American Cinematographer - October 1968 - 12
WHAT'S NEW
Magazine - which weighs 10 oz. less
IN PRODUCTS, SERVICES AND LITERATURE
holds
than standard
special
with
magazines.
spindles
and
spring-loaded
It features
oilite
steel
bearings,
balls
and
100, 200, or 400-foot daylight
spools.
Spring-loaded
balls
grip
the
spools to avoid rattle. Magazine has
and
Smith-Victor Announces
New Quartz-Light Adapter
A new adapter which will
to
quartz
signed
lighting
for the
convert
any
reflector
2
photoflood
No.
the
current
de¬
or
system
charger
contains
that
a
constant
prevents
over¬
charging.
The battery case is made of high
impact,
black
plastic
with
a
detach¬
plenty of room for the spools to turn
freely.
The
Terms:
COD-FOB
total
price
is
Culver
$395.00.
City,
Calif.
This price does not include any over¬
haul on camera, as to sound or me¬
the 500-watt, 3200°K flood lamp, has
able leather shoulder strap, loops for
chanical
just been
belt use, and a captive cover for the
made from aircraft aluminum castings,
charging cable and conlrol. The com¬
and the whole magazine is black ano¬
plete
dized. The outside
introduced
by
Smith-Victor
Corp., Griffith, Indiana.
When the new adapter (Smith-Vic¬
unit
sells
with
is
West
sprocket, with adjustable tension arm
3400°K
10036.
quartz
New
York,
Ron
enameled
Groen at F&B /CECO's Main Office, 31 5
3200°K
writing
is
tor, it will then accept the new DVY
Street,
by
is
dium screw base photographic reflec¬
43rd
had
Further
magazine
details
DYH
be
$249.50.
The
tor's No. 514) is inserted in any me¬
or the
can
for
condition.
N.Y.
as
the
the
regular
sound
sound sprocket will be the same at the
end of a 400-foot run as at the be¬
lamps, but there will be no fall-off of
ginning. This eliminates sprocket tooth
light with age.
noise on the sound track.
lamps
original
above
flood
Quartz
with
added
and roller, so that the tension on the
lamps. The same beam pattern will be
provided
black wrinkle finish. A second sprocket
by
Note: A special motor to pull 1200-
photographers because they maintain
foot magazines can be added at ad¬
a
ditional cost.
constant
are
light
preferred
output
throughout
their substantial life. The following ta¬
Conversion
ble shows the various types of lamps
that may be used with the new adap¬
ter,
which
is
available
from
Color
Temp
'.Vatts
Volt
List
DVY
DYH
DYJ
DYM
3400
3200
3400
3200
650W
600W
650W
42 0W
120V
120V
230V
120V
6.95
8.70
9.70
8.70
ing
photographic
and
related
fessional
constant speed
A.
Hours
Hours
Hours
Hours
motor,
it can
be
in¬
PARRISH,
10851
Fairbanks
Way,
Culver City, California, 90230.
*
manufactur¬
lighting
amateur
with
For further information, write: FRED
Life
25
75
25
75
Bell & Howell Unveils New,
Low-Cost 16mm Color Film Chain
equipment
accessories for the pro¬
and
returned
stalled at additional charge.
Lamp
Model
been
be
Sync motor is desired, instead of the
photo¬
graphic dealers at $3.75.
Smith-Victor has
will
whatever motor was originally in it. If
Bell
photographer
& Howell
today introduced
major addition to its
a
line of closed-
for nearly a hundred years. Two new
circuit
editions of their catalog, one for the
first
professional, the other for the ama¬
film chain priced at $16,000. The new
teur, are now ready. For a copy of
film chain system was introduced here
either
at the National Audio-Visual Associa¬
catalog,
write
to
Smith-Victor
Corp., Griffith, Indiana 46319.
weighing
a
less
announced
that
new
DC
12V
than
5
lbs.
it
H.
4.0
ampere
hours
Trux,
vice
achieved
de¬
and
of
represents
Battery
and
can be used with the Eclair NPR cam¬
new
PARRISH
of
Conversion
for
this
augments the
includes: Veedor Counter, special ad¬
built-in
Full
contains
charger
charging
and
time
cells,
indicator
is
fifteen
was
and
innovation.
"We
Sound-on-film
Camera
of
this system
chain
system,
education
learning
it is
but
lies
where
in
color
process. With
possible to transmit
justable clutch (no torque motor need¬
16mm films (color as well as black &
ed),
to
white) through a closed-circuit TV net¬
light.
take standard 400-foot 16mm maga¬
work to as many color receivers as the
hours
zines.
Conversion
includes
school has need for,'' he added.
