American Cinematographer - September 2008 - 80
Among other credits, New Deal Studios has contributed visual effects to X-Men: The Last Stand. Conceived as a design and miniature-effects firm, the company has expanded to become a fullservice visualeffects studio. clients with comprehensive visualeffects services, from design and previsualization through practical and digitaleffects production to a state-of-the-art digital-intermediate suite with a 2Kdigital and 35mm-film projector for timing sessions, screenings and work reviews. “We have an enormous palette of tools to choose from, and as a selfcontained studio, everything we need is right here,” says digital-effects producer Michael Theurer. “This allows us to be creatively flexible with our clients and our artists.” Digital-effects supervisor Robert Chapin adds, “If we need to shoot elements on the spot, we can do it and pipe them back into our digital workstations instantly.” New Deal’s digital pipeline, designed by technical director and lead compositor Jeffrey Jasper, was developed to scale with an individual project’s demands. “We focused on simplifying the workflow process to give an enormous amount of control to the artists, enabling them to handle any number of effects shots quickly and efficiently,” says Jasper. New Deal has also created a unique digital art department pipeline linking every division through shared digital assets. This allows the digital team to work hand-in-hand with the Art Concept Development team, using CADaccurate 3-D programs such as Rhino and Solidworks to handle every need from production design and construction drawings to rapid prototyping. New Deal Studio’s credits include The Aviator, X-Men: The Last Stand, Iron Man and The Dark Knight. For additional information, visit www.newdealstudios.com. New Perspective on West Coast Specializing in animation and motion capture for feature films, television, commercials and video games, Perspective Studios has opened a West 80
http://www.newdealstudios.com
http://www.efdusa.net
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http://www.efdusa.net
American Cinematographer - September 2008
Table of Contents for the Digital Edition of American Cinematographer - September 2008
American Cinematographer - September 2008
Contents
Editor’s Note
Global Village
Short Takes: A Perfect Place
Production Slate: Man on Wire, The Last Enemy
Portrait of a Lady
A Frightening Fable
A Tale of 2 Cinematographers
A Long-Awaited Redemption
Post Focus: Ntropic Adds Effects to PSAs
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Pete Kozachik
American Cinematographer - September 2008 - American Cinematographer - September 2008
American Cinematographer - September 2008 - Cover2
American Cinematographer - September 2008 - 1
American Cinematographer - September 2008 - 2
American Cinematographer - September 2008 - Contents
American Cinematographer - September 2008 - 4
American Cinematographer - September 2008 - 5
American Cinematographer - September 2008 - 6
American Cinematographer - September 2008 - 7
American Cinematographer - September 2008 - Editor’s Note
American Cinematographer - September 2008 - 9
American Cinematographer - September 2008 - Global Village
American Cinematographer - September 2008 - 11
American Cinematographer - September 2008 - 12
American Cinematographer - September 2008 - 13
American Cinematographer - September 2008 - Short Takes: A Perfect Place
American Cinematographer - September 2008 - 15
American Cinematographer - September 2008 - 16
American Cinematographer - September 2008 - 17
American Cinematographer - September 2008 - Production Slate: Man on Wire, The Last Enemy
American Cinematographer - September 2008 - 19
American Cinematographer - September 2008 - 20
American Cinematographer - September 2008 - 21
American Cinematographer - September 2008 - 22
American Cinematographer - September 2008 - 23
American Cinematographer - September 2008 - 24
American Cinematographer - September 2008 - 25
American Cinematographer - September 2008 - 26
American Cinematographer - September 2008 - 27
American Cinematographer - September 2008 - 28
American Cinematographer - September 2008 - 29
American Cinematographer - September 2008 - Portrait of a Lady
American Cinematographer - September 2008 - 31
American Cinematographer - September 2008 - 32
American Cinematographer - September 2008 - 33
American Cinematographer - September 2008 - 34
American Cinematographer - September 2008 - 35
American Cinematographer - September 2008 - 36
American Cinematographer - September 2008 - 37
American Cinematographer - September 2008 - 38
American Cinematographer - September 2008 - 39
American Cinematographer - September 2008 - 40
American Cinematographer - September 2008 - 41
American Cinematographer - September 2008 - 42
American Cinematographer - September 2008 - 43
American Cinematographer - September 2008 - A Frightening Fable
American Cinematographer - September 2008 - 45
American Cinematographer - September 2008 - 46
American Cinematographer - September 2008 - 47
American Cinematographer - September 2008 - 48
American Cinematographer - September 2008 - 49
American Cinematographer - September 2008 - 50
American Cinematographer - September 2008 - 51
American Cinematographer - September 2008 - 52
American Cinematographer - September 2008 - 53
American Cinematographer - September 2008 - A Tale of 2 Cinematographers
American Cinematographer - September 2008 - 55
American Cinematographer - September 2008 - 56
American Cinematographer - September 2008 - 57
American Cinematographer - September 2008 - 58
American Cinematographer - September 2008 - 59
American Cinematographer - September 2008 - 60
American Cinematographer - September 2008 - 61
American Cinematographer - September 2008 - 62
American Cinematographer - September 2008 - 63
American Cinematographer - September 2008 - A Long-Awaited Redemption
American Cinematographer - September 2008 - 65
American Cinematographer - September 2008 - 66
American Cinematographer - September 2008 - 67
American Cinematographer - September 2008 - 68
American Cinematographer - September 2008 - 69
American Cinematographer - September 2008 - 70
American Cinematographer - September 2008 - 71
American Cinematographer - September 2008 - 72
American Cinematographer - September 2008 - 73
American Cinematographer - September 2008 - 74
American Cinematographer - September 2008 - 75
American Cinematographer - September 2008 - Post Focus: Ntropic Adds Effects to PSAs
American Cinematographer - September 2008 - 77
American Cinematographer - September 2008 - 78
American Cinematographer - September 2008 - 79
American Cinematographer - September 2008 - 80
American Cinematographer - September 2008 - 81
American Cinematographer - September 2008 - New Products & Services
American Cinematographer - September 2008 - 83
American Cinematographer - September 2008 - 84
American Cinematographer - September 2008 - 85
American Cinematographer - September 2008 - 86
American Cinematographer - September 2008 - 87
American Cinematographer - September 2008 - 88
American Cinematographer - September 2008 - 89
American Cinematographer - September 2008 - 90
American Cinematographer - September 2008 - 91
American Cinematographer - September 2008 - 92
American Cinematographer - September 2008 - 93
American Cinematographer - September 2008 - 94
American Cinematographer - September 2008 - 95
American Cinematographer - September 2008 - International Marketplace
American Cinematographer - September 2008 - Classified Ads
American Cinematographer - September 2008 - Ad Index
American Cinematographer - September 2008 - 99
American Cinematographer - September 2008 - ASC Membership Roster
American Cinematographer - September 2008 - 101
American Cinematographer - September 2008 - Clubhouse News
American Cinematographer - September 2008 - 103
American Cinematographer - September 2008 - ASC Close-Up: Pete Kozachik
American Cinematographer - September 2008 - Cover3
American Cinematographer - September 2008 - Cover4
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