American Cinematographer - July 1984 - 50

MINUSCULE
Until you use

it.

Greenspan

sums up

the

difference between television and
film very adroitly when he says:

"My job is easier than ABC's live
television broadcast of the Los

Angeles Games. I have the luxury
of time.' I can complete the
story." Not everyone would agree
with this statement. Ms.
Riefenstahl's reaction to Green¬

span's comment is provoca¬
tive
"Happiness and success I
wish Mr. Greenspan, whom I got
to know several years ago in New
York, when he bought some
footage material from my Olympia
film for his former production. Of
course I cannot share his opinion,
when he argues: 'My job is easier
-

SHOWN ACTUAL SIZE

You'll know it's there,

The job of a good lavalier
microphone is to be heard and not
seen. So we're introducing the new
MKE 2 micro-miniature electret
lavalier mic-our smallest ever. It
comes

with

a

variety of clothing

attachments and can even be taped
to the wearer's skin. So whether your
talent is fully costumed for an epic

though. Thanks to Sennheiser
back-electret technology and
an extremely thin, low-mass
diaphragm, the MKE 2 gives you
uncanny transient response, and
frequency response from 40 to
20,000 Hz, all with low sensitivity
to mechanical noises. Which

you hear clear voices, not
clothing. See the MKE 2 for
yourself, but be prepared to look closely.

scantily clad
they'll hardly

means

or

ruffled

know it's
there.

SEIMIMHEISE R®
Sennheiser Electronic

Corporation (N.Y.)

48 West 38th Street
© 1983 Sennheiser Electronic

* New York, NY 10018 * (212) 944-9440
Manufacturing Plant: D-3002 Wedemark, West Germany

Corporation (N Y.)

than ABC's live television broad¬
cast of the Los Angeles Games. I
have the luxury of time.' It is my
conviction that it is much more
difficult to make a good Olympia
film than to manufacture even a

complicated TV broadcast, as
broadcasting live. Only the
actuality counts and not the shap¬
ing. Furthermore, TV can im¬
provise everything and has a lot of
time at its disposal. For instance

very

TV is

the decision as to which sports to
include in a film, and which ones
are better left out, is
immensely
difficult. And since 1936 more
than double the amount of nations
are

participating in the Olympic

Games, and there

are even more

sports."
One hopes that both
Greenspan and ABC manage to
capture the feeling for the beauty
of sport and the spirit of peaceful
competition between nations as
successfully as Ms. Riefenstahl did
in her film

Olympia.

Winter Horton is

■
a

Los

Angeles-based filmmaker. She re¬
cently co-produced Marley, a fea¬
ture-length film for Island Pictures.
She is currently working on Tales
From the Dark

Side, a George
Romero/Laurel Entertainment
television series. Horton has writ¬
several screenplays which she

ten

hopes to direct for theatrical
release.

NEW ORLEANS
At

TeleProductions,

we

know how valuable

a

hands-on editing situation

can

be. That's why

we

offer

the services of our CMX Edge off-line system two ways: with or without one of our operators.
Either way the Edge records your offline decisions on a computer read out and a time-coded

floppy disk that's compatible with our CMX 3400 on-line system.
TeleProductions, Inc.
So any way you look at it, when it comes to off-line, TeleProductions 4140 Canal St.
has got the EDGE!
New Orleans, La. 70119
48

504/486-5556



American Cinematographer - July 1984

Table of Contents for the Digital Edition of American Cinematographer - July 1984

