American Cinematographer - March 1985 - 54
"Usually, the budget for a
documentary is around $60,000,
Get the Most out of...
for
a half hour film. On
Stranger
had a much lower budget. We
edited at the Editing Machine in
the Film Center Building on 9th
Avenue. It's really a grim place and
the machine wasn't very good. To
make things tougher, we didn't
even code the film in
sync."
At first glance the way the
film is edited appears simple or as
if it was edited in the camera. Yet
we
it is
in
a
highly sophisticated exercise
precise rhythm. Jarmusch had
conceived of the structure before
he and John Lurie, who plays
Willie and is the film composer,
wrote the New World.
For Melody London,
Stranger was one of the most un¬
usually challenging films to edit. "1
loved editing in black and white.
It's beautiful. I'd study how the
black leader and the shots would
together. In the composi¬
tion, the element would move in
and out of the picture. Working
with Jim was very unusual because
come
unlike
most
with, Jim has
film. In that
tion
was not
always
is here to
stay! Learn about:
VIDEO CAMERAS
...
COLOR CONTROI
...
ELECTRONIC
FILM TO TAPE
SINGLE CAMERA PRODUCTION
...
AND
MUCH, MUCH MORE!
Please send
copies of Electronic
Production Techniques @ 7.95 each.
(Payment with order)
Name
Address
City
State
Add $2.00 per copy
Zip
for
suggestions. We
hard to leave the
scene on an
abrupt, ironic or
comic note. Something that would
make people laugh.
open to
worked very
"Sometimes the lines
didn't work. In fact, we changed
the whole ending in editing. Origi¬
nally scripted, Eva goes to the air¬
and you clearly see that she is
not going to get on the
plane. I
thought that it was more interest¬
port
ing to leave this more ambiguous. 1
pushed strongly for the change.
It's much more in keeping with the
stylistic format of the film."
Jarmusch is fascinated by
unconventional twists taken by
the plot. "The idea was not to
cater to any expectations from the
audience. The plot and structure
are so minimal that if
you stop the
film at any moment and ask the
audience what is going to happen,
they'd have no idea. Tightly
scripted or plotted films draw your
postage & handling,
2.50
people I've worked
a clear vision of the
sense, my contribu¬
as huge, but he was
foreign, Calif,
attention
residents add 52$ State
tax
PO BOX 2230,
HOLLYWOOD, CA. USA 90078
to
the form of the
plot
American Cinematographer - March 1985
Table of Contents for the Digital Edition of American Cinematographer - March 1985
American Cinematographer - March 1985 - 1
American Cinematographer - March 1985 - 2
American Cinematographer - March 1985 - 3
American Cinematographer - March 1985 - 4
American Cinematographer - March 1985 - 5
American Cinematographer - March 1985 - 6
American Cinematographer - March 1985 - 7
American Cinematographer - March 1985 - 8
American Cinematographer - March 1985 - 9
American Cinematographer - March 1985 - 10
American Cinematographer - March 1985 - 11
American Cinematographer - March 1985 - 12
American Cinematographer - March 1985 - 13
American Cinematographer - March 1985 - 14
American Cinematographer - March 1985 - 15
American Cinematographer - March 1985 - 16
American Cinematographer - March 1985 - 17
American Cinematographer - March 1985 - 18
American Cinematographer - March 1985 - 19
American Cinematographer - March 1985 - 20
American Cinematographer - March 1985 - 21
American Cinematographer - March 1985 - 22
American Cinematographer - March 1985 - 23
American Cinematographer - March 1985 - 24
American Cinematographer - March 1985 - 25
American Cinematographer - March 1985 - 26
American Cinematographer - March 1985 - 27
American Cinematographer - March 1985 - 28
American Cinematographer - March 1985 - 29
American Cinematographer - March 1985 - 30
American Cinematographer - March 1985 - 31
American Cinematographer - March 1985 - 32
American Cinematographer - March 1985 - 33
American Cinematographer - March 1985 - 34
American Cinematographer - March 1985 - 35
American Cinematographer - March 1985 - 36
American Cinematographer - March 1985 - 37
American Cinematographer - March 1985 - 38
American Cinematographer - March 1985 - 39
