American Cinematographer - October 2007 - 39
Left: After a falling out between gang members, Liddil draws a bead on his former friend, Hite. Below: Hite gains the upper hand. Due to the limited daylight in Canada during the winter, scenes set in this house had to be shot in a studio, which led Deakins to blow out the windows with a combination of 2K Blondes and diffusion panels. him do more and more of it. He got some wonderful stuff, including these patterns of light on the floor of the James house after Jesse and his family move out; the flickering effect was created by the time-lapse of the sun going through trees or behind clouds. In some of the interior scenes in Jesse James, you let the windows blow out and go white. Was that a stylistic decision or a more practical choice? Deakins: That was both a practical problem and a creative choice. We built the houses on location so we could shoot everything on location, but that proved to be impractical in some cases, because the restricted daylight in Canada during the winter was just too ridiculous. Scenes in the house where Wood Hite [Jeremy Renner] is killed ultimately had to be done in a studio. We had big circular panels of diffusion outside every window and aimed a group of 2K Blondes at each window from about 20 feet away. When we were downstairs in our studio house, I tried to create a feeling of the landscape and the snow outside the windows by positioning black flags slightly beyond the windows and keeping them out of focus to create the line of a hill. There’s not a lot you can do in those kinds of situations. The blown-out windows ended up being part of the look of the film, because I did that even on some of our location sets. At the house in St. Joseph where Jesse is killed, you do see a bit of the landscape outside the windows, but they’re mostly blown out. It’s a good thing we’d been doing that, because one day there was 2 feet of snow outside the windows that didn’t really match the rest of the scene! In other scenes, we made use of the old-fashioned glass in various American Cinematographer 39
American Cinematographer - October 2007
Table of Contents for the Digital Edition of American Cinematographer - October 2007
American Cinematographer - October 2007
Contents
Editor’s Note
Letters
DVD Playback
Production Slate
Western Destinies
Emotional Betrayal
Palace Intrigue
Unsafe Passage
Short Takes
Post Focus
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up
American Cinematographer - October 2007 - American Cinematographer - October 2007
American Cinematographer - October 2007 - Cover2
American Cinematographer - October 2007 - 1
American Cinematographer - October 2007 - 2
American Cinematographer - October 2007 - Contents
American Cinematographer - October 2007 - 4
American Cinematographer - October 2007 - 5
American Cinematographer - October 2007 - 6
American Cinematographer - October 2007 - 7
American Cinematographer - October 2007 - Editor’s Note
American Cinematographer - October 2007 - 9
American Cinematographer - October 2007 - DVD Playback
American Cinematographer - October 2007 - 11
American Cinematographer - October 2007 - 12
American Cinematographer - October 2007 - 13
American Cinematographer - October 2007 - 14
American Cinematographer - October 2007 - 15
American Cinematographer - October 2007 - Production Slate
American Cinematographer - October 2007 - 17
American Cinematographer - October 2007 - 18
American Cinematographer - October 2007 - 19
American Cinematographer - October 2007 - 20
American Cinematographer - October 2007 - 21
American Cinematographer - October 2007 - 22
American Cinematographer - October 2007 - 23
American Cinematographer - October 2007 - 24
American Cinematographer - October 2007 - 25
American Cinematographer - October 2007 - 26
American Cinematographer - October 2007 - 27
American Cinematographer - October 2007 - 28
American Cinematographer - October 2007 - 29
American Cinematographer - October 2007 - Western Destinies
American Cinematographer - October 2007 - 31
American Cinematographer - October 2007 - 32
American Cinematographer - October 2007 - 33
American Cinematographer - October 2007 - 34
American Cinematographer - October 2007 - 35
American Cinematographer - October 2007 - 36
American Cinematographer - October 2007 - 37
American Cinematographer - October 2007 - 38
American Cinematographer - October 2007 - 39
American Cinematographer - October 2007 - 40
American Cinematographer - October 2007 - 41
American Cinematographer - October 2007 - 42
American Cinematographer - October 2007 - 43
American Cinematographer - October 2007 - 44
American Cinematographer - October 2007 - 45
American Cinematographer - October 2007 - 46
American Cinematographer - October 2007 - 47
American Cinematographer - October 2007 - Emotional Betrayal
American Cinematographer - October 2007 - BRC1
American Cinematographer - October 2007 - BRC2
American Cinematographer - October 2007 - 49
American Cinematographer - October 2007 - 50
American Cinematographer - October 2007 - 51
American Cinematographer - October 2007 - 52
American Cinematographer - October 2007 - 53
American Cinematographer - October 2007 - 54
American Cinematographer - October 2007 - 55
American Cinematographer - October 2007 - 56
American Cinematographer - October 2007 - 57
American Cinematographer - October 2007 - 58
American Cinematographer - October 2007 - 59
American Cinematographer - October 2007 - Palace Intrigue
American Cinematographer - October 2007 - 61
American Cinematographer - October 2007 - 62
American Cinematographer - October 2007 - 63
American Cinematographer - October 2007 - 64
American Cinematographer - October 2007 - 65
American Cinematographer - October 2007 - 66
American Cinematographer - October 2007 - 67
American Cinematographer - October 2007 - 68
American Cinematographer - October 2007 - 69
American Cinematographer - October 2007 - 70
American Cinematographer - October 2007 - 71
American Cinematographer - October 2007 - Unsafe Passage
American Cinematographer - October 2007 - 73
American Cinematographer - October 2007 - 74
American Cinematographer - October 2007 - 75
American Cinematographer - October 2007 - 76
American Cinematographer - October 2007 - 77
American Cinematographer - October 2007 - 78
American Cinematographer - October 2007 - 79
American Cinematographer - October 2007 - Short Takes
American Cinematographer - October 2007 - 81
American Cinematographer - October 2007 - 82
American Cinematographer - October 2007 - 83
American Cinematographer - October 2007 - 84
American Cinematographer - October 2007 - 85
American Cinematographer - October 2007 - Post Focus
American Cinematographer - October 2007 - 87
American Cinematographer - October 2007 - 88
American Cinematographer - October 2007 - 89
American Cinematographer - October 2007 - 90
American Cinematographer - October 2007 - 91
American Cinematographer - October 2007 - New Products & Services
American Cinematographer - October 2007 - 93
American Cinematographer - October 2007 - 94
American Cinematographer - October 2007 - 95
American Cinematographer - October 2007 - 96
American Cinematographer - October 2007 - 97
American Cinematographer - October 2007 - 98
American Cinematographer - October 2007 - 99
American Cinematographer - October 2007 - 100
American Cinematographer - October 2007 - 101
American Cinematographer - October 2007 - International Marketplace
American Cinematographer - October 2007 - Classified Ads
American Cinematographer - October 2007 - Ad Index
American Cinematographer - October 2007 - 105
American Cinematographer - October 2007 - Clubhouse News
American Cinematographer - October 2007 - 107
American Cinematographer - October 2007 - ASC Close-Up
American Cinematographer - October 2007 - Cover3
American Cinematographer - October 2007 - Cover4
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