(made
in
400-foot
nickel
with
from either 220V or 1 10V AC current,
728
Tape
that
greatest potential
voice,
16mm
field
its
new F&B/CECO Cinevoice Conversion
itself
general
result of engineering
color film
perhaps
with Mini-sync.
rechargeable
and
Howell's
recognize the widespread application
the
battery
&
breakthrough
a
developments
New Conversion And
Light-weight Magazine
For Auricon Cameras
The
a
as
the Auricon Model One or Two Cine-
The
president
Bell
era with bloop, the Arri BL, and the
cadmium
television
Products Division, said that the price
has
the contour of the body. The new bat¬
delivers
color
manager
signed with a special shape that fits
tery
equipment-the
16mm
In announcing the new product, J.
F&B/Ceco Develops New Light
Weight 12V Battery Power Pack
developed
video
tion annual meeting.
*
F&B/CECO
color
low-cost
plus
cut-off,
U.S.A.)
with
top
plate,
one
free
PARRISH
Continued on Page 772
AMERICAN CINEMATOGRAPHER, OCTOBER 1968
American Cinematographer - October 1968
Table of Contents for the Digital Edition of American Cinematographer - October 1968
American Cinematographer - October 1968 - 1
American Cinematographer - October 1968 - 2
American Cinematographer - October 1968 - 3
American Cinematographer - October 1968 - 4
American Cinematographer - October 1968 - 5
American Cinematographer - October 1968 - 6
American Cinematographer - October 1968 - 7
American Cinematographer - October 1968 - 8
American Cinematographer - October 1968 - 9
American Cinematographer - October 1968 - 10
American Cinematographer - October 1968 - 11
American Cinematographer - October 1968 - 12
American Cinematographer - October 1968 - 13
American Cinematographer - October 1968 - 14
American Cinematographer - October 1968 - 15
American Cinematographer - October 1968 - 16
American Cinematographer - October 1968 - 17
American Cinematographer - October 1968 - 18
American Cinematographer - October 1968 - 19
American Cinematographer - October 1968 - 20
American Cinematographer - October 1968 - 21
American Cinematographer - October 1968 - 22
American Cinematographer - October 1968 - 23
American Cinematographer - October 1968 - 24
American Cinematographer - October 1968 - 25
American Cinematographer - October 1968 - 26
American Cinematographer - October 1968 - 27
American Cinematographer - October 1968 - 28
American Cinematographer - October 1968 - 29
American Cinematographer - October 1968 - 30
American Cinematographer - October 1968 - 31
American Cinematographer - October 1968 - 32
American Cinematographer - October 1968 - 33
American Cinematographer - October 1968 - 34
American Cinematographer - October 1968 - 35
American Cinematographer - October 1968 - 36
American Cinematographer - October 1968 - 37
American Cinematographer - October 1968 - 38
American Cinematographer - October 1968 - 39
American Cinematographer - October 1968 - 40
American Cinematographer - October 1968 - 41
American Cinematographer - October 1968 - 42
American Cinematographer - October 1968 - 43
American Cinematographer - October 1968 - 44
American Cinematographer - October 1968 - 45
American Cinematographer - October 1968 - 46
American Cinematographer - October 1968 - 47
American Cinematographer - October 1968 - 48
American Cinematographer - October 1968 - 49
American Cinematographer - October 1968 - 50
American Cinematographer - October 1968 - 51
American Cinematographer - October 1968 - 52
American Cinematographer - October 1968 - 53
American Cinematographer - October 1968 - 54
American Cinematographer - October 1968 - 55
American Cinematographer - October 1968 - 56
American Cinematographer - October 1968 - 57
American Cinematographer - October 1968 - 58
American Cinematographer - October 1968 - 59
American Cinematographer - October 1968 - 60
American Cinematographer - October 1968 - 61
American Cinematographer - October 1968 - 62
American Cinematographer - October 1968 - 63
