American Cinematographer - July 1983 - 110

■\

r
Nine ways

PALMER FILM
can work for you: (continued)

such

the then

new

"miracle" pro¬

they could "see without
glasses:" Cinemascope (the same
ad line was recently used for a split¬
screen process called "duo-vision").
cess

3-Ds,

Of the films released in '54, CEASE

CREATURE

FIRE,

FROM THE

BLACK LAGOON, DANGEROUS
MISSION and PHANTOM OF THE

We're Here to

4
5

Help. Whether your need is for Labora¬

RUE MORGUE

tory, Recording, Editing, Titles, Animation, or Video
Transfers, your job will receive careful, personalized

ble

were

the most nota¬

from

story and/or 3-D
standpoints.
The following year saw only one
rather brave attempt at a 3-D revival
(by cautious Universal yet!) RE¬

attention at Palmer Films.

Advanced Color Developing: Our all-new color plant
features the latest equipment and techniques for mo¬
tion picture processing. We develop ECO, EF, MS,
EON II, Internegative, CRI,7381 and Ektachrome 7389
and 90 with silver track.

VENGE OF THE CREATURE. Accord¬

ing to its advertising, it was in "allnew 3-D Horror-Scope." After a few
3-D engagements it was only seen in
2-D.

Except for a few sporadic kiddie
matinee revivals of some of the horror

6 Quality: Palmer Films has been providing top quality

picture and sound reproduction for motion pictures
since 1936. And if your film needs a little help, we do
post flashing, force developing, scene-to-scene color
correction, and liquid gate printing.

As far

get the whole story, call:

were

■

SAN FRANCISCO, CA 94105

San Francisco's

complete 16

for

Hollywood and the public

concerned, 3-D

was

dead.

It wasn't until 1960 that 3-D reap¬

W. A. PALMER FILMS,
611 HOWARD STREET

screen

the remainder of the 1950s.

(TO BECONTINUED)
to

stereoscopic motion pictures

vanished from the silver

peared on the horizon.
coincidence that every

It's a strange
time one 3-D
film appears, more seem to follow.
One producer decided it was high
time to combine two competitors: 3-D
and Cinemascope. It was certainly an

INC.

PHONE (415) 986-5961

film service

ambitious effort.

International
Production
Manual

The film
and

SEPTEMBER STORM
a

dual-camera

release somewhat. Also, as with most
3-D films, the story was of inferior

JLMJL

FILM -TELEVISION'VIDEO
Containing the most

was

shot with

rig
equipped with Cinemascope lenses.
Released by 20th-Fox, technical
problems in projection limited its 3-D
was

date and comprehensive sections on film
and video companies, technicians, rental companies and TV stations etc
ever compiled in the UK market - and all entries FREE!
Compiled from mail shots over the last twelve months from our own
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up to

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quality. Also on the same bill with
STORM was a stop-motion 3-D short
called SPACE ATTACK. Originally ti¬
tled THE ADVENTURES OF SAM

SPACE and filmed in 1954, it's a very

good example of controlled 3-D.
At about the

same

time,

skin flick

with the title of ADAM AND SIX EVES

made, using the Natural Vision
system. I have no record of a 3-D
was

BIRNS & SAWYER, INC.
1026 North Highland Ave.
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release.

Hollywood, California 90038
Cable BIRNSAW

The following year, Warners re¬
leased the Canadian-made thriller

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THE MASK.

Company/

Produced by TorontoTaylor-Roffman Productions, it
featured three five-minute anaglyphic
segments. It is regarded by those
based

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copy(s) at $30 each plus $1.50 for handling and postage. (For faster UPS
orders, send $3.00 for handling and postage.) California residents add 6.5% sales tax. Enclosed is
Please send

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Also available from Camera Mart-New York.

BIRNS & SAWYER, INC.
1026 NORTH HIGHLAND AVE.

HOLLYWOOD, CALIFORNIA 90038

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108

who

saw it as being one of the best
anaglyphic presentations. The 3-D
was guided by Charles Smith of Eng¬
land, who was involved with the Spot-

tiswoodes' work in the 1950's. The
3-D

camera

was

called the NRDC

(National Research Development
AMERICAN CINEMATOGRAPHER, JULY, 1983

American Cinematographer - July 1983

Table of Contents for the Digital Edition of American Cinematographer - July 1983