American Cinematographer - July 1984 - 1
American Cinematographer - July 1984 - 2
American Cinematographer - July 1984 - 3
American Cinematographer - July 1984 - 4
American Cinematographer - July 1984 - 5
American Cinematographer - July 1984 - 6
American Cinematographer - July 1984 - 7
American Cinematographer - July 1984 - 8
American Cinematographer - July 1984 - 9
American Cinematographer - July 1984 - 10
American Cinematographer - July 1984 - 11
American Cinematographer - July 1984 - 12
American Cinematographer - July 1984 - 13
American Cinematographer - July 1984 - 14
American Cinematographer - July 1984 - 15
American Cinematographer - July 1984 - 16
American Cinematographer - July 1984 - 17
American Cinematographer - July 1984 - 18
American Cinematographer - July 1984 - 19
American Cinematographer - July 1984 - 20
American Cinematographer - July 1984 - 21
American Cinematographer - July 1984 - 22
American Cinematographer - July 1984 - 23
American Cinematographer - July 1984 - 24
American Cinematographer - July 1984 - 25
American Cinematographer - July 1984 - 26
American Cinematographer - July 1984 - 27
American Cinematographer - July 1984 - 28
American Cinematographer - July 1984 - 29
American Cinematographer - July 1984 - 30
American Cinematographer - July 1984 - 31
American Cinematographer - July 1984 - 32
American Cinematographer - July 1984 - 33
American Cinematographer - July 1984 - 34
American Cinematographer - July 1984 - 35
American Cinematographer - July 1984 - 36
American Cinematographer - July 1984 - 37
American Cinematographer - July 1984 - 38
American Cinematographer - July 1984 - 39
American Cinematographer - July 1984 - 40
American Cinematographer - July 1984 - 41
American Cinematographer - July 1984 - 42
American Cinematographer - July 1984 - 43
American Cinematographer - July 1984 - 44
American Cinematographer - July 1984 - 45
American Cinematographer - July 1984 - 46
American Cinematographer - July 1984 - 47
American Cinematographer - July 1984 - 48
American Cinematographer - July 1984 - 49
American Cinematographer - July 1984 - 50
American Cinematographer - July 1984 - 51
American Cinematographer - July 1984 - 52
American Cinematographer - July 1984 - 53
American Cinematographer - July 1984 - 54
American Cinematographer - July 1984 - 55
American Cinematographer - July 1984 - 56
American Cinematographer - July 1984 - 57
American Cinematographer - July 1984 - 58
American Cinematographer - July 1984 - 59
American Cinematographer - July 1984 - 60
American Cinematographer - July 1984 - 61
American Cinematographer - July 1984 - 62
American Cinematographer - July 1984 - 63
American Cinematographer - July 1984 - 64
American Cinematographer - July 1984 - 65
American Cinematographer - July 1984 - 66
American Cinematographer - July 1984 - 67
American Cinematographer - July 1984 - 68
American Cinematographer - July 1984 - 69
American Cinematographer - July 1984 - 70
American Cinematographer - July 1984 - 71
American Cinematographer - July 1984 - 72
American Cinematographer - July 1984 - 73
American Cinematographer - July 1984 - 74
American Cinematographer - July 1984 - 75
American Cinematographer - July 1984 - 76
American Cinematographer - July 1984 - 77
American Cinematographer - July 1984 - 78
American Cinematographer - July 1984 - 79
American Cinematographer - July 1984 - 80
American Cinematographer - July 1984 - 81
American Cinematographer - July 1984 - 82