American Cinematographer - October 1968 - 64
American Cinematographer - October 1968 - 65
American Cinematographer - October 1968 - 66
American Cinematographer - October 1968 - 67
American Cinematographer - October 1968 - 68
American Cinematographer - October 1968 - 69
American Cinematographer - October 1968 - 70
American Cinematographer - October 1968 - 71
American Cinematographer - October 1968 - 72
American Cinematographer - October 1968 - 73
American Cinematographer - October 1968 - 74
American Cinematographer - October 1968 - 75
American Cinematographer - October 1968 - 76
American Cinematographer - October 1968 - 77
American Cinematographer - October 1968 - 78
American Cinematographer - October 1968 - 79
American Cinematographer - October 1968 - 80
American Cinematographer - October 1968 - 81
American Cinematographer - October 1968 - 82
American Cinematographer - October 1968 - 83
American Cinematographer - October 1968 - 84
American Cinematographer - October 1968 - 85
American Cinematographer - October 1968 - 86
American Cinematographer - October 1968 - 87
American Cinematographer - October 1968 - 88
American Cinematographer - October 1968 - 89
American Cinematographer - October 1968 - 90
American Cinematographer - October 1968 - 91
American Cinematographer - October 1968 - 92
American Cinematographer - October 1968 - 93
American Cinematographer - October 1968 - 94
American Cinematographer - October 1968 - 95
American Cinematographer - October 1968 - 96
American Cinematographer - October 1968 - 97
American Cinematographer - October 1968 - 98
American Cinematographer - October 1968 - 99
American Cinematographer - October 1968 - 100
American Cinematographer - October 1968 - 101
American Cinematographer - October 1968 - 102
American Cinematographer - October 1968 - 103
American Cinematographer - October 1968 - 104
American Cinematographer - October 1968 - 105
American Cinematographer - October 1968 - 106
American Cinematographer - October 1968 - 107
American Cinematographer - October 1968 - 108
American Cinematographer - October 1968 - 109
American Cinematographer - October 1968 - 110
American Cinematographer - October 1968 - 111
American Cinematographer - October 1968 - 112
American Cinematographer - October 1968 - 113
American Cinematographer - October 1968 - 114
https://www.nxtbook.com/nxtbooks/ac/ac196912
https://www.nxtbook.com/nxtbooks/ac/ac196911
https://www.nxtbook.com/nxtbooks/ac/ac196910
https://www.nxtbook.com/nxtbooks/ac/ac196909
https://www.nxtbook.com/nxtbooks/ac/ac196908
https://www.nxtbook.com/nxtbooks/ac/ac196907
https://www.nxtbook.com/nxtbooks/ac/ac196906
https://www.nxtbook.com/nxtbooks/ac/ac196905
https://www.nxtbook.com/nxtbooks/ac/ac196904
https://www.nxtbook.com/nxtbooks/ac/ac196903
https://www.nxtbook.com/nxtbooks/ac/ac196902
https://www.nxtbook.com/nxtbooks/ac/ac196901
https://www.nxtbook.com/nxtbooks/ac/ac196812
https://www.nxtbook.com/nxtbooks/ac/ac196811
https://www.nxtbook.com/nxtbooks/ac/ac196810
https://www.nxtbook.com/nxtbooks/ac/ac196809
https://www.nxtbook.com/nxtbooks/ac/ac196808
https://www.nxtbook.com/nxtbooks/ac/ac196807
https://www.nxtbook.com/nxtbooks/ac/ac196806
https://www.nxtbook.com/nxtbooks/ac/ac196805
https://www.nxtbook.com/nxtbooks/ac/ac196804
https://www.nxtbook.com/nxtbooks/ac/ac196803
https://www.nxtbook.com/nxtbooks/ac/ac196802
https://www.nxtbook.com/nxtbooks/ac/ac196801
https://www.nxtbook.com/nxtbooks/ac/ac196712
https://www.nxtbook.com/nxtbooks/ac/ac196711
https://www.nxtbook.com/nxtbooks/ac/ac196710
https://www.nxtbook.com/nxtbooks/ac/ac196709
https://www.nxtbook.com/nxtbooks/ac/ac196708
https://www.nxtbook.com/nxtbooks/ac/ac196707
https://www.nxtbook.com/nxtbooks/ac/ac196706
https://www.nxtbook.com/nxtbooks/ac/ac196705
https://www.nxtbook.com/nxtbooks/ac/ac196704
https://www.nxtbook.com/nxtbooks/ac/ac196703
