◗ Going Rogue The crew captures an action sequence with Cruise on an Airbus A400M military plane. only movie I've shot substantially [digitally] was Nightcrawler [AC Nov. '14], and even there I ended up shooting all the day work on film, because I didn't feel I was experienced enough [with digital cameras] to handle the extreme contrast range of shooting on a beach. We had wonderful stocks available from Kodak [for Rogue Nation], and what we ended up with was quite remarkable and pretty consistent when they scanned the negative and we went to a DCP or a DI room [all at Company 3 in London], especially since we were shooting anamorphic. [The negative was processed at i dailies in London.] Erik Brown: The main-unit camera package consisted of three Panavision Millennium XL2 bodies - A, B and Steadicam - as well as an Arri 235 and 435 for some rig work and any high-speed shots. The bulk of the picture was shot on two Kodak [Vision3] stocks: [200T] 5213 and [500T] 5219. Robert prefers to shoot in daylight conditions without an 85 filter and correct in the transfer, and we used minimum filtration in general - usually just neutral-density filters during day exteriors. Which lenses did you pair with those Millennium XL2s? Brown: Robert chose to go with 34 August 2015 American Cinematographer