American Cinematographer - October 1968 - 6

EXPOSURE
DEPTH-OF-FIELD
IMAGE SHARPNESS

It's easy with the Arriflex 35 2 CV's variable shutter.
Clearly marked in 15° increments . . . get the exact
opening you need, anywhere between 165° and 0°. Add
to this the bright-as-life Arriflex mirror-shutter reflex
viewing system ... The camera's compact, go-anywhere
design ... and its line of accessories that let it build
from a 200-ft. hand camera to a complete blimped
studio system. Arriflex 352CV-the camera that gives
you more control-

more exposure control
Lenses give their finest images at certain apertures.
Maintain these apertures by adjusting exposure with
the variable shutter instead of the diaphram. The vari¬
able shutter can also eliminate the need for ND filters
and the optical deterioration they create.

more depth-of-field control
A 'busy' background can ruin an otherwise good shot.
Wash it out-close down the shutter and open the lens
to reduce depth-of-field-the background stays in its
place: the background.

more sharpness control
Fast-moving subjects may speed by too quickly to regis¬
ter at the wide-open shutter speed of 1/48 sec. So
close down the shutter-just enough to 'freeze' the
action in each frame and get sharper pictures on the
screen.

ARRIFLEX 35 2cv
with VARIABLE SHUTTER
722

ARRIFLEX

r%

CORPORATION OF AMERICA

P.0. Box 1050, Woodside.N.Y. 11377

AMERICAN CINEMATOGRAPHER, OCTOBER 1968



American Cinematographer - October 1968

Table of Contents for the Digital Edition of American Cinematographer - October 1968

American Cinematographer - October 1968 - 1
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