American Cinematographer - September 2023 - 25

AMERICAN CINEMATOGRAPHER THEASC.COM
Top: Capturing actors' performances in the cockpits of moving race
cars was made possible with the aid of " pod cars. " Bottom: Jouffret
operates camera for a scene in which Mardenborough competes at an
arcade for a chance to enter the training program for F1 racing.
because " the round windscreen on the LMP2 [race cars] would make it
impossible to hide reflections. So, we strove to keep a naturalistic approach
and augment [the light] from inside the cars as necessary.
" It was like shooting a play, " he continues. " We could not 'stop and
go' the cars. That's why I fought to have 15 cameras - we only had one
chance to pick up as much material as possible. The cars were 'violent'
but also very fragile, and they needed maintenance all the time. Plus,
we had to [portray] constant communication between Jann in the car
and his engineer [played by David Harbour], and all the drama going -
from the pit boss to the pit perch - and cars coming in to refuel. I had
cameras everywhere. " He further describes these elements of the shoot
as " almost cinema verité. "
Previs was used for scenes requiring the integration of stunt driving,
special effects and visual effects. Visual-effects supervisor Viktor Müller
and three facilities, including VFX studio UPP, then created environment
extensions and digital effects to complement racetrack action. Digital
effects included adding exploding crash debris, eliminating stunt-driver
pods, erasing drones and removing camera rigs from exteriors of
vehicles.
SEPTEMBER 2023 / 25

http://www.THEASC.COM

American Cinematographer - September 2023

Table of Contents for the Digital Edition of American Cinematographer - September 2023

Contents
American Cinematographer - September 2023 - Cover1
American Cinematographer - September 2023 - Cover2
American Cinematographer - September 2023 - 1
American Cinematographer - September 2023 - Contents
American Cinematographer - September 2023 - 3
American Cinematographer - September 2023 - 4
American Cinematographer - September 2023 - 5
American Cinematographer - September 2023 - 6
American Cinematographer - September 2023 - 7
American Cinematographer - September 2023 - 8
American Cinematographer - September 2023 - 9
American Cinematographer - September 2023 - 10
American Cinematographer - September 2023 - 11
American Cinematographer - September 2023 - 12
American Cinematographer - September 2023 - 13
American Cinematographer - September 2023 - 14
American Cinematographer - September 2023 - 15
American Cinematographer - September 2023 - 16
American Cinematographer - September 2023 - 17
American Cinematographer - September 2023 - 18
American Cinematographer - September 2023 - 19
American Cinematographer - September 2023 - 20
American Cinematographer - September 2023 - 21
American Cinematographer - September 2023 - 22
American Cinematographer - September 2023 - 23
American Cinematographer - September 2023 - 24
American Cinematographer - September 2023 - 25
American Cinematographer - September 2023 - 26
American Cinematographer - September 2023 - 27
American Cinematographer - September 2023 - 28
American Cinematographer - September 2023 - 29
American Cinematographer - September 2023 - 30
American Cinematographer - September 2023 - 31
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American Cinematographer - September 2023 - 33
American Cinematographer - September 2023 - 34
American Cinematographer - September 2023 - 35
American Cinematographer - September 2023 - 36
American Cinematographer - September 2023 - 37
American Cinematographer - September 2023 - 38
American Cinematographer - September 2023 - 39
American Cinematographer - September 2023 - 40
American Cinematographer - September 2023 - 41
American Cinematographer - September 2023 - 42
American Cinematographer - September 2023 - 43
American Cinematographer - September 2023 - 44
American Cinematographer - September 2023 - 45
American Cinematographer - September 2023 - 46
American Cinematographer - September 2023 - 47
American Cinematographer - September 2023 - 48
American Cinematographer - September 2023 - 49
American Cinematographer - September 2023 - 50
American Cinematographer - September 2023 - 51
American Cinematographer - September 2023 - 52
American Cinematographer - September 2023 - 53
American Cinematographer - September 2023 - 54
American Cinematographer - September 2023 - 55
American Cinematographer - September 2023 - 56
American Cinematographer - September 2023 - 57
American Cinematographer - September 2023 - 58
American Cinematographer - September 2023 - 59
American Cinematographer - September 2023 - 60
American Cinematographer - September 2023 - 61
American Cinematographer - September 2023 - 62
American Cinematographer - September 2023 - 63
American Cinematographer - September 2023 - 64
American Cinematographer - September 2023 - 65
American Cinematographer - September 2023 - 66
American Cinematographer - September 2023 - 67
American Cinematographer - September 2023 - 68
American Cinematographer - September 2023 - 69
American Cinematographer - September 2023 - 70
American Cinematographer - September 2023 - 71
American Cinematographer - September 2023 - 72
American Cinematographer - September 2023 - Cover3
American Cinematographer - September 2023 - Cover4
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