American Cinematographer - August 2009 - 19

Left: Daly takes the microphone to answer a question from the crowd. Below: Dibie keeps the audience — and the panelists — entertained. Perhaps the biggest concern of the day was how cinematographers can protect the integrity of their images through digital post workflows and later repurposing for home viewing. “We’ve got to protect that imagery because it’s all that we’ve got as cameramen,” said Meheux. “What you need is a director behind you who’s going to support you.” Daviau agreed, noting, “On the most successful collaborations I’ve had, I was in total agreement from the beginning with the producer and the director. We’re all in this together.” “We seem to be far more involved now in postproduction and workflows than we ever were,” added Daly. “We used to be talking about film stocks and cameras, and now it’s workflows and raw data. You just have to keep reading up and communicating with each other. We can’t afford to sit back.” Many of the panelists also participated in the BSC-sponsored panel “Preserving the Future of the Moving Image,” which focused on the cameraassessment tests recently undertaken by the BSC; this discussion touched on the Camera-Assessment Series that was recently undertaken by the ASC and the Producers Guild of America (AC June ’09). “I think it speaks to international concerns … that the ASC and BSC virtually simultaneously embarked on camera-assessment tests,” noted Goi. “It’s going to be an interesting exchange of information. Ultimately, we’re doing all of this because it’s important for cinematographers to maintain control of the images we create and how we create them. We’re in an atmosphere right now where networks or other factions are starting to dictate [the technology we use] to shoot, and that has always been the purview of the cinematographer. We make those decisions because we know what will be best for a particular project and most cost-efficient for the producers.” During the two-day expo, ASC members also participated in other panel discussions. Rodney Taylor, Shane Hurlbut and Okada sat down with ASC publicist Bob Fisher for “A Creative Choice: DI or Traditional Optical Timing”; associate member Michael Bravin moderated “Band Pro Presents SI-2K”; Fisher returned to the stage for “A Renaissance of the Techniscope Format” before moderating a discussion American Cinematographer 19

American Cinematographer - August 2009

Table of Contents for the Digital Edition of American Cinematographer - August 2009

American Cinematographer - August 2009
Contents
Editor’s Note
Letters
Short Takes: “Carousel”
Production Slate: ASC/BSC Panel and Stingray Sam
Fellow Foodies
Exposing a Secret Slaughter
When Not in Rome
Robots Run Rampant
Post Focus: Technicolor’s DP Lights 2.0
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Aaron Schneider
American Cinematographer - August 2009 - Intro
American Cinematographer - August 2009 - American Cinematographer - August 2009
American Cinematographer - August 2009 - Cover2
American Cinematographer - August 2009 - 1
American Cinematographer - August 2009 - 2
American Cinematographer - August 2009 - Contents
American Cinematographer - August 2009 - 4
American Cinematographer - August 2009 - 5
American Cinematographer - August 2009 - 6
American Cinematographer - August 2009 - 7
American Cinematographer - August 2009 - Editor’s Note
American Cinematographer - August 2009 - 9
American Cinematographer - August 2009 - Letters
American Cinematographer - August 2009 - 11
American Cinematographer - August 2009 - Short Takes: “Carousel”
American Cinematographer - August 2009 - 13
American Cinematographer - August 2009 - 14
American Cinematographer - August 2009 - 15
American Cinematographer - August 2009 - 16
American Cinematographer - August 2009 - 17
American Cinematographer - August 2009 - Production Slate: ASC/BSC Panel and Stingray Sam
American Cinematographer - August 2009 - 19
American Cinematographer - August 2009 - 20
American Cinematographer - August 2009 - 21
American Cinematographer - August 2009 - 22
American Cinematographer - August 2009 - 23
American Cinematographer - August 2009 - 24
American Cinematographer - August 2009 - 25
American Cinematographer - August 2009 - 26
American Cinematographer - August 2009 - 27
American Cinematographer - August 2009 - Fellow Foodies
American Cinematographer - August 2009 - 29
American Cinematographer - August 2009 - 30
American Cinematographer - August 2009 - 31
American Cinematographer - August 2009 - 32
American Cinematographer - August 2009 - 33
American Cinematographer - August 2009 - 34
American Cinematographer - August 2009 - 35
American Cinematographer - August 2009 - 36
American Cinematographer - August 2009 - 37
American Cinematographer - August 2009 - Exposing a Secret Slaughter
American Cinematographer - August 2009 - 39
American Cinematographer - August 2009 - 40
American Cinematographer - August 2009 - 41
American Cinematographer - August 2009 - 42
American Cinematographer - August 2009 - 43
American Cinematographer - August 2009 - 44
American Cinematographer - August 2009 - 45
American Cinematographer - August 2009 - When Not in Rome
American Cinematographer - August 2009 - 47
American Cinematographer - August 2009 - 48
American Cinematographer - August 2009 - 49
American Cinematographer - August 2009 - 50
American Cinematographer - August 2009 - 51
American Cinematographer - August 2009 - 52
American Cinematographer - August 2009 - 53
American Cinematographer - August 2009 - Robots Run Rampant
American Cinematographer - August 2009 - 55
American Cinematographer - August 2009 - 56
American Cinematographer - August 2009 - 57
American Cinematographer - August 2009 - 58
American Cinematographer - August 2009 - 59
American Cinematographer - August 2009 - Post Focus: Technicolor’s DP Lights 2.0
American Cinematographer - August 2009 - 61
American Cinematographer - August 2009 - 62
American Cinematographer - August 2009 - 63
American Cinematographer - August 2009 - New Products & Services
American Cinematographer - August 2009 - 65
American Cinematographer - August 2009 - 66
American Cinematographer - August 2009 - 67
American Cinematographer - August 2009 - 68
American Cinematographer - August 2009 - 69
American Cinematographer - August 2009 - International Marketplace
American Cinematographer - August 2009 - 71
American Cinematographer - August 2009 - Ad Index
American Cinematographer - August 2009 - 73
American Cinematographer - August 2009 - Clubhouse News
American Cinematographer - August 2009 - 75
American Cinematographer - August 2009 - ASC Close-Up: Aaron Schneider
American Cinematographer - August 2009 - Cover3
American Cinematographer - August 2009 - Cover4
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