American Cinematographer - August 1983 - 9

"I will not hesitate
to use G EVACOLOR 682 for
mv

I I If

As

future
nrnipf't^ff
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V

Producer and Director

and the color rendition
only accurate, but sen¬
sitively picked out the subtle
atmospheric conditions of the

producer and director of
winning films and

pure,

multi-award

was

documentaries, Malcolm Clarke
has travelled worldwide to cap¬
ture the political and cultural cli¬
mates of other lands. His pro¬

not

locations.
"The latitude of the nega¬
tive stock was very important for
American Journey since we
used diffusion filters to enhance
the subjective nature of this anal¬

ductions have received numer¬
ous awards including an Emmy
for best documentary and two
additional Emmy nominations,
two Cine Golden Eagle Awards,
and an Overseas Press Club of
America Award
Edward R.
Murrow Prize for Best

ysis of contemporary American
society.
"We were delighted by the
serene visual splendor that we

-

Documentary.

were

able to capture on
from the

GEVACOLOR 682

"American

Journey was one of

the most challenging shoots for
the Director of Photography,

Gregory Andracke, and for me.
constantly through
the United States... crossing

We travelled

five different time

zones

Island.
"I had to decide upon a

vis¬

ual

style which would most ef¬
fectively portray the variety of
the American terrain and its tex¬
tural contrasts without disturb¬

ing the visual continuity of this
two

hour film. GEVACOLOR®

Negative Film 682 was the obvi¬
ous

682

"I will not hesitate to

GEVACOLOR 682 for my

within

days... experiencing the pene¬
trating cold of Alaska and the
warmth of the Mississippi Delta,
the night clubs of Detroit, and
the haunting melancholy of Ellis

Myth behind the Miracle, filmed
in Japan. I was immediately im¬
pressed by the versatility of 682
Negative in the face of precari¬
ous and often dangerous shoot¬
ing conditions... which called
for swift and deft setups where
the available light was often
poor, and there was little or no
opportunity to light the scene.
"The ability of GEVACOLOR
to pull detail from shadow areas
was particularly impressive. The
quality of the image was always

two

previous occa¬
sions: Soldiers of the

Twilight, filmed in Latin

For

more

America and

Africa, and

information

GEVACOLOR

call

or

on

Negative Film 682,

write:

Agfa-Gevaert, Inc.
Motion Picture Products

Division...
West of the

Mississippi at
Century Park East,

1801
Los

Angeles, CA 90067

(213) 552-9622 or
1633 Old

Bayshore Highway,
Burlingame, CA94010
(415) 692-2432
East of the

GEVACOLOR
NEGATIVE FILM
a

i v-

use

future

projects."

choice.
"I had used GEVACOLOR
on

...

languorous atmospheric quality
of the South to the hard-edged
urban landscape of Detroit and
Los Angeles.

ft

Mississippi at

275 North

Street,

Teterboro, NJ 07608

,2tm2"#or
(212) 563-5500

682
AGFA and GEVACOLOR

are

registered trademarks of

AGFA-GEVAERT, Antwerp/Leverkusen.

AG FA-G

EVAERT^?
American Cinematographer - August 1983

Table of Contents for the Digital Edition of American Cinematographer - August 1983
