American Cinematographer - February 1986 - 97

"There is

specially made for tinting and ton¬
ing for color effects. Agfa entered the
"natural color" field with a bi-pack pro¬
cess, DIPO, in 1931. Like the Tech¬

were

nicolor of that time, DIPO consisted of

panchromatic and one orthochromatic black and white negative film which
ran together, emulsion facing emulsion,
through modified or specially built cam¬
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exposed were each printed on one side
of a double-sided positive film, which
subsequently was dyed red-orange and
blue-green. The great UFA studios in
Germany marketed films made in this
process as Ufacolor productions. In Eng¬
land it was known as Spectracolor and

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Angeles Times

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on

Visual Effects...

Probably the most comprehensive and
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Agfa's Tripo print film and
Gevaert's DIPO negatives were com¬
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three-color process introduced in Ger¬

handling

and
USA;
foreign.

per copy

$5 per copy

Calif, residents add $1.95

copies of The ASC Treasury of Visual Effects.

(Payment with order).

was

a

Address

State

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in 1933 and also subsequently
popular in England. The Agfacolor len¬
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1939,

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three color

which was continually improved
upon for use in the German studios. The
extraordinary fantasy, Munchhausen
(1943) is one of many features made
there before the fall of Germany in

Allow 6-8 weeks for

process

delivery. U.S. funds only.

1945.
The Russians seized

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as the
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Agfacolor stock and equipment
war

ended and

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in the "new Sovcolor" process.

Agfa
for postwar
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A number of major studio fea¬
tures
including The Wild North, New
patents became the basis

-

Mexico, The Man

on

the Eiffel Tower

and Escape From Fort Bravo were
made in Ansco Color, an American prod¬
uct

utilizing licensed Agfa patents.

came

Gevaert's Gevacolor also
into its own after the war, becom¬

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European film industry, especially in
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den. Gevachrome Original High Speed
negative, which was balanced for artifi¬
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out

at

ASA 160 followed.
Gevachrome II 730,

in 1979, offered a

brought
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95
American Cinematographer - February 1986

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