American Cinematographer - March 1985 - 40
American Cinematographer - March 1985 - 41
American Cinematographer - March 1985 - 42
American Cinematographer - March 1985 - 43
American Cinematographer - March 1985 - 44
American Cinematographer - March 1985 - 45
American Cinematographer - March 1985 - 46
American Cinematographer - March 1985 - 47
American Cinematographer - March 1985 - 48
American Cinematographer - March 1985 - 49
American Cinematographer - March 1985 - 50
American Cinematographer - March 1985 - 51
American Cinematographer - March 1985 - 52
American Cinematographer - March 1985 - 53
American Cinematographer - March 1985 - 54
American Cinematographer - March 1985 - 55
American Cinematographer - March 1985 - 56
American Cinematographer - March 1985 - 57
American Cinematographer - March 1985 - 58
American Cinematographer - March 1985 - 59
American Cinematographer - March 1985 - 60
American Cinematographer - March 1985 - 61
American Cinematographer - March 1985 - 62
American Cinematographer - March 1985 - 63
American Cinematographer - March 1985 - 64
American Cinematographer - March 1985 - 65
American Cinematographer - March 1985 - 66
American Cinematographer - March 1985 - 67
American Cinematographer - March 1985 - 68
American Cinematographer - March 1985 - 69
American Cinematographer - March 1985 - 70
American Cinematographer - March 1985 - 71
American Cinematographer - March 1985 - 72
American Cinematographer - March 1985 - 73
American Cinematographer - March 1985 - 74
American Cinematographer - March 1985 - 75
American Cinematographer - March 1985 - 76
American Cinematographer - March 1985 - 77
American Cinematographer - March 1985 - 78
American Cinematographer - March 1985 - 79
American Cinematographer - March 1985 - 80
American Cinematographer - March 1985 - 81
American Cinematographer - March 1985 - 82
American Cinematographer - March 1985 - 83
American Cinematographer - March 1985 - 84
American Cinematographer - March 1985 - 85
American Cinematographer - March 1985 - 86
American Cinematographer - March 1985 - 87
American Cinematographer - March 1985 - 88
American Cinematographer - March 1985 - 89
American Cinematographer - March 1985 - 90
American Cinematographer - March 1985 - 91
American Cinematographer - March 1985 - 92
American Cinematographer - March 1985 - 93
American Cinematographer - March 1985 - 94
American Cinematographer - March 1985 - 95
American Cinematographer - March 1985 - 96
American Cinematographer - March 1985 - 97
American Cinematographer - March 1985 - 98
American Cinematographer - March 1985 - 99
American Cinematographer - March 1985 - 100
American Cinematographer - March 1985 - 101
American Cinematographer - March 1985 - 102
American Cinematographer - March 1985 - 103
American Cinematographer - March 1985 - 104
American Cinematographer - March 1985 - 105
American Cinematographer - March 1985 - 106
American Cinematographer - March 1985 - 107
American Cinematographer - March 1985 - 108
https://www.nxtbook.com/nxtbooks/ac/ac198912
https://www.nxtbook.com/nxtbooks/ac/ac198911
https://www.nxtbook.com/nxtbooks/ac/ac198910
https://www.nxtbook.com/nxtbooks/ac/ac198909
https://www.nxtbook.com/nxtbooks/ac/ac198908
https://www.nxtbook.com/nxtbooks/ac/ac198907
https://www.nxtbook.com/nxtbooks/ac/ac198906
https://www.nxtbook.com/nxtbooks/ac/ac198905
https://www.nxtbook.com/nxtbooks/ac/ac198904
https://www.nxtbook.com/nxtbooks/ac/ac198903
https://www.nxtbook.com/nxtbooks/ac/ac198902
https://www.nxtbook.com/nxtbooks/ac/ac198901
https://www.nxtbook.com/nxtbooks/ac/ac198812
https://www.nxtbook.com/nxtbooks/ac/ac198811
https://www.nxtbook.com/nxtbooks/ac/ac198810
https://www.nxtbook.com/nxtbooks/ac/ac198809
https://www.nxtbook.com/nxtbooks/ac/ac198808
https://www.nxtbook.com/nxtbooks/ac/ac198807
https://www.nxtbook.com/nxtbooks/ac/ac198806
https://www.nxtbook.com/nxtbooks/ac/ac198805
https://www.nxtbook.com/nxtbooks/ac/ac198804
https://www.nxtbook.com/nxtbooks/ac/ac198803
https://www.nxtbook.com/nxtbooks/ac/ac198802
https://www.nxtbook.com/nxtbooks/ac/ac198801
https://www.nxtbook.com/nxtbooks/ac/ac198712
https://www.nxtbook.com/nxtbooks/ac/ac198711
https://www.nxtbook.com/nxtbooks/ac/ac198710
