American Cinematographer - July 1985 - 89

keeping track of it that way. It's
shooting a commercial.

almost like
unit

-

plates

"Now for the second
and the third, aerial and
-

the directors of both of

those had very specific shot lists as
well. So first the 'boards, and
that's how we did all the break¬
down and the scheduling, and
then the shot lists, which were
even
more detailed
than the

storyboards."
No

35 MM HIGH SPEED CAMERAS SYSTEMS
The Image 300 35MM HIGH
SPEED CAMERA SYSTEM has the
features you've come to expect in

how careful

availability, complications in¬
creased. Having a rough idea of
the shooting schedule since spring,
Kopp now began the laborious
task of finalizing dates and loca¬

*

the best 35mm

production equip¬
ment: Dual Pin Registration; Full
Reflex Viewing through a rotating

24 to 300

fps
Aperture
Single & Double Pulse
Strobe Option
Full

mirror shutter with Video Assist;
BNCR Lens Mount and 1000'

BUT THE IMAGE 300 DOES
MORE! Fingertip control of speeds
from 24 to 300 fps and designed
for use with UNILUX STROBE or
conventional lighting for absolutely

breath-taking, rock-steady slow
motion. Shooting slow motion
any other way is just

"and you go to City Hall, and you
trying to make your arrange¬

PRODUCTION: "Brewster's

New York soon!

They are as accommodat¬
ing as possible, but as careful as
possible. And they say, 'Okay, you
can use City Hall,' Then they
go

PRODUCER: Lawrence Gordon,
Joel Silver
DIRECTOR: Walter Hill
A Universal Picture

Available for Rental Now. Call Ted Landon
at

Millions"

ments.

find out that the ninth, which
is Tuesday, they have a reception
in the rotunda for six or eight hun¬

.

NOW WORKING FOR THE BEST
in Commercial Film and Feature Production:

start

their calendar, and

Now in London

"old-fashioned"

tions. "So it's now the first week
or two in
September," he related,

at

*

Magazines.
matter

the preparation, though, reality
has a way of ruining even the very
best planning, and given the first
unit's dramatically shortened

and look

*

1

(213) 466-3561 to make a reservation.
MOST PRO'S DO!

aiangordon enterprises me.
1430

Cahuenga Blvd., Hollywood, CA 90078
Telephone: (213) 466-3561 * (818) 985-5500
TWX: 910-321-4526 * Cable: GORDENT

you

dred people, and you've got it
scheduled for Monday and

of

Tuesday.
"'You

Hall

on

cannot

use

City

Tuesday, the ninth.'

"'But Mr. Moore is only
going to be in California for eight
days .'
"Not only that, the crew
is only going to be here for a cer¬
tain amount of time, and you've
got that scheduled pretty absolute
on that Monday and Tuesday, and
they say you can't shoot there on
Tuesday. So now you have to
move things around. We ended up
shooting there on Monday and
.

e<

Oe

.

Wednesday.
"Now it also got

involved

Thank you

j r j rn

because another location said that
could only shoot there on Sun¬

we

day

- that was the mine over in
Marin. Another location said we

could

day

-

only shoot there on Satuthat was the interior of City

Hall. So that took

care

days. Then the only day

of those
we

could

Precision Film Laboratories, Inc
Subsidiary of Precision Film and Video Corporation

(212) 489-8800
PRECISION FILM LABORATORIES, INC.
630 NINTH AVENUE

NEW YORK, NY 10036

87
American Cinematographer - July 1985

Table of Contents for the Digital Edition of American Cinematographer - July 1985