https://www.nxtbook.com/nxtbooks/ac/ac196702
https://www.nxtbook.com/nxtbooks/ac/ac196701
https://www.nxtbook.com/nxtbooks/ac/ac196612
https://www.nxtbook.com/nxtbooks/ac/ac196611
https://www.nxtbook.com/nxtbooks/ac/ac196610
https://www.nxtbook.com/nxtbooks/ac/ac196609
https://www.nxtbook.com/nxtbooks/ac/ac196608
https://www.nxtbook.com/nxtbooks/ac/ac196607
https://www.nxtbook.com/nxtbooks/ac/ac196606
https://www.nxtbook.com/nxtbooks/ac/ac196605
https://www.nxtbook.com/nxtbooks/ac/ac196604
https://www.nxtbook.com/nxtbooks/ac/ac196603
https://www.nxtbook.com/nxtbooks/ac/ac196602
https://www.nxtbook.com/nxtbooks/ac/ac196601
https://www.nxtbook.com/nxtbooks/ac/ac196512
https://www.nxtbook.com/nxtbooks/ac/ac196511
https://www.nxtbook.com/nxtbooks/ac/ac196510
https://www.nxtbook.com/nxtbooks/ac/ac196509
https://www.nxtbook.com/nxtbooks/ac/ac196508
https://www.nxtbook.com/nxtbooks/ac/ac196507
https://www.nxtbook.com/nxtbooks/ac/ac196506
https://www.nxtbook.com/nxtbooks/ac/ac196505
https://www.nxtbook.com/nxtbooks/ac/ac196504
https://www.nxtbook.com/nxtbooks/ac/ac196503
https://www.nxtbook.com/nxtbooks/ac/ac196502
https://www.nxtbook.com/nxtbooks/ac/ac196501
https://www.nxtbook.com/nxtbooks/ac/ac196412
https://www.nxtbook.com/nxtbooks/ac/ac196411
https://www.nxtbook.com/nxtbooks/ac/ac196410
https://www.nxtbook.com/nxtbooks/ac/ac196409
https://www.nxtbook.com/nxtbooks/ac/ac196408
https://www.nxtbook.com/nxtbooks/ac/ac196407
https://www.nxtbook.com/nxtbooks/ac/ac196406
https://www.nxtbook.com/nxtbooks/ac/ac196405
https://www.nxtbook.com/nxtbooks/ac/ac196404
https://www.nxtbook.com/nxtbooks/ac/ac196403
https://www.nxtbook.com/nxtbooks/ac/ac196402
https://www.nxtbook.com/nxtbooks/ac/ac196401
https://www.nxtbook.com/nxtbooks/ac/ac196312
https://www.nxtbook.com/nxtbooks/ac/ac196311
https://www.nxtbook.com/nxtbooks/ac/ac196310
https://www.nxtbook.com/nxtbooks/ac/ac196309
https://www.nxtbook.com/nxtbooks/ac/ac196308
https://www.nxtbook.com/nxtbooks/ac/ac196307
https://www.nxtbook.com/nxtbooks/ac/ac196306
https://www.nxtbook.com/nxtbooks/ac/ac196305
https://www.nxtbook.com/nxtbooks/ac/ac196304
https://www.nxtbook.com/nxtbooks/ac/ac196303
https://www.nxtbook.com/nxtbooks/ac/ac196302
https://www.nxtbook.com/nxtbooks/ac/ac196301
https://www.nxtbook.com/nxtbooks/ac/ac196212
https://www.nxtbook.com/nxtbooks/ac/ac196211
https://www.nxtbook.com/nxtbooks/ac/ac196210
https://www.nxtbook.com/nxtbooks/ac/ac196209
https://www.nxtbook.com/nxtbooks/ac/ac196208
https://www.nxtbook.com/nxtbooks/ac/ac196207
https://www.nxtbook.com/nxtbooks/ac/ac196206
https://www.nxtbook.com/nxtbooks/ac/ac196205
https://www.nxtbook.com/nxtbooks/ac/ac196204
https://www.nxtbook.com/nxtbooks/ac/ac196203
https://www.nxtbook.com/nxtbooks/ac/ac196202
https://www.nxtbook.com/nxtbooks/ac/ac196201
https://www.nxtbook.com/nxtbooks/ac/ac196112
https://www.nxtbook.com/nxtbooks/ac/ac196111
https://www.nxtbook.com/nxtbooks/ac/ac196110
https://www.nxtbook.com/nxtbooks/ac/ac196109
https://www.nxtbook.com/nxtbooks/ac/ac196108
https://www.nxtbook.com/nxtbooks/ac/ac196107
https://www.nxtbook.com/nxtbooks/ac/ac196106
https://www.nxtbook.com/nxtbooks/ac/ac196105
https://www.nxtbook.com/nxtbooks/ac/ac196104
https://www.nxtbook.com/nxtbooks/ac/ac196103
https://www.nxtbook.com/nxtbooks/ac/ac196102
https://www.nxtbook.com/nxtbooks/ac/ac196101
https://www.nxtbook.com/nxtbooks/ac/ac196012
https://www.nxtbook.com/nxtbooks/ac/ac196011
https://www.nxtbook.com/nxtbooks/ac/ac196010
https://www.nxtbook.com/nxtbooks/ac/ac196009
https://www.nxtbook.com/nxtbooks/ac/ac196008
https://www.nxtbook.com/nxtbooks/ac/ac196007
https://www.nxtbook.com/nxtbooks/ac/ac196006
https://www.nxtbook.com/nxtbooks/ac/ac196005
https://www.nxtbook.com/nxtbooks/ac/ac196004
https://www.nxtbook.com/nxtbooks/ac/ac196003
https://www.nxtbook.com/nxtbooks/ac/ac196002
https://www.nxtbook.com/nxtbooks/ac/ac196001
https://www.nxtbookmedia.com