American Cinematographer - December 2009 - 50

A Tapestry of Textures Above: After Lena is cast in Blanco’s new film, the suspicious Martel (right) signs on as a producer and hires a lipreader (Lola Dueñas) to translate MOS footage of the pair captured on the set. Below: At the hospital, Lena consults with her mother (Ángela Molina) about her father’s condition. films are quite theatrical, and scenes often take place between two or three characters.” For the anamorphic work, Prieto obtained a Panaflex Millennium from Equipos Profesionales Cinematográficos in Madrid and brought a set of Panavision’s G-Series primes directly from his prior shoot, State of Play (AC May ’09). As always, Almodóvar eschewed zoom lenses, as well as a B camera. “Pedro rarely uses a second camera,” Prieto says. “He’s very much into composition and carefully designs each shot. Many scenes were blocked to fit specific frames or camera moves.” During the 72-day shoot, Almodóvar would typically arrive on set with a small diagram or two. From this starting point, the team would rehearse and figure out coverage. “Pedro likes to take the viewfinder and position things in frame; he’s very particular about the placement of characters, props and colors,” says Prieto. Sometimes the director’s plan was carried out exactly, as in the film’s first sex scene: the camera tracks behind Caine’s purple-velvet couch and reveals a woman’s wriggling foot propped up on the back of the sofa. “That’s very Pedro — he wanted to focus on the fabric of the couch!” says Prieto. On other occasions, Almo- dóvar would change course with response to inspiration on set, as in the scene that shows Lena and Martel having sex under the sheets. The director’s starting point was a Magritte painting of a couple kissing through a sheet, but when he noticed one of the actors’ hands hanging outside the sheet, he imagined a body under a shroud. That inspired him to rewrite the dialogue on the spot and introduce the idea of Martel faking his death to test Lena’s response. Almodóvar then coached Cruz through her reaction shot as Lena sits on the bed, contemplating her options. “It was hilarious to hear,” recalls Prieto. “He 50 December 2009

American Cinematographer - December 2009

Table of Contents for the Digital Edition of American Cinematographer - December 2009

