“It’s been a delight to revisit the Apollo program and the work we started 37 years ago,” says Lowry. “It’s been a tremendous privilege, and very exciting. For the Apollo 11 work, we started with some pretty rough images, and while they are much improved, they are still far [from] pristine. But it’s like sitting behind the lens of the camera itself: you are peering out into a world that is not what it was before. It’s not the way we are used to seeing it — it’s clearer. There are details and depth in the pictures that we have not seen before. It is quite a phenomenal experience to see that for the first time.” Scenes from the Apollo 11 restoration effort can be found at http://www.nasa.gov/multimedia/hd/ap ollo11.html. I Left: Ed von Renouard was one of the first people to see the TV pictures coming down from Apollo 11. As Honeysuckle Creek’s video tech in Australia, his responsibility was to operate the slow-scan console that received the 10-fps/320-line picture from Apollo 11. He also operated the scan converter, which converted the lunar TV to U.S. standards of 30 fps and 525 lines. Here he is seen filming the monitor at Honeysuckle with a Super 8mm camera. Right: Lowry Digital founder and chief technologist John Lowry (seated) and project manager Patrick Edquist (far right) discuss the restoration with NASA’s Stan Lebar (left) and Richard Nafzger (second from left).http://www.nasa.gov/multimedia/hd/apollo11.html http://www.nasa.gov/multimedia/hd/apollo11.html http://www.cmotion.eu http://www.cmotion.eu http://www.cmotion.eu/onlineoffer