American Cinematographer - December 1985 - 35

Director of

Photography - Jan DeBont
Lights:

Talks About LTM HMI

"In the most difficult situations
LTM's HMI

Lights hold up"

"There really is a
difference in

GREAT ON SERVICE
Service

HMI LIGHTS!"
The
HMI

difference

between

lights and others

was

LTM's

recently

demonstrated in New York. Color

gels placed in front of other lights
were
continuously destroyed by
heat. The heat that
LTM lens

was

came

from

much less. For

this

is

a

big help.
lights are ideal for shooting
through very heavy filters. The
Luxarc 12000 is the only light
powerful enough to go through
multicolor gels and diffusion
cameraman

a

LTM's

a respected Director of
Photography. His film credits include;
JEWEL OF THE NILE, CLAN OF THE

Jan DeBont is

CAVE BEAR, FLESH & BLOOD, FOURTH
MAN, and ALL THE RIGHT MOVES.

material.

extremely important.
ample stock of their
lights available in Los Angeles,

New

York, Florida, Paris and at La

Victorine Studio in Nice. If spare

parts are needed, they are always
available.

During Shooting of JEWEL OF
THE
NILE, LTM International
Production Services went out of

their way to
needed.

provide

with what
required
additional cyclorama lights in
Nice, they called Paris and had
them especially made for our use.
we

When

us

we

BELOW:
LTM International Production Services

provided
lights and grip equipment during shooting of

JEWEL OF THE NILE in Morocco and at La
Victorine Studios, Nice.

EXTREMELY RELIABLE
When

an

is

has

LTM

shooting

situations

it

lights hold

is
up,

break, that there
with cables

or

in difficult
important that
that they don't
are no

problems

the ballast.

have tried other lights, but I
always have the best luck with
LTM
lights. They are solid,
extremely reliable, and work all
I

the time!

PHENOMENAL
OUTPUT
I

like

lights that provide wide
spread. The ratio of flood to spot
of LTM's 6K and 12K is really
phenomenal compared to other
lights. LTM's lens and reflectors
provide excellent output.

LTM CORP. OF AMERICA, 1160 N. Las Palmas Ave., Hollywood, CA 90038 * (213) 460-6166

-

Telex 67-7693

LTM PRODUCTION SERVICES (FL), 909 N.W. 10th Terrace, Ft. Lauderdale, FL 33311 * (305) 522-1070
LTM CORP. OF AMERICA (NY), 437 West
A SUBSIDIARY OF LTM FRANCE

16th St, New York, NY 10011

*

(212) 243-9288



American Cinematographer - December 1985

Table of Contents for the Digital Edition of American Cinematographer - December 1985

American Cinematographer - December 1985 - 1
American Cinematographer - December 1985 - 2
American Cinematographer - December 1985 - 3
American Cinematographer - December 1985 - 4
American Cinematographer - December 1985 - 5
American Cinematographer - December 1985 - 6
American Cinematographer - December 1985 - 7
American Cinematographer - December 1985 - 8
American Cinematographer - December 1985 - 9
American Cinematographer - December 1985 - 10
American Cinematographer - December 1985 - 11
American Cinematographer - December 1985 - 12
American Cinematographer - December 1985 - 13
American Cinematographer - December 1985 - 14
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American Cinematographer - December 1985 - 16
American Cinematographer - December 1985 - 17
American Cinematographer - December 1985 - 18
American Cinematographer - December 1985 - 19
American Cinematographer - December 1985 - 20
American Cinematographer - December 1985 - 21
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American Cinematographer - December 1985 - 23
American Cinematographer - December 1985 - 24
American Cinematographer - December 1985 - 25
American Cinematographer - December 1985 - 26
American Cinematographer - December 1985 - 27
American Cinematographer - December 1985 - 28
American Cinematographer - December 1985 - 29
American Cinematographer - December 1985 - 30
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American Cinematographer - December 1985 - 32
American Cinematographer - December 1985 - 33
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American Cinematographer - December 1985 - 37
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American Cinematographer - December 1985 - 62
American Cinematographer - December 1985 - 63
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