American Cinematographer - June 1985 - 14
George L. George
\
In San
Francisco-
The
Bookshelf
PROFESSIONAL
MOTION PICTURE & VIDEO
SALES & RENTALS
The film industry's headlong rush into
electronics gives particular timeliness to
book, Electronic Cinematogra¬
phy. Written by cameraman Harry
Mathias, an authority on the merging of
a new
USED 16MM KNOCKOUTS
*
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*
*
*
Arriflex 16-S, Zeiss 16, 25, 85mm
Arriflex 16-S, 10mm, 12-120 Zoom
Arriflex 16-BL, 12-120 Zoom
Beaulieu R16, w/Angenieux 17-68
Zoom
Beaulieu R16, w/Angenieux 12-120
Zoom
Bell & Howell 70-TMR w/Bodine motor
*
*
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$4750
Bolex Rex 4 w/18-86 Zoom, 25mm
Bolex Rex 4, JK-203, Animation motor,
vertical
*
*
*
*
*
*
*
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$2778
Bolex Rex 3, w/17-85 Zoom, 10, 25,
75mm
$1472
Bolex Rex 3, 10, 25, 75mm
$ 950
Bolex Rex 3, 10, 25, 75mm
$ 855
Bolex Rex 3
$475 Bolex Rex 3
$ 807
Bolex Rex 3, 10mm Switar, Bolex
Underw. housing
$1425
Bolex Rex 2, 10, 25, 75mm
$1330
Bolex H-16 w/15, 25, 75mm sidewinder .$ 285
Canon Scoopic 16, 13-76 Zoom
....$ 522
Canon Scoopic 16, 13-76 Zoom
$ 755
CP 16/A, 12-120, w/1" finder, 2x400'
mags,
CP 16/A
mags,
CP 16/A
case
9.5-95 w/1" finder, 2x400'
case
9.5-95 w/1" finder, 2x400'
mags
*
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tripod compound (NS & 360),
12-120, 17-85 Zooms
*
$1196
Bolex H-16 SB w/16-100 POE
$1615
Bolex H-16 SB EBM
$1282
Bolex Rex 5
$1852
Bolex Rex 5 w/16-100 POE, 400' mag,
MST motor Animation motor, rex-o-fader,
sports finder
*
*
$2090
$ 475
(on platf.)
*
$2470
$3325
$4465
Eclair ACL, 200' magazine
Eclair ACL, 12-120 macro Zoom,
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*
*
*
*
*
12-120mm Angenieux
12-120mm Angenieux
9.5-57mm Angenieux
75mm Macro-Switar
5.9mm Angenieux
9mm Kinoptik
150mm Macro-Yvar
10mm Schneider-Arriflex
50mm Schneider-Xenon
25mm Bell & Howell
74mm Switar
25mm Kern-Paillard
10mm Switar
50mm Schneider
50mm RX Macro-Switar
50mm Schneider
1985
$ 125
$ 300
$
$
$
$
$
$
$
$
$
234
380
150
75
95
213
332
850
237
$ 165
$ 572
July 31 st,
land. The rationale for Greene's gener¬
ally disenchanted views are discerningly
analyzed in this thoughtful study (Mer¬
rimack, Salem, NH, $22.95],
In
Martial Arts Movies,
the ethnic
origins and prodigious inter¬
popularity of kungfu, karate and
similar combat sports are traced by
Richard Meyers et al. with zestful ap¬
preciation of the films and their charis¬
national
matic
stars
[Citadel. Secaucus, NJ,
$19.95],
petus in the 30s and 40s to the art of
cartooning [MacFarland. Box 611,
Jefferson, NC, $16.96],
The tragic and sometimes
suspicious deaths of Hollywood celebri¬
ties, from Thelma Todd
to
John Belushi,
recapped by Laurie Jacobson in
Hollywood Heartbreak with proper
regard for popular mythology [Simon &
Schuster, New York, $8.95].
Top filmmakers offer articu¬
late and challenging opinions on various
aspects of their craft in Film Forum,
are
assembled
The
long-time expertise of
L. B. "Bill" Abbott, ASC, in designing
executing the sophisiticated tech¬
nology involved in such spectacular
by researcher Ellen Oumano.
Bertolucci, Fass¬
binder, Forman, Scorsese, cameraman
Directors Altman,
Nestor Almendros, ASC, and documentarians Barbara
are
(HOWARD)
495-3852
an
scriptwriter and film critic is assessed
by Quentin Falk in Travels in Greene-
and
Adolph Gasser
S.F. (415)
Lenburg shows the contri¬
Fleischer, Hanna and Barbera, and
Chuck Jones. Their personal style and
technical innovations gave decisive im¬
only.
181 SECOND ST.
In The Great Cartoon Di¬
rectors, Jeff
Graham Greene's 60-year in¬
volvement in cinema as author, adapter,
$ 999
5.7mm
a master
$25].
$ 880
$ 950
$1400
Century-Arri mount
These low sale prices until
*
be
Splash!. A full-color collection of com¬
ics, Donald Duck and His Nephews,
points up Disney's influence in yet an¬
other sphere of popular entertainment
[Crown, New York, $12.95; Ab¬
beville, New York, $25],
$2250
$2450
$ 570
*
to
-
$2612
$7125
*
and writers. He is shown
Studio movie
cartoons, features, TV
shows - from the first Mickey Mouse
Plane Crazy (1928) to last year's
bution to animated shorts of such
creative artists as Friz Freleng, Dave
3x200' mags
*
George Roy Hill spotlights the char¬
Leonard Maltin's The Dis¬
Films, updated and expanded, dis¬
cusses knowledgeably every Disney
ney
ironic, bittersweet vision
of life (Columbia U. Press, New York,
Eumig, 16, 25mm
*
of
acteristics of Hill's work through inter¬
views with Hill himself and with actors
Special Effects - Wire, Tape and
Rubber Band Style, Abbott's unique
inventiveness and originality, applied
over 50 years in hundreds of major
productions, blanket the whole field of
visual movie magic [ASC, Hollywood,
$29.95],
Girl, with
Frezzi-Cordless, 12-120mm, 400' mag ...$1750
17-85mm Kern Vario-Switar RX
$ 332
17-85mm Pan Cinor
$ 280
20-60mm Pan Cinor
$ 95
16-100 POE RX
$665
12-120mm Canon Macro
$ 807
*
director, Andrew Horton's The Films
$3800
*
*
approaches the problem from the cam¬
eraman's point of view, rather than the
engineer's. The book offers an expert
and thorough analysis of video's current
status and its potential in technology
and esthetics, and discusses equipment
and its utilization in practical terms. It
also goes a long way toward de-mystifying video and laying the groundwork for
a truly creative use of the medium
(iWadsworth, Belmont, CA. $22.95].
A perceptive portrait of a top
storyteller, infusing his films, such as
The Sting and The Little Drummer
*
*
film and video, and Richard Patterson, it
films as The Towering inferno, The
Poseidon Adventure and Torn! Torai
Tora! is told in explicit and fascinating
detail in his colorful autobiography,
among
Kopple and Al Maysles
the 35 personalities talking
continued
June 1985
American Cinematographer - June 1985
Table of Contents for the Digital Edition of American Cinematographer - June 1985
American Cinematographer - June 1985 - 1
American Cinematographer - June 1985 - 2
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