American Cinematographer - October 1968 - 12

WHAT'S NEW

Magazine - which weighs 10 oz. less

IN PRODUCTS, SERVICES AND LITERATURE

holds

than standard
special
with

magazines.

spindles

and

spring-loaded

It features

oilite
steel

bearings,
balls

and

100, 200, or 400-foot daylight

spools.

Spring-loaded

balls

grip

the

spools to avoid rattle. Magazine has
and

Smith-Victor Announces
New Quartz-Light Adapter
A new adapter which will
to

quartz

signed

lighting

for the

convert

any

reflector

2

photoflood

No.

the

current
de¬
or

system
charger

contains
that

a

constant

prevents

over¬

charging.
The battery case is made of high
impact,

black

plastic

with

a

detach¬

plenty of room for the spools to turn
freely.

The

Terms:

COD-FOB

total

price

is

Culver

$395.00.

City,

Calif.

This price does not include any over¬
haul on camera, as to sound or me¬

the 500-watt, 3200°K flood lamp, has

able leather shoulder strap, loops for

chanical

just been

belt use, and a captive cover for the

made from aircraft aluminum castings,

charging cable and conlrol. The com¬

and the whole magazine is black ano¬

plete

dized. The outside

introduced

by

Smith-Victor

Corp., Griffith, Indiana.
When the new adapter (Smith-Vic¬

unit

sells

with

is

West

sprocket, with adjustable tension arm

3400°K

10036.

quartz

New

York,

Ron

enameled

Groen at F&B /CECO's Main Office, 31 5

3200°K

writing

is

tor, it will then accept the new DVY

Street,

by

is

dium screw base photographic reflec¬

43rd

had

Further

magazine

details

DYH

be

$249.50.

The

tor's No. 514) is inserted in any me¬

or the

can

for

condition.

N.Y.

as

the

the

regular

sound

sound sprocket will be the same at the
end of a 400-foot run as at the be¬

lamps, but there will be no fall-off of

ginning. This eliminates sprocket tooth

light with age.

noise on the sound track.

lamps

original

above

flood

Quartz

with

added

and roller, so that the tension on the

lamps. The same beam pattern will be
provided

black wrinkle finish. A second sprocket

by

Note: A special motor to pull 1200-

photographers because they maintain

foot magazines can be added at ad¬

a

ditional cost.

constant

are

light

preferred

output

throughout

their substantial life. The following ta¬

Conversion

ble shows the various types of lamps
that may be used with the new adap¬
ter,

which

is

available

from

Color
Temp

'.Vatts

Volt

List

DVY
DYH
DYJ
DYM

3400
3200
3400
3200

650W
600W
650W
42 0W

120V
120V
230V
120V

6.95
8.70
9.70
8.70

ing

photographic

and

related

fessional

constant speed

A.

Hours
Hours
Hours
Hours

motor,

it can

be

in¬

PARRISH,

10851

Fairbanks

Way,

Culver City, California, 90230.

*

manufactur¬

lighting

amateur

with

For further information, write: FRED

Life
25
75
25
75

Bell & Howell Unveils New,
Low-Cost 16mm Color Film Chain

equipment

accessories for the pro¬

and

returned

stalled at additional charge.

Lamp
Model

been

be

Sync motor is desired, instead of the

photo¬

graphic dealers at $3.75.

Smith-Victor has

will

whatever motor was originally in it. If

Bell

photographer

& Howell

today introduced

major addition to its

a

line of closed-

for nearly a hundred years. Two new

circuit

editions of their catalog, one for the

first

professional, the other for the ama¬

film chain priced at $16,000. The new

teur, are now ready. For a copy of

film chain system was introduced here

either

at the National Audio-Visual Associa¬

catalog,

write

to

Smith-Victor

Corp., Griffith, Indiana 46319.

weighing

a
less

announced

that

new

DC

12V

than

5

lbs.

it

H.

4.0

ampere

hours

Trux,

vice

achieved

de¬

and

of

represents

Battery
and

can be used with the Eclair NPR cam¬

new

PARRISH

of

Conversion

for

this

augments the

includes: Veedor Counter, special ad¬

built-in
Full

contains

charger

charging

and

time

cells,

indicator
is

fifteen

was

and

innovation.

"We

Sound-on-film

Camera

of

this system

chain

system,

education
learning

it is

but

lies

where

in

color

process. With

possible to transmit

justable clutch (no torque motor need¬

16mm films (color as well as black &

ed),

to

white) through a closed-circuit TV net¬

light.

take standard 400-foot 16mm maga¬

work to as many color receivers as the

hours

zines.

Conversion

includes

school has need for,'' he added.

(made

in

400-foot

nickel
with

from either 220V or 1 10V AC current,

728

Tape

that

greatest potential

voice,

16mm

field

its

new F&B/CECO Cinevoice Conversion
itself

general

result of engineering

color film

perhaps

with Mini-sync.
rechargeable

and

Howell's

recognize the widespread application

the

battery

&

breakthrough
a

developments

New Conversion And
Light-weight Magazine
For Auricon Cameras
The

a
as

the Auricon Model One or Two Cine-

The

president
Bell

era with bloop, the Arri BL, and the

cadmium

television

Products Division, said that the price

has

the contour of the body. The new bat¬
delivers

color

manager

signed with a special shape that fits
tery

equipment-the

16mm

In announcing the new product, J.

