American Cinematographer - August 1985 - 16

The

George L. George
Written

by Verne and Sylvia E. Carlson
thoroughness and ex¬
pertise, Professional Lighting Hand¬
book is a comprehensive and practical
guide to setting up lights, accessories
and lighting equipment, and using them
for their greatest potential. As camera¬

with their usual

David Quaid, ASC, writes in his

man

Who

are

you

calling

a

lightweight?

preface, this "control of light" affords
the imaginative, artistic craftsmen the
essential freedom of creativity (Focal
Press, Stoneham, MA, $22.95.).
An extensive manual

It's true: Moviola®'s

new

16mm

portable console editor weighs in at
215 pounds.

a mere

Which makes it

a

breeze to

move,

ship or haul. Its tilting table and
heavy-duty casters help, too. And
it's adaptable for use anywhere in
the world.
Our

portable has six plates,
picture transport and two magnetic
sound transports, just like the big
guys. But its modular construction
makes for easier servicing.
Leave it to Moviola® to make

"lightweight" the right weight.

MoviolaJ & R Film

by J & R

Company, Inc.

6820 Romaine Street

Hollywood, CA 90038
(213) 467-3107
TWX: 910-321-4220

use

of

tems,

on

computer-assisted editing

the
sys¬

Diana Weynand's Computerized

Videotape Editing deals fully with all
standard procedures, concepts and tech¬
niques. Developed in conjunction with a
hands-on professional training course, it
covers explicitly the various steps of the
process [Weynand Associates, Wood¬
land Hills, CA, $34.95 inch
shipping).
Recently published volumes
in the notable Twayne's Filmmakers se¬
ries survey the approach to moviemak¬
ing of two prominent directors: Robert
Altman by Gerard Plecki and Roman
Polanski by Virginia Wright Wexman.
Informative and scholarly, they include
in-depth analyses of these directors' cin¬
ematic concepts in terms of style and
content, critiques of selected films, a
bibliography, a filmography, and as¬
sorted references (G. K. Hall, Boston,
MA, $18.95 ea.).
Culled from documentary
films that director George Stevens, then
lieutenant-colonel, shot during WWII, a
number of exceptionally vivid color pho¬
tographs are assembled in Victory in

Europe, tracing the
climatic year.

course

of the war's

An introduction by George

Stevens, Jr., founder of the American
Film Institute, and a text by Max Hast¬

Originally published 30 years
A Child of the Century is the
irrepressible autobiography of novelist/
screenwriter Ben Hecht. The lengthy
section about a Hollywood of many
years ago brings back such names as
David Selznick, John Barrymore, Louis
B. Mayer and Harpo Marx in memora¬
ble episodes that illustrate the low es¬
teem in which Hecht held Hollywood
ago,

[Donald Fine, NYC, $19.95/11.95).
Prof.

researched

14

study of

over

a

The
well-

800 features

The Jazz

Singer, Chaplin's The Great

Dictator and Streisand's Yentl, Erens

analyzes sensitively each film's contri¬
bution to the image of Jews in Ameri¬
can
society [Indiana U. Press,
Bloomington, IN, $27.50).
A scholarly survey of sexual
ambiguity as a basis for plot motivation,
Hollywood Androgyny by Rebecca
Bell-Metereau discusses sex role rever¬
female impersonation, transves¬

sals

-

homosexuality - in over 250 films
Chaplin to Dustin Hoffman
[Columbia U. Press, NYC, $24.95).
Asserting that "fiction has
long been a worthy partner of history,"
Michael R. Pitts provides in Holly¬
wood and American History
extensive plot summaries and produc¬
tism,

with Charlie

tion data for

shorts

some

250 features and

chronicling the nation's

progress

[McFarland, Box 611, Jefferson, NC,

$24.95).
Sheilah Graham recaps,

Hollywood Revisited, her
columnist

in

career as

during the film capital's

Golden Years. Considerably tamer than
in the past, she uses hindsight to great

ings set the historic background of this

advantage in re-assessing the import of
the stories that filled her popular col¬

unique record [Little Brown,

umn

NYC,

(57. Martin's, NYC, $15.95).

rector
....

Erens'

with Jewish characters and themes.
From early "ghetto films" to Jolson's

$25).
Moviola® and the movies

Patricia

Jew in American Cinema is

In Jesus of Nazareth, di¬
Franco Zeffirelli details the countcontinued

since 1924.

August 1985
American Cinematographer - August 1985

Table of Contents for the Digital Edition of American Cinematographer - August 1985
