American Cinematographer - October 1968 - 109
tion, which is used for positive 35mm
PROFESSIONAL
LAMINATED SOUND STRIPING
SINCE 195S
THE
camera
negative.
Editing and
All Post Production Services
(Note:
65mm negative was perforated with a
16mm
Super 8mm
rri
... CUT!
raw stock, is used in this instance for
original
long
v-'J- & reg. 8mm
pitch
when first introduced
1585 Crossroads of the World
Hollywood, Calif. 90028
Phone 213-469-7705
be¬
cause only step printing was availa¬
$.03 per ft.
ble.
"The Best In the World" - 380 Ft. Minimum Order
736V2 SO. ATLANTIC BLVD.
LOS ANGELES, CALIFORNIA 90022
With
the
advent
of
continuous
printing facilities the negative is now
perforated with short pitch.)
Fast Service - Free Brochure
American Standard PH22.1 1 8-1 964
Dimensions for 65mm Motion
Positive
Film
KS-1870. This
Picture
is 65mm
work print stock for dailies and edit¬
ing, where the sound track is on sep¬
arate films.
(asm
17D HOI DEEN COURT
Dimensions for 70mm Motion
6555 NORTH AVE., OAK PARK. ILL
AREA CODE 312-386 6603
print, long pitch, perforated same as
camera
negative,
with
HONG KONG
MOBILE PROJECTION ROOM
COMPLETE
extra
Portions of this text reproduced, with per¬
mission, from GAF Ansco Photographic Data
on wheels
VERY
tioned seats 10 . . . Super Simplex 35mm
Projection-Separate
mag.-Optical
Track and
sound-Flat-Scope,
For¬
ward-Reverse Judi Dolan, 14129 Emelita
St., Van Nuys, Calif. 91401.
Eastman
Phone: (A.M.) (213) 467-9927
Kodak
Company
Color Reversal
SHUTTER
s
new
product in the Eastman Color Film fam¬
ily-Eastman
NICE - 235°
matte box, 2 mags, cases.
2,900#0
recently
announced the availability of a
(P.M.) (213) 780-3241
35/MM
4 lenses, motor, finder,
Special Lab Equipment Needed
For CRI-1 Processing of New
Eastman 5249-7249 Reversal
Intermediate Film
picture-
&
FACILITIES
MITCHELL 16 & BLIMP
Sheet, a copyrighted publication.
location. Air condi¬
16/MM
PRODUCTION
■
area for magnetic sound tracks.
Take it with you on
276, GLOUCESTER RD.
Picture
Positive Film KS-1870. This is release
65mm
COVERED
BY
mm fm comm
American Standard PH22.1 19-1 961
PHOTOGRAPHIC LABORATORY
ns
VICTOR DUNCAN, INC.
250 Piquette - Detroit 48202
Interme¬
(313) 874-2333
diate Film, Types 5249/7249.
This
first
SENNHEISER condenser tele-micro¬
phones. Studio and Lavalier micro¬
phones. Wireless systems for voice/
music or 60 cps. sync pulse trans¬
mission.
new
and
354 West 45th St, New York, N.Y. 10036
Phones (212) 765-1859; 478-5354
generation
one-to-
one and reduction duplicate negatives
in one stage instead of the two stages
I
usually
required.
The
elimination
SQUEEGEE
TROUBLES?
of
one stage in the preparation of either
first
or
second
negatives
and
corporated
The INTERCRAFT CORPORATION
product is for preparing
second
in
generation
the
this
better sharpness,
and
improvements
new film
reduced
Want a sure cure?
Nylon Squeegee with¬
out mounting bracket
$48.00
duplicate
lead
in¬
With
to
and
graininess,
mounting
rollers ..
bracket
$63.00
Catalogue
greater color purity in the final
PROFESSIONAL FILM PROCESSORS
print. The direct production of the du¬
plicate negative from an original neg¬
METAL MASTERS
ative is accomplished through the use
5599 University Ave., San Diego 5, Calif.
of a new reversal color process, CRI-1.
This
process
represents
a
departure
from the other processes required for
THE FILM DOCTORS
MITCHELL BNC
films in the Eastman Color family and,
be necessary to in¬
SPECIALISTS
WANTED FOR
CASH
stall additional equipment in order to
in the science of
therefore,
it will
process the
new film.
Since
installa¬
tion of such equipment requires addi¬
ANY AGE, ANY CONDITION
SEND DETAILS
AND BEST PRICE TO:
R. GORDON
311 WEST 43RD STREET
NEW YORK, N.Y. 10036
tional laboratory space and construc¬
tion time, processing facilities for East¬
man Color Reversal
RAPIDWELD Process for:
* Scratch-Removal
* Abrasions *Dirt *"Rain"
expected to be somewhat limited dur¬
ing the first few months after its in¬
Ask for Booklet Y-ll
ra
troduction. For further details, consult
your local laboratory.