F&B/Ceco Develops New Light
Weight 12V Battery Power Pack
developed

video

tion annual meeting.

*

F&B/CECO

color

low-cost

plus

cut-off,

U.S.A.)

with

top

plate,
one

free

PARRISH

Continued on Page 772

AMERICAN CINEMATOGRAPHER, OCTOBER 1968



American Cinematographer - October 1968

Table of Contents for the Digital Edition of American Cinematographer - October 1968

American Cinematographer - October 1968 - 1
American Cinematographer - October 1968 - 2
American Cinematographer - October 1968 - 3
American Cinematographer - October 1968 - 4
American Cinematographer - October 1968 - 5
American Cinematographer - October 1968 - 6
American Cinematographer - October 1968 - 7
American Cinematographer - October 1968 - 8
American Cinematographer - October 1968 - 9
American Cinematographer - October 1968 - 10
American Cinematographer - October 1968 - 11
American Cinematographer - October 1968 - 12
American Cinematographer - October 1968 - 13
American Cinematographer - October 1968 - 14
American Cinematographer - October 1968 - 15
American Cinematographer - October 1968 - 16
American Cinematographer - October 1968 - 17
American Cinematographer - October 1968 - 18
American Cinematographer - October 1968 - 19
American Cinematographer - October 1968 - 20
American Cinematographer - October 1968 - 21
American Cinematographer - October 1968 - 22
American Cinematographer - October 1968 - 23
American Cinematographer - October 1968 - 24
American Cinematographer - October 1968 - 25
American Cinematographer - October 1968 - 26
American Cinematographer - October 1968 - 27
American Cinematographer - October 1968 - 28
American Cinematographer - October 1968 - 29
American Cinematographer - October 1968 - 30
American Cinematographer - October 1968 - 31
American Cinematographer - October 1968 - 32
American Cinematographer - October 1968 - 33
American Cinematographer - October 1968 - 34
American Cinematographer - October 1968 - 35
American Cinematographer - October 1968 - 36
American Cinematographer - October 1968 - 37
American Cinematographer - October 1968 - 38
American Cinematographer - October 1968 - 39
American Cinematographer - October 1968 - 40
American Cinematographer - October 1968 - 41
American Cinematographer - October 1968 - 42
American Cinematographer - October 1968 - 43
American Cinematographer - October 1968 - 44
American Cinematographer - October 1968 - 45
American Cinematographer - October 1968 - 46
American Cinematographer - October 1968 - 47
American Cinematographer - October 1968 - 48
American Cinematographer - October 1968 - 49
American Cinematographer - October 1968 - 50
American Cinematographer - October 1968 - 51
American Cinematographer - October 1968 - 52
American Cinematographer - October 1968 - 53
American Cinematographer - October 1968 - 54
American Cinematographer - October 1968 - 55
American Cinematographer - October 1968 - 56
American Cinematographer - October 1968 - 57
American Cinematographer - October 1968 - 58
American Cinematographer - October 1968 - 59
American Cinematographer - October 1968 - 60
American Cinematographer - October 1968 - 61
American Cinematographer - October 1968 - 62
American Cinematographer - October 1968 - 63
American Cinematographer - October 1968 - 64
American Cinematographer - October 1968 - 65
American Cinematographer - October 1968 - 66
American Cinematographer - October 1968 - 67
American Cinematographer - October 1968 - 68
American Cinematographer - October 1968 - 69
American Cinematographer - October 1968 - 70
American Cinematographer - October 1968 - 71
American Cinematographer - October 1968 - 72
American Cinematographer - October 1968 - 73
American Cinematographer - October 1968 - 74
American Cinematographer - October 1968 - 75
American Cinematographer - October 1968 - 76
American Cinematographer - October 1968 - 77
American Cinematographer - October 1968 - 78
American Cinematographer - October 1968 - 79
American Cinematographer - October 1968 - 80
American Cinematographer - October 1968 - 81
American Cinematographer - October 1968 - 82
American Cinematographer - October 1968 - 83
American Cinematographer - October 1968 - 84
American Cinematographer - October 1968 - 85
American Cinematographer - October 1968 - 86
American Cinematographer - October 1968 - 87
American Cinematographer - October 1968 - 88
American Cinematographer - October 1968 - 89
American Cinematographer - October 1968 - 90
American Cinematographer - October 1968 - 91
American Cinematographer - October 1968 - 92
American Cinematographer - October 1968 - 93
American Cinematographer - October 1968 - 94
American Cinematographer - October 1968 - 95
American Cinematographer - October 1968 - 96
American Cinematographer - October 1968 - 97
American Cinematographer - October 1968 - 98
American Cinematographer - October 1968 - 99
American Cinematographer - October 1968 - 100
American Cinematographer - October 1968 - 101
American Cinematographer - October 1968 - 102
American Cinematographer - October 1968 - 103
American Cinematographer - October 1968 - 104
American Cinematographer - October 1968 - 105
American Cinematographer - October 1968 - 106
American Cinematographer - October 1968 - 107
American Cinematographer - October 1968 - 108
American Cinematographer - October 1968 - 109
American Cinematographer - October 1968 - 110
American Cinematographer - October 1968 - 111
American Cinematographer - October 1968 - 112
American Cinematographer - October 1968 - 113
American Cinematographer - October 1968 - 114
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