https://www.nxtbook.com/nxtbooks/ac/ac198709
https://www.nxtbook.com/nxtbooks/ac/ac198708
https://www.nxtbook.com/nxtbooks/ac/ac198707
https://www.nxtbook.com/nxtbooks/ac/ac198706
https://www.nxtbook.com/nxtbooks/ac/ac198705
https://www.nxtbook.com/nxtbooks/ac/ac198704
https://www.nxtbook.com/nxtbooks/ac/ac198703
https://www.nxtbook.com/nxtbooks/ac/ac198702
https://www.nxtbook.com/nxtbooks/ac/ac198701
https://www.nxtbook.com/nxtbooks/ac/ac198612
https://www.nxtbook.com/nxtbooks/ac/ac198611
https://www.nxtbook.com/nxtbooks/ac/ac198610
https://www.nxtbook.com/nxtbooks/ac/ac198609
https://www.nxtbook.com/nxtbooks/ac/ac198608
https://www.nxtbook.com/nxtbooks/ac/ac198607
https://www.nxtbook.com/nxtbooks/ac/ac198606
https://www.nxtbook.com/nxtbooks/ac/ac198605
https://www.nxtbook.com/nxtbooks/ac/ac198604
https://www.nxtbook.com/nxtbooks/ac/ac198603
https://www.nxtbook.com/nxtbooks/ac/ac198602
https://www.nxtbook.com/nxtbooks/ac/ac198601
https://www.nxtbook.com/nxtbooks/ac/ac198512
https://www.nxtbook.com/nxtbooks/ac/ac198511
https://www.nxtbook.com/nxtbooks/ac/ac198510
https://www.nxtbook.com/nxtbooks/ac/ac198509
https://www.nxtbook.com/nxtbooks/ac/ac198508
https://www.nxtbook.com/nxtbooks/ac/ac198507
https://www.nxtbook.com/nxtbooks/ac/ac198506
https://www.nxtbook.com/nxtbooks/ac/ac198505
https://www.nxtbook.com/nxtbooks/ac/ac198504
https://www.nxtbook.com/nxtbooks/ac/ac198503
https://www.nxtbook.com/nxtbooks/ac/ac198502
https://www.nxtbook.com/nxtbooks/ac/ac198501
https://www.nxtbook.com/nxtbooks/ac/ac198412
https://www.nxtbook.com/nxtbooks/ac/ac198411
https://www.nxtbook.com/nxtbooks/ac/ac198410
https://www.nxtbook.com/nxtbooks/ac/ac198408
https://www.nxtbook.com/nxtbooks/ac/ac198407
https://www.nxtbook.com/nxtbooks/ac/ac198406
https://www.nxtbook.com/nxtbooks/ac/ac198405
https://www.nxtbook.com/nxtbooks/ac/ac198404
https://www.nxtbook.com/nxtbooks/ac/ac198403
https://www.nxtbook.com/nxtbooks/ac/ac198402
https://www.nxtbook.com/nxtbooks/ac/ac198401
https://www.nxtbook.com/nxtbooks/ac/ac198312
https://www.nxtbook.com/nxtbooks/ac/ac198311
https://www.nxtbook.com/nxtbooks/ac/ac198310
https://www.nxtbook.com/nxtbooks/ac/ac198309
https://www.nxtbook.com/nxtbooks/ac/ac198308
https://www.nxtbook.com/nxtbooks/ac/ac198307
https://www.nxtbook.com/nxtbooks/ac/ac198306
https://www.nxtbook.com/nxtbooks/ac/ac198305
https://www.nxtbook.com/nxtbooks/ac/ac198304
https://www.nxtbook.com/nxtbooks/ac/ac198303
https://www.nxtbook.com/nxtbooks/ac/ac198302
https://www.nxtbook.com/nxtbooks/ac/ac198301
https://www.nxtbook.com/nxtbooks/ac/ac198212
https://www.nxtbook.com/nxtbooks/ac/ac198211
https://www.nxtbook.com/nxtbooks/ac/ac198210
https://www.nxtbook.com/nxtbooks/ac/ac198209
https://www.nxtbook.com/nxtbooks/ac/ac198208
https://www.nxtbook.com/nxtbooks/ac/ac198207
https://www.nxtbook.com/nxtbooks/ac/ac198206
https://www.nxtbook.com/nxtbooks/ac/ac198205
https://www.nxtbook.com/nxtbooks/ac/ac198204
https://www.nxtbook.com/nxtbooks/ac/ac198203
https://www.nxtbook.com/nxtbooks/ac/ac198202
https://www.nxtbook.com/nxtbooks/ac/ac198201
https://www.nxtbook.com/nxtbooks/ac/ac198112
https://www.nxtbook.com/nxtbooks/ac/ac198111
https://www.nxtbook.com/nxtbooks/ac/ac198110
https://www.nxtbook.com/nxtbooks/ac/ac198109
https://www.nxtbook.com/nxtbooks/ac/ac198108
https://www.nxtbook.com/nxtbooks/ac/ac198107
https://www.nxtbook.com/nxtbooks/ac/ac198106
https://www.nxtbook.com/nxtbooks/ac/ac198105
https://www.nxtbook.com/nxtbooks/ac/ac198104
https://www.nxtbook.com/nxtbooks/ac/ac198103
https://www.nxtbook.com/nxtbooks/ac/ac198102
https://www.nxtbook.com/nxtbooks/ac/ac198101
https://www.nxtbook.com/nxtbooks/ac/ac198012
https://www.nxtbook.com/nxtbooks/ac/ac198011
https://www.nxtbook.com/nxtbooks/ac/ac198010
https://www.nxtbook.com/nxtbooks/ac/ac198009
https://www.nxtbook.com/nxtbooks/ac/ac198008
https://www.nxtbook.com/nxtbooks/ac/ac198007
https://www.nxtbook.com/nxtbooks/ac/ac198006
https://www.nxtbook.com/nxtbooks/ac/ac198005
https://www.nxtbook.com/nxtbooks/ac/ac198004
https://www.nxtbook.com/nxtbooks/ac/ac198003
https://www.nxtbook.com/nxtbooks/ac/ac198002
https://www.nxtbook.com/nxtbooks/ac/ac198001
https://www.nxtbookmedia.com