AMERICAN CINEMATOGRAPHER, OCTOBER 1968
Intermediate are
FILM
REJUVENATIO
37-02 27th Street, Long Island City 1, N. Y.
801
American Cinematographer - October 1968
Table of Contents for the Digital Edition of American Cinematographer - October 1968
American Cinematographer - October 1968 - 1
American Cinematographer - October 1968 - 2
American Cinematographer - October 1968 - 3
American Cinematographer - October 1968 - 4
American Cinematographer - October 1968 - 5
American Cinematographer - October 1968 - 6
American Cinematographer - October 1968 - 7
American Cinematographer - October 1968 - 8
American Cinematographer - October 1968 - 9
American Cinematographer - October 1968 - 10
American Cinematographer - October 1968 - 11
American Cinematographer - October 1968 - 12
American Cinematographer - October 1968 - 13
American Cinematographer - October 1968 - 14
American Cinematographer - October 1968 - 15
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American Cinematographer - October 1968 - 17
American Cinematographer - October 1968 - 18
American Cinematographer - October 1968 - 19
American Cinematographer - October 1968 - 20
American Cinematographer - October 1968 - 21
American Cinematographer - October 1968 - 22
American Cinematographer - October 1968 - 23
American Cinematographer - October 1968 - 24
American Cinematographer - October 1968 - 25
American Cinematographer - October 1968 - 26
American Cinematographer - October 1968 - 27
American Cinematographer - October 1968 - 28
American Cinematographer - October 1968 - 29
American Cinematographer - October 1968 - 30
American Cinematographer - October 1968 - 31
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American Cinematographer - October 1968 - 33
American Cinematographer - October 1968 - 34
American Cinematographer - October 1968 - 35
American Cinematographer - October 1968 - 36
American Cinematographer - October 1968 - 37
American Cinematographer - October 1968 - 38
American Cinematographer - October 1968 - 39
American Cinematographer - October 1968 - 40
American Cinematographer - October 1968 - 41
American Cinematographer - October 1968 - 42
American Cinematographer - October 1968 - 43
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American Cinematographer - October 1968 - 47
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American Cinematographer - October 1968 - 49
American Cinematographer - October 1968 - 50
American Cinematographer - October 1968 - 51
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American Cinematographer - October 1968 - 53
American Cinematographer - October 1968 - 54
American Cinematographer - October 1968 - 55
American Cinematographer - October 1968 - 56
American Cinematographer - October 1968 - 57
American Cinematographer - October 1968 - 58
American Cinematographer - October 1968 - 59
American Cinematographer - October 1968 - 60
American Cinematographer - October 1968 - 61
American Cinematographer - October 1968 - 62
American Cinematographer - October 1968 - 63
American Cinematographer - October 1968 - 64
American Cinematographer - October 1968 - 65
American Cinematographer - October 1968 - 66
American Cinematographer - October 1968 - 67
American Cinematographer - October 1968 - 68
American Cinematographer - October 1968 - 69
American Cinematographer - October 1968 - 70
American Cinematographer - October 1968 - 71
American Cinematographer - October 1968 - 72
American Cinematographer - October 1968 - 73
American Cinematographer - October 1968 - 74
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American Cinematographer - October 1968 - 76
American Cinematographer - October 1968 - 77
American Cinematographer - October 1968 - 78
American Cinematographer - October 1968 - 79
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American Cinematographer - October 1968 - 82
American Cinematographer - October 1968 - 83
American Cinematographer - October 1968 - 84
American Cinematographer - October 1968 - 85
American Cinematographer - October 1968 - 86
American Cinematographer - October 1968 - 87
American Cinematographer - October 1968 - 88
American Cinematographer - October 1968 - 89
American Cinematographer - October 1968 - 90
American Cinematographer - October 1968 - 91
American Cinematographer - October 1968 - 92
American Cinematographer - October 1968 - 93
American Cinematographer - October 1968 - 94
American Cinematographer - October 1968 - 95
American Cinematographer - October 1968 - 96
American Cinematographer - October 1968 - 97
American Cinematographer - October 1968 - 98
American Cinematographer - October 1968 - 99
American Cinematographer - October 1968 - 100
American Cinematographer - October 1968 - 101
American Cinematographer - October 1968 - 102
American Cinematographer - October 1968 - 103
American Cinematographer - October 1968 - 104
American Cinematographer - October 1968 - 105
American Cinematographer - October 1968 - 106
American Cinematographer - October 1968 - 107
American Cinematographer - October 1968 - 108
American Cinematographer - October 1968 - 109
American Cinematographer - October 1968 - 110
American Cinematographer - October 1968 - 111
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American Cinematographer - October 1968 - 113
American Cinematographer - October 1968 - 114
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