American Cinematographer - November 2007 - 93
The Bones Dailies software brings the dailies operation into the mainstream digital-intermediate workflow. Using a Grass Valley Spirit DataCine, film is scanned directly into the SAN at faster than real time. (24-fps movies can be transferred at 30 frames per second, a time savings of 20 percent.) When this speedy process is completed, the Spirit can be released for other work, and the original camera negative film can be securely archived. Once on the SAN, the images can be graded in a nonlinear fashion, saving time and providing more creative freedom. Batch processing allows multiple shots to receive the same grade much faster than real time. Because all Bones software applications can operate on the same platform, different processes — such as image ingest, audio ingest, synchronization, grading, dust-busting and scratch removal — can take place in parallel, again saving time. Through the use of the Color Decision List (CDL) standard developed by the American Society of Cinematographers, color decisions made in Bones Dailies are retained in the system and used to form the basis of the final grade. A logarithmic scan of the film preserves its full dynamic range, giving complete creative control to the colorist working on the data. CDL color decisions are nondestructive: they are stored as metadata instructions to modify the files, so the full range of image detail is always available. The price for a Bones Dailies system is $120,000, which includes the workstation but not the SAN. For information, visit www.thomsongrass valley.com. Digital Vision Opens Office in Hong Kong Digital Vision recently opened an office in Hong Kong. As part of this expansion into the Asia Pacific region, the company appointed Peter Charles as director of sales. Digital Vision provides image- restoration, enhancement, color-correction and data-conforming systems that studios, television networks and post facilities use to produce and enhance feature films, TV programs and commercials. Its main branch was founded in 1988 and is headquartered in Stockholm, Sweden, with two wholly owned subsidiaries, Digital Vision U.S. in Los Angeles and Digital Vision U.K. in London. The Hong Kong office will allow Digital Vision to locally support its growing business in the region. Charles joins the company from DVS, where he was head of sales and marketing for five years. Prior to his post at DVS, He worked at Quantel for six years as general manager of German sales and operations. His résumé also includes 11 years at Scitex Europe. For more information: visit www.digitalvision.se. I 93
http://www.thomsongrassvalley.com
http://www.thomsongrassvalley.com
http://www.digitalvision.se
http://www.gammaanddensity.com
http://www.gammaanddensity.com
American Cinematographer - November 2007
Table of Contents for the Digital Edition of American Cinematographer - November 2007
American Cinematographer - November 2007
Contents
Editor’s Note
Global Village
DVD Playback
Production Slate
Deconstructing Bob Dylan
Honoring a Lost Friend
Night Terrors
Losing Control
TV’s Top-Rated
Short Takes
Post Focus
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up
American Cinematographer - November 2007 - American Cinematographer - November 2007
American Cinematographer - November 2007 - Cover2
American Cinematographer - November 2007 - 1
American Cinematographer - November 2007 - 2
American Cinematographer - November 2007 - Contents
American Cinematographer - November 2007 - 4
American Cinematographer - November 2007 - 5
American Cinematographer - November 2007 - 6
American Cinematographer - November 2007 - 7
American Cinematographer - November 2007 - Editor’s Note
American Cinematographer - November 2007 - 9
American Cinematographer - November 2007 - 10
American Cinematographer - November 2007 - 11
American Cinematographer - November 2007 - Global Village
American Cinematographer - November 2007 - 13
American Cinematographer - November 2007 - 14
American Cinematographer - November 2007 - 15
American Cinematographer - November 2007 - 16
American Cinematographer - November 2007 - 17
American Cinematographer - November 2007 - DVD Playback
American Cinematographer - November 2007 - 19
American Cinematographer - November 2007 - 20
American Cinematographer - November 2007 - 21
American Cinematographer - November 2007 - 22
American Cinematographer - November 2007 - 23
