◗ Body Language exterior "pickup shot in my backyard," the production designer says. "A couple friends and I built this miniature 6-foot tree and attached a cable to the top of it, and led that to a pulley attached to a branch high up in the real tree [above it]." The camera - secured on a tripod and facing up - captured the fake tree as it was lowered. Small lengths of pipe were in place to break miniature branches as the tree descended. "They later composited in the two guys flying through the tree," Kisvarday adds. The tree was lit with ETC LED Source Fours to serve as moonlight. The sequence was shot with a Red Epic Dragon 6K fitted with Zeiss Super Speed Mark 3s. "I love miniatures," Kisvarday continues with a laugh, "and I always try to work them into projects - usually unsuccessfully. It's become a joke that that's my first solution to a lot of things." Hank and Manny's subsequent descent through the trees necessitated the use of a chest mount in order to fit a Red Epic Dragon - shooting 6:1 Redcode Raw to 256GB Red SSDs - onto Radcliffe's body, with a Cooke S4 25mm lens facing the actor. With the camera in place, Radcliffe stood in a darkened room surrounded by a circular rig of LED "pixel tubes," which simulated "moon- Hank rides Manny's corpse like a Jet Ski. The scene was captured on open water with an Arri Alexa XT mounted to a stabilized Filmotechnic Flight Head 5 on a J.L. Fisher Model 23 Sectional Jib. While Swiss Army Man was shot primarily with prime lenses, this sequence employed an Angenieux Optimo 24-290mm (T2.8) 12x zoom. 60 August 2016 American Cinematographer