American Cinematographer - October 1968 - 47
you change the
NPR's magazine
in five seconds
and you don't
touch the film.
Snap off the old magazine, check the aperture,
snap on the new magazine. That's all. No
threading; no loop to form; no blimp to climb
in and out of. You don't need to touch the film
at all. The film is threaded and the loop formed
inside the magazine when you load it, before
shooting starts. When you run the camera, a
built-in noisemaker warns you if the loop is not
correct. The pressure plate is on the magazine;
the aperture is on the camera body. When you
snap off the magazine, there's the aperture,
registration-pin and claw, right before your eyes.
Couldn't be easier to clean.
An unwritten law of unscripted film making is
that you save your last few feet of film for
the big scene you think will come up at any
moment, thus missing some good cutaways.
Then you run out during the big scene anyway.
With the NPR you've lost only 10 seconds of the
action. In the studio and working from a script,
the five-second magazine change can stop
everyone on set going off to make a phone call
when they hear the dread cry "Reload."
One of our customers, shooting at the last GOP
convention, reports that he was able to get
matching closeups of two VIP's - one asking a
question and the other answering it - on two
rolls of film. He ran out on the question and
got the answer on the next roll, using the NPR's
automatic clapper to re-establish sync. The
VIP's preliminary harumphs and the NPR's
blimp free silence, precise reflex viewing, two
lens turret and steady shoulder-resting were
helpful too, he said.
Service, sales and rental facilities are available from
these expert, franchised dealers: east coast: F&B
CECO, Camera Mart, Camera Service Center, General
Camera Corp. and SOS Photo Cine Optics; middle west:
Behrends Inc. and Victor Duncan Co.; west coast:
Gordon Enterprises, Mark Armistead and Brooks
Camera. Or write to us for a free brochure on the NPR:
Eclair Corporation of America, 7262 Melrose Avenue,
Los Angeles 46, California. No obligation.
motion picture cameras since 1909
patents coutant-mathot
AMERICAN CINEMATOGRAPHER, OCTOBER 1968
763
American Cinematographer - October 1968
Table of Contents for the Digital Edition of American Cinematographer - October 1968
American Cinematographer - October 1968 - 1
American Cinematographer - October 1968 - 2
American Cinematographer - October 1968 - 3
American Cinematographer - October 1968 - 4
American Cinematographer - October 1968 - 5
American Cinematographer - October 1968 - 6
American Cinematographer - October 1968 - 7
American Cinematographer - October 1968 - 8
American Cinematographer - October 1968 - 9
American Cinematographer - October 1968 - 10
American Cinematographer - October 1968 - 11
American Cinematographer - October 1968 - 12
American Cinematographer - October 1968 - 13
American Cinematographer - October 1968 - 14
American Cinematographer - October 1968 - 15
American Cinematographer - October 1968 - 16
American Cinematographer - October 1968 - 17
American Cinematographer - October 1968 - 18
American Cinematographer - October 1968 - 19
American Cinematographer - October 1968 - 20
American Cinematographer - October 1968 - 21
American Cinematographer - October 1968 - 22
American Cinematographer - October 1968 - 23
American Cinematographer - October 1968 - 24
American Cinematographer - October 1968 - 25
American Cinematographer - October 1968 - 26
American Cinematographer - October 1968 - 27
American Cinematographer - October 1968 - 28
American Cinematographer - October 1968 - 29
American Cinematographer - October 1968 - 30
American Cinematographer - October 1968 - 31
American Cinematographer - October 1968 - 32
American Cinematographer - October 1968 - 33
American Cinematographer - October 1968 - 34
American Cinematographer - October 1968 - 35
American Cinematographer - October 1968 - 36
American Cinematographer - October 1968 - 37
American Cinematographer - October 1968 - 38
American Cinematographer - October 1968 - 39
American Cinematographer - October 1968 - 40
American Cinematographer - October 1968 - 41
American Cinematographer - October 1968 - 42
American Cinematographer - October 1968 - 43
American Cinematographer - October 1968 - 44
American Cinematographer - October 1968 - 45
American Cinematographer - October 1968 - 46
American Cinematographer - October 1968 - 47
American Cinematographer - October 1968 - 48
American Cinematographer - October 1968 - 49
American Cinematographer - October 1968 - 50
American Cinematographer - October 1968 - 51
American Cinematographer - October 1968 - 52
American Cinematographer - October 1968 - 53
American Cinematographer - October 1968 - 54
American Cinematographer - October 1968 - 55
American Cinematographer - October 1968 - 56
American Cinematographer - October 1968 - 57
American Cinematographer - October 1968 - 58
American Cinematographer - October 1968 - 59
American Cinematographer - October 1968 - 60
American Cinematographer - October 1968 - 61
American Cinematographer - October 1968 - 62
American Cinematographer - October 1968 - 63
American Cinematographer - October 1968 - 64
American Cinematographer - October 1968 - 65
American Cinematographer - October 1968 - 66
American Cinematographer - October 1968 - 67
American Cinematographer - October 1968 - 68
American Cinematographer - October 1968 - 69
American Cinematographer - October 1968 - 70
American Cinematographer - October 1968 - 71
American Cinematographer - October 1968 - 72
American Cinematographer - October 1968 - 73
American Cinematographer - October 1968 - 74
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American Cinematographer - October 1968 - 76
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American Cinematographer - October 1968 - 78
American Cinematographer - October 1968 - 79
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American Cinematographer - October 1968 - 98
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American Cinematographer - October 1968 - 103
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American Cinematographer - October 1968 - 114
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