American Cinematographer - November 1984 - 25

Screenplay Word Processing by Ste¬
phen Greenfield and Chris Hunter. Their
concise booklet defines a computer's
usefulness in the writing process, ana¬
lyzes brand-name hard- and software,
and gives much valuable advice
(Screenplay Systems, Burbank. CA;
$5).
As Syd Field states in The
Screenwriter's Workbook, the

same

writing rules apply to both superproductions and home movies. His guide ex¬

pertly discusses the successive steps of
the scripting process, and designs exer¬
cises to develop an original idea into a
finished script (Dell, New York,

$7.95).
In The Astoria Studios,
Richard Koszarski assembles some 250
remarkable photographs, fully cap¬

tioned, that evoke the original New York
movie stages from silent film days to
their current busy production schedule

(Dover, New York, $9.95).
The late Grace Kelly Grimaldi
is memorialized in two biographies:
Princess Grace by Sarah Bradford and
Grace of Monaco by Steven Englund.
With Englund stressing Monaco and
Bradford Hollywood, Grace emerges as
a lovely, shy woman, first a
struggling
model, then an Oscar-winning actress
and finally a wife, mother and princess
(Stem & Day, New York, $17.95;
Doubleday, New York, $17.95).
In Natalie, Lana Wood
bines her

own

com¬

biography with that of

her late sister.

touching account

Lana's intimate and
runs

through their film

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roles, their love affairs, marriages and
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The famous feuding siblings,

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-

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Olivia de Havilland and Joan Fontaine,

rough treatment in Charles
Higham's dual biography, Sisters. He
depicts Olivia's ruthless egotism and
Joan's envious nature which estranged
them during most of their lives, despite
their equally successful careers (Cow¬
ard-McCann. New York, $15.95). ■

and

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Telex: 923 812

Switzerland:

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American Cinematographer - November 1984

Table of Contents for the Digital Edition of American Cinematographer - November 1984