American Cinematographer - July 1984 - 83
American Cinematographer - July 1984 - 84
American Cinematographer - July 1984 - 85
American Cinematographer - July 1984 - 86
American Cinematographer - July 1984 - 87
American Cinematographer - July 1984 - 88
American Cinematographer - July 1984 - 89
American Cinematographer - July 1984 - 90
American Cinematographer - July 1984 - 91
American Cinematographer - July 1984 - 92
American Cinematographer - July 1984 - 93
American Cinematographer - July 1984 - 94
American Cinematographer - July 1984 - 95
American Cinematographer - July 1984 - 96
American Cinematographer - July 1984 - 97
American Cinematographer - July 1984 - 98
American Cinematographer - July 1984 - 99
American Cinematographer - July 1984 - 100
American Cinematographer - July 1984 - 101
American Cinematographer - July 1984 - 102
American Cinematographer - July 1984 - 103
American Cinematographer - July 1984 - 104
American Cinematographer - July 1984 - 105
American Cinematographer - July 1984 - 106
American Cinematographer - July 1984 - 107
American Cinematographer - July 1984 - 108
American Cinematographer - July 1984 - 109
American Cinematographer - July 1984 - 110
American Cinematographer - July 1984 - 111
American Cinematographer - July 1984 - 112
American Cinematographer - July 1984 - 113
American Cinematographer - July 1984 - 114
American Cinematographer - July 1984 - 115
American Cinematographer - July 1984 - 116
https://www.nxtbook.com/nxtbooks/ac/ac198912
https://www.nxtbook.com/nxtbooks/ac/ac198911
https://www.nxtbook.com/nxtbooks/ac/ac198910
https://www.nxtbook.com/nxtbooks/ac/ac198909
https://www.nxtbook.com/nxtbooks/ac/ac198908
https://www.nxtbook.com/nxtbooks/ac/ac198907
https://www.nxtbook.com/nxtbooks/ac/ac198906
https://www.nxtbook.com/nxtbooks/ac/ac198905
https://www.nxtbook.com/nxtbooks/ac/ac198904
https://www.nxtbook.com/nxtbooks/ac/ac198903
https://www.nxtbook.com/nxtbooks/ac/ac198902
https://www.nxtbook.com/nxtbooks/ac/ac198901
https://www.nxtbook.com/nxtbooks/ac/ac198812
https://www.nxtbook.com/nxtbooks/ac/ac198811
https://www.nxtbook.com/nxtbooks/ac/ac198810
https://www.nxtbook.com/nxtbooks/ac/ac198809
https://www.nxtbook.com/nxtbooks/ac/ac198808
https://www.nxtbook.com/nxtbooks/ac/ac198807
https://www.nxtbook.com/nxtbooks/ac/ac198806
https://www.nxtbook.com/nxtbooks/ac/ac198805
https://www.nxtbook.com/nxtbooks/ac/ac198804
https://www.nxtbook.com/nxtbooks/ac/ac198803
https://www.nxtbook.com/nxtbooks/ac/ac198802
https://www.nxtbook.com/nxtbooks/ac/ac198801
https://www.nxtbook.com/nxtbooks/ac/ac198712
https://www.nxtbook.com/nxtbooks/ac/ac198711
https://www.nxtbook.com/nxtbooks/ac/ac198710
https://www.nxtbook.com/nxtbooks/ac/ac198709
https://www.nxtbook.com/nxtbooks/ac/ac198708
https://www.nxtbook.com/nxtbooks/ac/ac198707
https://www.nxtbook.com/nxtbooks/ac/ac198706
https://www.nxtbook.com/nxtbooks/ac/ac198705
https://www.nxtbook.com/nxtbooks/ac/ac198704
https://www.nxtbook.com/nxtbooks/ac/ac198703
https://www.nxtbook.com/nxtbooks/ac/ac198702
https://www.nxtbook.com/nxtbooks/ac/ac198701
https://www.nxtbook.com/nxtbooks/ac/ac198612
https://www.nxtbook.com/nxtbooks/ac/ac198611
https://www.nxtbook.com/nxtbooks/ac/ac198610
https://www.nxtbook.com/nxtbooks/ac/ac198609
https://www.nxtbook.com/nxtbooks/ac/ac198608
https://www.nxtbook.com/nxtbooks/ac/ac198607
https://www.nxtbook.com/nxtbooks/ac/ac198606
https://www.nxtbook.com/nxtbooks/ac/ac198605
