LEE AIMS UNFLINCHING LENS Lee and David discover the horrors of Dachau. obvious. We just wanted to emphasize the state of focus and determination Lee was in during battle. " Throughout the nine-week shoot, two cameras were essential. B cam " The most difficult thing is to come up with light for scenes where there should be complete darkness. " era was operated by Vincent Prochoroff, who had worked with Edelman on The Palace. " I would try to find a logical place for B camera to cover other elements of the scene, or go closer on the main actors, " Edelman says. " We would add it wherever we could to grab something we could use without getting in the way of A camera. " Dark Denouement The filmmakers were particularly sensitive about re-creating Miller's arrival at the Dachau concentration camp and discovery of the horrors that transpired there. The scenes were shot at Magyar Honvédség Központi Kiképző Bázis - a working military base in Csobánka, Hungary. " Rather than attempting to literally depict the camp in its entirety, I felt that the way we would be able to convincingly tell the story of Dachau - in the spirit of the truth - was imagining it from a personal point of view. I worked closely with Gemma and Paweł to design the camp in such a way that we saw it as Lee experienced it - going back to the idea of staying with Lee and showing the emotional impact of what 28 / OCTOBER 2024