American Cinematographer - December 2009
Contents
Editor’s Note
President’s Desk
Short Takes: We Are ODST
Tomorrow’s Technology
Production Slate: Red Cliff
Production Slate: The Loss of a Teardrop Diamond
Remixing Fellini
A Tapestry of Textures
Healing a Family
An Exceptionally Sly Fox
Post Focus: Virtual Sets for V
Filmmakers’ Forum: David Stump, ASC
New Products & Services
International Marketplace
Classified Ads/Ad Index
2009 AC Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Paul Ryan
American Cinematographer - December 2009 - Intro
American Cinematographer - December 2009 - American Cinematographer - December 2009
American Cinematographer - December 2009 - Cover2
American Cinematographer - December 2009 - Contents
American Cinematographer - December 2009 - 2
American Cinematographer - December 2009 - 3
American Cinematographer - December 2009 - 4
American Cinematographer - December 2009 - 5
American Cinematographer - December 2009 - 6
American Cinematographer - December 2009 - 7
American Cinematographer - December 2009 - Editor’s Note
American Cinematographer - December 2009 - 9
American Cinematographer - December 2009 - President’s Desk
American Cinematographer - December 2009 - 11
American Cinematographer - December 2009 - Short Takes: We Are ODST
American Cinematographer - December 2009 - 13
American Cinematographer - December 2009 - 14
American Cinematographer - December 2009 - 15
American Cinematographer - December 2009 - 16
American Cinematographer - December 2009 - 17
American Cinematographer - December 2009 - Tomorrow’s Technology
American Cinematographer - December 2009 - 19
American Cinematographer - December 2009 - 20
American Cinematographer - December 2009 - 21
American Cinematographer - December 2009 - Production Slate: The Loss of a Teardrop Diamond
American Cinematographer - December 2009 - 23
American Cinematographer - December 2009 - 24
American Cinematographer - December 2009 - 25
American Cinematographer - December 2009 - 26
American Cinematographer - December 2009 - 27
American Cinematographer - December 2009 - 28
American Cinematographer - December 2009 - 29
American Cinematographer - December 2009 - 30
American Cinematographer - December 2009 - 31
American Cinematographer - December 2009 - 32
American Cinematographer - December 2009 - 33
American Cinematographer - December 2009 - 34
American Cinematographer - December 2009 - 35
American Cinematographer - December 2009 - Remixing Fellini
American Cinematographer - December 2009 - 37
American Cinematographer - December 2009 - 38
American Cinematographer - December 2009 - 39
American Cinematographer - December 2009 - 40
American Cinematographer - December 2009 - 41
American Cinematographer - December 2009 - 42
American Cinematographer - December 2009 - 43
American Cinematographer - December 2009 - 44
American Cinematographer - December 2009 - 45
American Cinematographer - December 2009 - 46
American Cinematographer - December 2009 - 47
American Cinematographer - December 2009 - A Tapestry of Textures
American Cinematographer - December 2009 - 49
American Cinematographer - December 2009 - 50
American Cinematographer - December 2009 - 51
American Cinematographer - December 2009 - 52
American Cinematographer - December 2009 - 53
American Cinematographer - December 2009 - 54
American Cinematographer - December 2009 - 55
American Cinematographer - December 2009 - 56
American Cinematographer - December 2009 - 57
American Cinematographer - December 2009 - 58
American Cinematographer - December 2009 - 59
American Cinematographer - December 2009 - Healing a Family
American Cinematographer - December 2009 - 61
American Cinematographer - December 2009 - 62
American Cinematographer - December 2009 - 63
American Cinematographer - December 2009 - 64
American Cinematographer - December 2009 - 65
American Cinematographer - December 2009 - 66
American Cinematographer - December 2009 - 67
American Cinematographer - December 2009 - 68
American Cinematographer - December 2009 - 69
American Cinematographer - December 2009 - An Exceptionally Sly Fox
American Cinematographer - December 2009 - 71
American Cinematographer - December 2009 - 72
American Cinematographer - December 2009 - 73
American Cinematographer - December 2009 - 74
American Cinematographer - December 2009 - 75
American Cinematographer - December 2009 - 76
American Cinematographer - December 2009 - 77
American Cinematographer - December 2009 - 78
American Cinematographer - December 2009 - 79
American Cinematographer - December 2009 - 80
American Cinematographer - December 2009 - 81
American Cinematographer - December 2009 - Post Focus: Virtual Sets for V
American Cinematographer - December 2009 - 83
American Cinematographer - December 2009 - 84
American Cinematographer - December 2009 - 85
American Cinematographer - December 2009 - Filmmakers’ Forum: David Stump, ASC
American Cinematographer - December 2009 - 87
American Cinematographer - December 2009 - 88
American Cinematographer - December 2009 - 89
American Cinematographer - December 2009 - New Products & Services
American Cinematographer - December 2009 - 91
American Cinematographer - December 2009 - 92
American Cinematographer - December 2009 - 93
American Cinematographer - December 2009 - 94
American Cinematographer - December 2009 - 95
American Cinematographer - December 2009 - 96
American Cinematographer - December 2009 - 97
American Cinematographer - December 2009 - International Marketplace
American Cinematographer - December 2009 - 99
American Cinematographer - December 2009 - Classified Ads/Ad Index
American Cinematographer - December 2009 - 2009 AC Index
American Cinematographer - December 2009 - 102
American Cinematographer - December 2009 - 103
American Cinematographer - December 2009 - 104
American Cinematographer - December 2009 - 105
American Cinematographer - December 2009 - 106
American Cinematographer - December 2009 - 107
American Cinematographer - December 2009 - ASC Membership Roster
American Cinematographer - December 2009 - 109
American Cinematographer - December 2009 - Clubhouse News
American Cinematographer - December 2009 - 111
American Cinematographer - December 2009 - ASC Close-Up: Paul Ryan
American Cinematographer - December 2009 - Cover3
American Cinematographer - December 2009 - Cover4
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