American Cinematographer - September 2008 - 68

A Long-Awaited Redemption Above: Ludwig reads to Lola on one of their many quiet evenings together. Below: Their idyll is soon interrupted by the sounds of revolution outside. the team contacted the Thomson Foundation. Established in 2006 by Thomson, the parent company of Technicolor and other brands, the Thomson Foundation provides support for the preservation of the world’s cinema and audiovisual heritage, focusing primarily on Third World countries. Its first project was to work with Cambodian director Rithy Panh to create the Bophana Audiovisual Resources Center, an attempt to rescue and preserve Cambodia’s films, television materials and photographs, all of which were nearly obliterated during the reign of the Khmer Rouge. The foundation had never undertaken a film restoration, and when it was approached about Lola Montès, the decision to get involved was not simple, according to Séverine Wemaere, the foundation’s managing director. “The movie is not a blockbuster, but we decided to do it [because of that],” she notes wryly. “We knew it would be difficult, and we don’t like to make things easy.” Although the original idea was to restore Lola Montès using photochemical techniques, it quickly became apparent that the restoration would have to be accomplished digitally. There was extensive damage to the various elements, including deep scratches and gouges, chemical stains, splice-glue contamination, printed-in dirt, and torn and missing frames. Moreover, restoring the movie to its original condition meant elements would have to be combined and matched from three principal sources, sometimes even within a single shot. The original negative was in good condition but incomplete; it had been cut into the 1957 version, 68 September 2008

American Cinematographer - September 2008

Table of Contents for the Digital Edition of American Cinematographer - September 2008

American Cinematographer - September 2008
Contents
Editor’s Note
Global Village
Short Takes: A Perfect Place
Production Slate: Man on Wire, The Last Enemy
Portrait of a Lady
A Frightening Fable
A Tale of 2 Cinematographers
A Long-Awaited Redemption
Post Focus: Ntropic Adds Effects to PSAs
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Pete Kozachik
American Cinematographer - September 2008 - American Cinematographer - September 2008
American Cinematographer - September 2008 - Cover2
American Cinematographer - September 2008 - 1
American Cinematographer - September 2008 - 2
American Cinematographer - September 2008 - Contents
American Cinematographer - September 2008 - 4
American Cinematographer - September 2008 - 5
American Cinematographer - September 2008 - 6
American Cinematographer - September 2008 - 7
American Cinematographer - September 2008 - Editor’s Note
American Cinematographer - September 2008 - 9
American Cinematographer - September 2008 - Global Village
American Cinematographer - September 2008 - 11
American Cinematographer - September 2008 - 12
American Cinematographer - September 2008 - 13
American Cinematographer - September 2008 - Short Takes: A Perfect Place
American Cinematographer - September 2008 - 15
American Cinematographer - September 2008 - 16
American Cinematographer - September 2008 - 17
American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy
American Cinematographer - September 2008 - 19
American Cinematographer - September 2008 - 20
American Cinematographer - September 2008 - 21
American Cinematographer - September 2008 - 22
American Cinematographer - September 2008 - 23
American Cinematographer - September 2008 - 24
American Cinematographer - September 2008 - 25
American Cinematographer - September 2008 - 26
American Cinematographer - September 2008 - 27
American Cinematographer - September 2008 - 28
American Cinematographer - September 2008 - 29
American Cinematographer - September 2008 - Portrait of a Lady
American Cinematographer - September 2008 - 31
American Cinematographer - September 2008 - 32
American Cinematographer - September 2008 - 33
American Cinematographer - September 2008 - 34
American Cinematographer - September 2008 - 35
American Cinematographer - September 2008 - 36
American Cinematographer - September 2008 - 37
American Cinematographer - September 2008 - 38
American Cinematographer - September 2008 - 39
American Cinematographer - September 2008 - 40
American Cinematographer - September 2008 - 41
American Cinematographer - September 2008 - 42
American Cinematographer - September 2008 - 43
American Cinematographer - September 2008 - A Frightening Fable
American Cinematographer - September 2008 - 45
American Cinematographer - September 2008 - 46
American Cinematographer - September 2008 - 47
American Cinematographer - September 2008 - 48
American Cinematographer - September 2008 - 49
American Cinematographer - September 2008 - 50
American Cinematographer - September 2008 - 51
American Cinematographer - September 2008 - 52
American Cinematographer - September 2008 - 53
American Cinematographer - September 2008 - A Tale of 2 Cinematographers
American Cinematographer - September 2008 - 55
American Cinematographer - September 2008 - 56
American Cinematographer - September 2008 - 57
American Cinematographer - September 2008 - 58
American Cinematographer - September 2008 - 59
American Cinematographer - September 2008 - 60
American Cinematographer - September 2008 - 61
American Cinematographer - September 2008 - 62
American Cinematographer - September 2008 - 63
American Cinematographer - September 2008 - A Long-Awaited Redemption
American Cinematographer - September 2008 - 65
American Cinematographer - September 2008 - 66
American Cinematographer - September 2008 - 67
American Cinematographer - September 2008 - 68
American Cinematographer - September 2008 - 69
American Cinematographer - September 2008 - 70
American Cinematographer - September 2008 - 71
American Cinematographer - September 2008 - 72
American Cinematographer - September 2008 - 73
American Cinematographer - September 2008 - 74
American Cinematographer - September 2008 - 75
American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs
American Cinematographer - September 2008 - 77
American Cinematographer - September 2008 - 78
American Cinematographer - September 2008 - 79
American Cinematographer - September 2008 - 80
American Cinematographer - September 2008 - 81
American Cinematographer - September 2008 - New Products & Services
American Cinematographer - September 2008 - 83
American Cinematographer - September 2008 - 84
American Cinematographer - September 2008 - 85
American Cinematographer - September 2008 - 86
American Cinematographer - September 2008 - 87
American Cinematographer - September 2008 - 88
American Cinematographer - September 2008 - 89
American Cinematographer - September 2008 - 90
American Cinematographer - September 2008 - 91
American Cinematographer - September 2008 - 92
American Cinematographer - September 2008 - 93
American Cinematographer - September 2008 - 94
American Cinematographer - September 2008 - 95
American Cinematographer - September 2008 - International Marketplace
American Cinematographer - September 2008 - Classified Ads
American Cinematographer - September 2008 - Ad Index
American Cinematographer - September 2008 - 99
American Cinematographer - September 2008 - ASC Membership Roster
American Cinematographer - September 2008 - 101
American Cinematographer - September 2008 - Clubhouse News
American Cinematographer - September 2008 - 103
American Cinematographer - September 2008 - ASC Close-Up: Pete Kozachik
American Cinematographer - September 2008 - Cover3
American Cinematographer - September 2008 - Cover4
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