American Cinematographer - October 1968 - 99
CINEMA ENGINEERING, INC.
SOUND
FOR THE
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Uher and other professional re¬
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Miniature light provides a flashed
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Camera cover reduces noise level
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SEE YOUR CANON SCOOPIC
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MORE INFORMATION
Represented by
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1139 N. Highland Ave.
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Three-channel
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possible to make any number of
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scratches and tears to which
projected prints are normally
subjected. Were we to run the
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it could become torn and
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if additional runs were required
and the Master Positive were
ruined, the above involved Op¬
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have to be done all over again.
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Dealer Inquiries Invited
AMERICAN CINEMATOGRAPHER, OCTOBER 1968
Fortunate is the studio that has
Aerial Image Photography facilities
. incorporated in its animation stand.
With Aerial Image Photography it is
possible to do in one run what requires
two runs and the preparation of Trav¬
eling Mattes if the Optical Printer is
used.
The same double exposure effect of
live action scenes combined with ani¬
mated cartoon characters (described
in the process of the Optical Printer)
can be accomplished with less effort
and much more quickly with Aerial
Image Photography. The device mak¬
ing this possible is a machine which
can project a previously photographed
scene to table top level of an anima¬
tion stand. The image is on motion
| picture film, projected upward from
beneath the animation stand, and
moves in synchronization with the ani¬
mation camera. The film can be pro¬
jected one frame at a time or held at
one particular frame while the camera
continues to run, for freeze frame
photography. It can also be run for¬
wards and backwards at will.
A previously prepared sheet of
transparent acetate, on wfTch the ani¬
mation has been inked and painted,
is placed on the glass where the aerial
image is projected. The animation
camera, positioned above, will then
photograph both the animated draw¬
ing as well as the projected image of
the live action simultaneously.
It must be mentioned here that the
term Aerial Image means exactly what
it says. The image is in the air and
is not visible to the naked eye unless
a piece of ground glass or a piece
of animation paper is interposed in the
optical
projection
path.
However,
were we to try to photograph the
image projected on the ground glass
or on the piece of animation paper,
with
post-sync
and
instantaneoussync
operation
the
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Forward/Reverse operation.
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Complex cueing and extra gadgetry
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Silent erase, stop and start.
Interlocks with projector and repro¬
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Complete remote control of all func¬
tions.
3000-ft. reel capacity.
Combination 16/35mm: from $6675
16mm: from $5375
35mm: from $5575
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Write, wire or phone
for detailed literature.
OJlRMEER
R/
International
11817 Wicks St., Sun Valley, Calif. 91352
Phone: (213) 767-0250
791
American Cinematographer - October 1968
Table of Contents for the Digital Edition of American Cinematographer - October 1968
American Cinematographer - October 1968 - 1
American Cinematographer - October 1968 - 2
American Cinematographer - October 1968 - 3
American Cinematographer - October 1968 - 4
American Cinematographer - October 1968 - 5
American Cinematographer - October 1968 - 6
American Cinematographer - October 1968 - 7
American Cinematographer - October 1968 - 8
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