American Cinematographer - November 2007 - Production Slate
American Cinematographer - November 2007 - 25
American Cinematographer - November 2007 - 26
American Cinematographer - November 2007 - 27
American Cinematographer - November 2007 - 28
American Cinematographer - November 2007 - 29
American Cinematographer - November 2007 - 30
American Cinematographer - November 2007 - 31
American Cinematographer - November 2007 - 32
American Cinematographer - November 2007 - 33
American Cinematographer - November 2007 - 34
American Cinematographer - November 2007 - 35
American Cinematographer - November 2007 - 36
American Cinematographer - November 2007 - 37
American Cinematographer - November 2007 - Deconstructing Bob Dylan
American Cinematographer - November 2007 - 39
American Cinematographer - November 2007 - 40
American Cinematographer - November 2007 - 41
American Cinematographer - November 2007 - 42
American Cinematographer - November 2007 - 43
American Cinematographer - November 2007 - 44
American Cinematographer - November 2007 - 45
American Cinematographer - November 2007 - 46
American Cinematographer - November 2007 - 47
American Cinematographer - November 2007 - 48
American Cinematographer - November 2007 - 49
American Cinematographer - November 2007 - 50
American Cinematographer - November 2007 - 51
American Cinematographer - November 2007 - Honoring a Lost Friend
American Cinematographer - November 2007 - 53
American Cinematographer - November 2007 - 54
American Cinematographer - November 2007 - 55
American Cinematographer - November 2007 - 56
American Cinematographer - November 2007 - 57
American Cinematographer - November 2007 - 58
American Cinematographer - November 2007 - 59
American Cinematographer - November 2007 - 60
American Cinematographer - November 2007 - 61
American Cinematographer - November 2007 - Night Terrors
American Cinematographer - November 2007 - 63
American Cinematographer - November 2007 - 64
American Cinematographer - November 2007 - 65
American Cinematographer - November 2007 - 66
American Cinematographer - November 2007 - 67
American Cinematographer - November 2007 - 68
American Cinematographer - November 2007 - 69
American Cinematographer - November 2007 - 70
American Cinematographer - November 2007 - 71
American Cinematographer - November 2007 - 72
American Cinematographer - November 2007 - 73
American Cinematographer - November 2007 - Losing Control
American Cinematographer - November 2007 - 75
American Cinematographer - November 2007 - 76
American Cinematographer - November 2007 - 77
American Cinematographer - November 2007 - 78
American Cinematographer - November 2007 - 79
American Cinematographer - November 2007 - 80
American Cinematographer - November 2007 - 81
American Cinematographer - November 2007 - TV’s Top-Rated
American Cinematographer - November 2007 - 83
American Cinematographer - November 2007 - Short Takes
American Cinematographer - November 2007 - 85
American Cinematographer - November 2007 - 86
American Cinematographer - November 2007 - 87
American Cinematographer - November 2007 - 88
American Cinematographer - November 2007 - 89
American Cinematographer - November 2007 - Post Focus
American Cinematographer - November 2007 - 91
American Cinematographer - November 2007 - 92
American Cinematographer - November 2007 - 93
American Cinematographer - November 2007 - New Products & Services
American Cinematographer - November 2007 - 95
American Cinematographer - November 2007 - 96
American Cinematographer - November 2007 - 97
American Cinematographer - November 2007 - 98
American Cinematographer - November 2007 - 99
American Cinematographer - November 2007 - 100
American Cinematographer - November 2007 - 101
American Cinematographer - November 2007 - 102
American Cinematographer - November 2007 - 103
American Cinematographer - November 2007 - Points East
American Cinematographer - November 2007 - 105
American Cinematographer - November 2007 - International Marketplace
American Cinematographer - November 2007 - Classified Ads
American Cinematographer - November 2007 - Ad Index
American Cinematographer - November 2007 - 109
American Cinematographer - November 2007 - Clubhouse News
American Cinematographer - November 2007 - 111
American Cinematographer - November 2007 - ASC Close-Up
American Cinematographer - November 2007 - Cover3
American Cinematographer - November 2007 - Cover4
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