https://www.nxtbook.com/nxtbooks/ac/ac198604
https://www.nxtbook.com/nxtbooks/ac/ac198603
https://www.nxtbook.com/nxtbooks/ac/ac198602
https://www.nxtbook.com/nxtbooks/ac/ac198601
https://www.nxtbook.com/nxtbooks/ac/ac198512
https://www.nxtbook.com/nxtbooks/ac/ac198511
https://www.nxtbook.com/nxtbooks/ac/ac198510
https://www.nxtbook.com/nxtbooks/ac/ac198509
https://www.nxtbook.com/nxtbooks/ac/ac198508
https://www.nxtbook.com/nxtbooks/ac/ac198507
https://www.nxtbook.com/nxtbooks/ac/ac198506
https://www.nxtbook.com/nxtbooks/ac/ac198505
https://www.nxtbook.com/nxtbooks/ac/ac198504
https://www.nxtbook.com/nxtbooks/ac/ac198503
https://www.nxtbook.com/nxtbooks/ac/ac198502
https://www.nxtbook.com/nxtbooks/ac/ac198501
https://www.nxtbook.com/nxtbooks/ac/ac198412
https://www.nxtbook.com/nxtbooks/ac/ac198411
https://www.nxtbook.com/nxtbooks/ac/ac198410
https://www.nxtbook.com/nxtbooks/ac/ac198408
https://www.nxtbook.com/nxtbooks/ac/ac198407
https://www.nxtbook.com/nxtbooks/ac/ac198406
https://www.nxtbook.com/nxtbooks/ac/ac198405
https://www.nxtbook.com/nxtbooks/ac/ac198404
https://www.nxtbook.com/nxtbooks/ac/ac198403
https://www.nxtbook.com/nxtbooks/ac/ac198402
https://www.nxtbook.com/nxtbooks/ac/ac198401
https://www.nxtbook.com/nxtbooks/ac/ac198312
https://www.nxtbook.com/nxtbooks/ac/ac198311
https://www.nxtbook.com/nxtbooks/ac/ac198310
https://www.nxtbook.com/nxtbooks/ac/ac198309
https://www.nxtbook.com/nxtbooks/ac/ac198308
https://www.nxtbook.com/nxtbooks/ac/ac198307
https://www.nxtbook.com/nxtbooks/ac/ac198306
https://www.nxtbook.com/nxtbooks/ac/ac198305
https://www.nxtbook.com/nxtbooks/ac/ac198304
https://www.nxtbook.com/nxtbooks/ac/ac198303
https://www.nxtbook.com/nxtbooks/ac/ac198302
https://www.nxtbook.com/nxtbooks/ac/ac198301
https://www.nxtbook.com/nxtbooks/ac/ac198212
https://www.nxtbook.com/nxtbooks/ac/ac198211
https://www.nxtbook.com/nxtbooks/ac/ac198210
https://www.nxtbook.com/nxtbooks/ac/ac198209
https://www.nxtbook.com/nxtbooks/ac/ac198208
https://www.nxtbook.com/nxtbooks/ac/ac198207
https://www.nxtbook.com/nxtbooks/ac/ac198206
https://www.nxtbook.com/nxtbooks/ac/ac198205
https://www.nxtbook.com/nxtbooks/ac/ac198204
https://www.nxtbook.com/nxtbooks/ac/ac198203
https://www.nxtbook.com/nxtbooks/ac/ac198202
https://www.nxtbook.com/nxtbooks/ac/ac198201
https://www.nxtbook.com/nxtbooks/ac/ac198112
https://www.nxtbook.com/nxtbooks/ac/ac198111
https://www.nxtbook.com/nxtbooks/ac/ac198110
https://www.nxtbook.com/nxtbooks/ac/ac198109
https://www.nxtbook.com/nxtbooks/ac/ac198108
https://www.nxtbook.com/nxtbooks/ac/ac198107
https://www.nxtbook.com/nxtbooks/ac/ac198106
https://www.nxtbook.com/nxtbooks/ac/ac198105
https://www.nxtbook.com/nxtbooks/ac/ac198104
https://www.nxtbook.com/nxtbooks/ac/ac198103
https://www.nxtbook.com/nxtbooks/ac/ac198102
https://www.nxtbook.com/nxtbooks/ac/ac198101
https://www.nxtbook.com/nxtbooks/ac/ac198012
https://www.nxtbook.com/nxtbooks/ac/ac198011
https://www.nxtbook.com/nxtbooks/ac/ac198010
https://www.nxtbook.com/nxtbooks/ac/ac198009
https://www.nxtbook.com/nxtbooks/ac/ac198008
https://www.nxtbook.com/nxtbooks/ac/ac198007
https://www.nxtbook.com/nxtbooks/ac/ac198006
https://www.nxtbook.com/nxtbooks/ac/ac198005
https://www.nxtbook.com/nxtbooks/ac/ac198004
https://www.nxtbook.com/nxtbooks/ac/ac198003
https://www.nxtbook.com/nxtbooks/ac/ac198002
https://www.nxtbook.com/nxtbooks/ac/ac198001
https://www.nxtbookmedia.com