July 2008 - 19
American Cinematographer - July 2008 - 20
American Cinematographer - July 2008 - 21
American Cinematographer - July 2008 - 22
American Cinematographer - July 2008 - 23
American Cinematographer - July 2008 - 24
American Cinematographer - July 2008 - 25
American Cinematographer - July 2008 - 26
American Cinematographer - July 2008 - 27
American Cinematographer - July 2008 - 28
American Cinematographer - July 2008 - 29
American Cinematographer - July 2008 - Batman Looms Larger
American Cinematographer - July 2008 - 31
American Cinematographer - July 2008 - 32
American Cinematographer - July 2008 - 33
American Cinematographer - July 2008 - 34
American Cinematographer - July 2008 - 35
American Cinematographer - July 2008 - 36
American Cinematographer - July 2008 - 37
American Cinematographer - July 2008 - 38
American Cinematographer - July 2008 - 39
American Cinematographer - July 2008 - 40
American Cinematographer - July 2008 - 41
American Cinematographer - July 2008 - 42
American Cinematographer - July 2008 - 43
American Cinematographer - July 2008 - 44
American Cinematographer - July 2008 - 45
American Cinematographer - July 2008 - A Not-So-Super Hero
American Cinematographer - July 2008 - 47
American Cinematographer - July 2008 - 48
American Cinematographer - July 2008 - 49
American Cinematographer - July 2008 - 50
American Cinematographer - July 2008 - 51
American Cinematographer - July 2008 - 52
American Cinematographer - July 2008 - 53
American Cinematographer - July 2008 - Spy vs. Spy
American Cinematographer - July 2008 - 55
American Cinematographer - July 2008 - 56
American Cinematographer - July 2008 - 57
American Cinematographer - July 2008 - 58
American Cinematographer - July 2008 - 59
American Cinematographer - July 2008 - 60
American Cinematographer - July 2008 - 61
American Cinematographer - July 2008 - 62
American Cinematographer - July 2008 - 63
American Cinematographer - July 2008 - Laugh Factory
American Cinematographer - July 2008 - 65
American Cinematographer - July 2008 - 66
American Cinematographer - July 2008 - 67
American Cinematographer - July 2008 - Post Focus: CineSynce Streamlines Dark Knight Effects
American Cinematographer - July 2008 - 69
American Cinematographer - July 2008 - 70
American Cinematographer - July 2008 - 71
American Cinematographer - July 2008 - 72
American Cinematographer - July 2008 - 73
American Cinematographer - July 2008 - New Products & Services
American Cinematographer - July 2008 - 75
American Cinematographer - July 2008 - 76
American Cinematographer - July 2008 - 77
American Cinematographer - July 2008 - International Marketplace
American Cinematographer - July 2008 - Classified Ads
American Cinematographer - July 2008 - Ad Index
American Cinematographer - July 2008 - 81
American Cinematographer - July 2008 - In Memoriam: Burton "Bud" Stone, Honorary ASC
American Cinematographer - July 2008 - 83
American Cinematographer - July 2008 - Clubhouse News
American Cinematographer - July 2008 - 85
American Cinematographer - July 2008 - 86
American Cinematographer - July 2008 - 87
American Cinematographer - July 2008 - ASC Close-Up: Bill Taylor
American Cinematographer - July 2008 - Cover3
American Cinematographer - July 2008 - Cover4
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